
By Albert M. Verchere, from a paper on geology of Kashmir
for
Journal of Asiatic Society of Bengal (1866)

in bits and pieces

By Albert M. Verchere, from a paper on geology of Kashmir
for
Journal of Asiatic Society of Bengal (1866)

bala’yan cha heng aa’saan
Do evil spirits have horns!
[Troubles come unannounced]
~ Kashmiri Saying
Segment about dresses of Kashmiri women from ‘Feminine Fashions’ (1953) by K. L. Khandpur
![]() |
| Peace brigades marching towards Srinagar on the eve of taking over the emergency administration of the State by Sheikh Mohd. Abdullah in 1947 Photographer: [K.N. (?)] Bamzai. [Photodivision India] |
Collected this story in Jammu while walking my father’s Badi Maami to the main road as there was no light in the lanes. She had heard Kashmir interests me. In darkness, in between pauses of heavy breath, while slow walking, she told me about death of her brother in 1947.
Few remember those dead people now. Few know their stories. He died so young. My brother…Bira…Somnath Koul Bira. He was with Shiekh. He was part of Militia. The ‘National Militia’. They defended Kashmir. When Kabailis attacked. They fought back. He died. There was communal unrest in Doda [then still part of Udhampur District]. Tribals were raiding. Hindus and Sikhs were killing Muslims. Muslims were killing Hindus. 700 people from Srinagar volunteered to go there as ‘Peace Bridage’. My brother was one of the leaders. Peace was established. But he never returned. There were stories. Stories of foul play. I was told he died even before reaching Doda. On the way they had to cross a bridge over Chenab. While crossing the bridge, they came under fire. I was told he fell in Chenab. He was gone.
Somnath Koul Bira was among the bright crop of young student leaders that came out of Lahore. Among his friends were Professor Apurab Somnath [Bakhiri] and Professor Durrani.
In 1947, a close to 600 Kashmiri Pandits were part of the Kashmir Militia. A lot of them communists.
-0-
![]() |
| Photograph of Somnath Bira, young man at the back in dark coat, pomaded hair parted neatly and a fountain pen in breast pocket. From personal collection of Somnath Bira’s brother Jawahar Kaul Bira based now based in Gurgaon. Shared by Anil Taku, nephew of Somnath Bira. |
Based on an online conversation here’s what I could gather:
*
Mehmood Hashmi went on to write a reportage in 1950 based on his experiences. ‘Kashmir Udaas Hai’ published in Pakistan is considered first of its kind book in Urdu. He worked in the parallel government for some years and then moved to England in 1970s where he continued to work for promotion of Urdu language.
-0-
Feb, 2019
![]() |
| Pushkar Zadoo [via: FB] |
| Summer retreat of Kangri |
“The natives of Kashmir are in the habit during the cold weather of carrying about a small pot covered with basket-work called a kangri ; when in use it is filled with hot embers. On preparing to go to sleep these people very frequently put their kangri with its ignited contents inside the breast part of their upper garment, a practice which very often results in their being severely burnt about the chest, as it would seem they are very heavy sleepers.
The kangri appears to have found a home in one part of Italy only. In Florence, during the winters, which are very severe, no Florentine woman of the lower classes walks abroad without carrying her Scaldino, a reproduction of the kangri of Kashmir. Dr [Eugen] Hultzsch has shown that the use of portable fireplaces or braziers was known in India — in Kashmir — as early as the twelfth century a.d., and here we have their use in Persia (and if [Pietro] Della Valle‘s word tennor be right, in Arabia also), as well as in Spain and Italy, in a manner implying a long previous history.”
~ ‘The Symbolism of the East and West’ (1900) by Mrs Murray Aynsley.
-0-
A bit about Kangri, its possible origins and place among similar apparatus from around the world. Its closest relative probably comes from China.
“Many varieties of the hot-water containers have been developed. As novelties in the English potters’ exhibition at the Philadelphia Centennial in 1876 were foot-shaped vessels for hot water intended for placing in boots for drying them, and concavo-convex vessels for applying heat to the abdominal region. the Museum has a rare pottery hot-water bottle (pl.3, fig.1) with formed depressions for the feet of a lady. This vessel is of glazed Binghamton earthenware and dates about 1840. Several varieties of hand stove are found in easter Asia. they are usually of brass or copper, and consist of a small rectangular box with pertorated lid like an incense burner, and have a handle. They are often quite artistic pieces of workmanship (pl4.1). Sven Hedin found this variety of heating device at Lan Chow, western China, and says: “Among other things I bought shakos, or hand stoves, shaped like teapots but with grated lids. You fill them with ashes and put two or three pieces of red-hot charcoal in the middle of the ashes. the sha-lo will then keep warm for a good 24 hours.”
The Japanese pocket stove, or belly stove, as it is called, is much in advance of the examples previously described in that it employs a specially prepared fuel whose origin is probably in ancient experiments to produce a slow match for preserving fire for a long time. The pocket stove is a box of copper or tin slightly curved to fit the wearer, and with perforated sliding lid. paper cartridges filled with powdered charcoal of a specified kind are placed in the box, lighted at one end, and the lid closed. One charge gives out a gentle heat for four hours. Such stove are cheap, useful, and efficient. Another form widely spread is a small vessel with handle, in which a charcoal fire is carried about and used to warm the feet and hands. Perhaps the more familiar example of this personal stove is the scaldino of Italy, possibly of quite ancient origin (pl.3. fig. 2). These little stoves are made of bronze and terrra cotta, vase shape, with lid. Sometimes they are real works of art, designed for use by the elite. In China such stoves consist of a pottery bowl neatly incased in bamboo basketry. The Chinese bamboo portable stove has a base of sufficient diameter to prevent tipping over and is carried by a handle. (pl.3.figs.3,4). A similar vessel, called Kangri, is used during cold weather at Srinagar, Kashmir. the fire bowl is incased in elaborately woven osier over plates of mica. On top is a yoke-shape frame with a loop for carrying without getting the fingers burnt. Collected by Dr. W.L. Abbott (pl.3. fig 5).
~ Based on notes on specimen found by Dr. William Louis Abbot (1860-1936) in Kashmir in between 1891 and 1894 and presented in ‘Fire as an agent in Human Culture’ (1926) by Walter Hough for Smithsonian Institution United States National Museum.

-0-
![]() |
|
No. 10 Stone Lamp with pointed spout. Cashmere, India.
|
![]() |
| Pandit ritual involving T’song for 15th day of Shivratri. Jammu. 2013. |
![]() |
| An illustration of Kashmiri boat lamp found in ‘Aus dem westlichen Himalaya: Erlebnisse und Forschungen’ by Károly Jenö Ujfalvy (1884) |
-0-
![]() |
| Jammu. Spring.2013. |
![]() |
| Nayikas in Rasamanjari. Basohli Painting (~18th Century). |
At the side of the bed
the knot came undone by itself,
and barely held by the sash
the robe slipped to my waist.
My friend, it’s all I know: I was in his arms
and I can’t remember who was who
or what we did or how
-0-
![]() |
| Shalimar Gardens. William Simpson. 1823. About the performance he wrote,it was “the sweet delusion of a never to be forgotten night.” |
![]() |
| Newsclip about Ratan Devi’s performance in New York Vassar Miscellany News, Volume X, Number 18, 25 November 1925 Interesting note by Willain Buttler Yearts. |
-0-
Finally tracked down Kashmiri songs documented by the couple in 1911.
-0-
This is how the ‘Great Suyya Experiment’ from Rajatarangini would have actually played out.