Akhun Mulla Shah’s mosque.
Raghubir Singh. ‘Kashmir: Garden of the Himalayas’ (1983).
Praying at Boniyar Temple, 1920s
Praying at Bhaniyar Temple [Bunair/Boniar/Boniyar [now, in Bandi Brahamana, Baramulla[Lat 34° 8′. Long. 74° 13′]]].
Temple is by the Jhelum river on the road between Uri and Naushera.
At one time it was said to be the best surviving specimen of Kashmiri architecture.
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Kadal, 1946
Fateh Kadal
1946
From a private album probably belonging to a British Soldier
Alan Moore’s nuclear Sikh on Kashmir
In Alan Moore‘s world, Captain Nemo’s great-grand son is a nuclear Sikh terrorist threatening to nuke Pakistan over Kashmir.
From ‘League of Extraordinary Gentlemen’ (Vol III) Century #3. ()
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Yach
Pedestal with Yaksha and two lions, 9th century, Kashmir Image: metmuseum |
We know the story…
“In the modern folk-lore of Kashmir, the Yaksha has turned into the Yech or Yach [Yo’c’he], a humorous, though powerful, sprite in the shape of a civet cat of a dark colour, with a white cap on his head. This small high cap is one of the marks of the Irish fairies, and the Incubones of Italy wear caps, “the symbol of their hidden, secret natures.” The feet of the Yech are so small as to be almost invisible, and it squeaks in a feline way. It can assume any shape, and if its white cap can be secured, it becomes the servant of the possessor, and the white cap makes him invisible.”
~ ‘The popular Religion and Folklore of Northern India’ (1896) by W. Crooke
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The setup for the offering. |
Khetchi Mawas, foodies’ peace treaty with Yakshas
Khich Mavas: a Feast for Yetis and Dogs
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Previously:
Ghoul, Goblin, Succubi and Other Ethereal Preternatural Beings of Kashmir
Marc Aurel Stein: Illustrated Rājataraṅgiṇī
Stein’s edition of the Sanskrit text of Rājataraṅgiṇī appeared in 1892 and his two volume annotated translations in 1900. It was his monumental contribution to study of Kashmir, a place which meant much to him.
Over the next few decades, many more people added their own findings to the study of Rājataraṅgiṇī.
In 1920s, in light of new findings, the idea of publishing an updated and corrected new edition of Rājataraṅgiṇī took root in Steins mind. But this was going to be an even more ambitious undertaking. Over the next two decades, Stein planned and worked on his ‘Illustrated Rājataraṅgiṇī’.
In his various letters, he talked about this work:
“The desire here expressed for providing by graphic reproduction an important aid for the student of the Chronicle has been a special inducement to me for undertaking this re-issue of my work. The illustrations of ancient sites, ruined structures, etc., which figure in Kalhana’s narrative, have with a few exceptions been reproduced from photographs I was able to take myself on a tour from October-November 1940. Apart from the pleasure it afforded me of revisiting familiar scenes in surroundings and climatic conditions exceptionally favoured by nature, it offered the welcome opportunity of testing the accuracy of impressions and surveys dating back in many places to close on half a century.”
But then in 1943, Stein died and the fate of this mammoth work of human diligence was unknown and uncertain. It was believed to be unfinished and lost.
Then in 2011, while going through the Stein archives kept in western Manuscripts Collection of Bodleian Library at Oxford, Luther Obrock, came across the almost final draft of ‘Illustrated Rājataraṅgiṇī’. Among other things, the document provided an incomplete handwritten list of photographs to be included in the final book. Obrock was able to trace the photographs in the Library of the Hungarian Academy of Sciences in Budapest and the Bodleian Library at Oxford.
‘Marc Aurel Stein: Illustrated Rājataraṅgiṇī’ was now possible.
In foreword to the work, Obrock writes:
“This book reproduced those photographs with the title mentioned in the dated list. I was able to trace the vast majority of the photographs mentioned, however it must be noted that Stein’s photograph list contained in the Western Manuscripts collection of the Bodleian is incomplete. Stein merely listed some place names as “take” or left the space next to a page number blank. Perhaps another more complete list of the photograph exists, but I have been unable to locate it in either Budapest or Oxford. I have listed the untraced and unspecified photographs or sites in an appendix. I have further decided to include only those photographs Stein positively identified with references in order to give an approximation of his vision of an Illustrated Rājataraṅgiṇī. “
In the book, the photographs occur in the sequence in which the various places are mentioned in Kalhana’s work. Not only places, in most of the photographs you can see how people (unknown, unidentified) were interacting with the places too. Stein’s work had had an impact on Kashmiris too, a lot of these places were getting reclaimed.
Some photographs from the book:
First five are from Library of the Hungarian Academy of Sciences and the last one is from British Academy and the Bodleian Library, The University of Oxford.
Nilanaga |
Kapateshvara, Papasudana Naga |
Samdhya, Sundabrar, spring |
Bhedagiri, Budabrar Naga |
Sarada; Sharada temple |
Vitastatra, Vitastatra Nag |
Huskapura, Linga, Ushkur |
“To me as a historical student it affords satisfaction to think that my work may help to preserve a record of varied aspects of Kasmir’s intellectual and cultural heritage which, like the country’s climate and other physical features, have markedly distinguished it from the rest of India in the past but are laible to being effaced more and more in future. In a personal way I have more reason to feel gratified that now after the lapse of decades I can still offer these volumes as a token of gratitude for the benefits a kindly Fate has allowed me to derive from the favours with which nature has so richly endowed this alpine land”, Aurel Stein, Cap, Mohand Marg, September 14, 1941.
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Marc Aurel Stein – Illustrated Rājataraṅgiṇī
Together with Eugen Hultzsch’s Critical Notes and Stein’s Maps
Edited by Luther Obrock in Collaboration with Katrin Einicke
Studia Indologica Universitatis Halensis, Band 6
2013
248 pages with 82 photographs and 2 folding maps
78,00 €
[Buy here]
A great way to celebrate 150th birthday of the great man.
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Golf Caddies, Gulmarg, 1946
Golf Caddies, Gulmarg, August 1946 From a private album probably belonging to a British Soldier |
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“On this same afternoon a few boys were posted on the greens to prevent leaves from obscuring golf balls. They swept with a tiny broom made of a few twigs lashed together.
The locker room is shabby and smell. The furniture is crude and ancient. Light bulbs are no more than 40 watts in brightness. The 19th hole is a collection of a few rickety table and rattan chairs. The bar is stocked with only a trifling quality of liquor, and all the bottled are dusty.”
Extract from “Playing Golf in Kashmir: Greens Fee is 81 cents and sheep trim fairways” by John S. Radosta for The New York Times, December 7, 1969
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Pir Panchal in Autumn by Dina Nath Walli
Pir Panchal in Autumn Dina Nath Walli (1908-2006) Badiyar Bala, Srinagar Date of Creation: 1950-1969 |
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Didda Rani Coin (979-1005 AD)
Queen Didda (979-1005 AD), wife of Raja Kshemgupta and ruler of Kashmir, grand-daughter of Bhimadeva, Shahi ruler of Kabul.
Copper coin of Didda around 950-8 A.D. [Although I suspect it may be of Kalsa (1063-89)] |
Because the queen was the ruler, because the coins carried her name too, the King was known with moniker, Didda-ksema. A lame queen who tortured her own grandson to retain the throne [update. 2018. No, Didda did not kill here Grandsons]. Gave away money and land to Brahmins to check dissent.
Around 1891, when Aurel Stein arrived in Kashmir in he found he found these coins “so common in the Bazars that they might be supposed never to have quite gone out of circulation.”*
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* Notes On Monetary System Of Ancient Kashmir (1899), at Archive.org
Kalashnikov Night
Father came back inside and said they wanted everyone out in the yard. Everyone, including women, children and old. So on that dark, cold night along with everyone else , I too lined up against the wall and faced Kalashnikov. I was eight. It happened somewhere between January and February of year 1990.
Despite every obvious reason, the incident wasn’t a significant memory for me. It attained a meaning much later in my adulthood when I realised the absurdity of it all. I also realized, it had a different meaning for my family. They had rationalised it. For them it was all normal.
The incident: The blackouts were the beginning. I still don’t understand them. If the city is over run by masked gunmen, why should everyone turn off their lights? Everyone should have been asked to sleep with lights on. Take a torch to bed. Kashmiri nights are in any case always darks and disquieting. Yet, the city was under spell of blackouts. That night too, we were supposed to maintain a blackout. Now, blackout didn’t entirely mean lights out. It was winter, as was the norm, our windows were already sealed with newspapers and plastic sheets for insulation against cold. The windows were already tightly shut. Inside, we would light candles at night and wait for morning. We went back to living in primal caves. We tried to be invisible. But, men would be men. It was during these days, with nothing else to do, my father and his brothers started having marathon sessions of Paplu. The games would begin in morning and end in evening. In the afternoon, between curfew breaks, some of their friends would also join in. Scores, winnings and losses, would be maintained on inside leaf of Cavenders and Wills Navy Cut cigarette packets. Women would make Kehwa all day, and make grudging runs to the top room with trays of tea cups. The room on the top most floor of the house was converted into game room. It started to smell like a mix of tobacco, sugar and almonds. This room belonged to my family. Grandfather had purchased it from a kin member for eight hundred rupees after they had moved to a bigger house at Nishat. Our family now had four sections in the house. There was Naya Kambra, the new room, just near the main gate, the room I called my own. Across the courtyard, in the hundred year old wooden house, there was the Thokur Kuth, of the main hall with the main kitchen where everyone would sit down to eat. This became our primal cave during blackouts. There was my father’s room on the first floor. The room on the top floor would have gone to my uncle after his marriage. Other rooms in the building belonged to two other families of kin members. They had in addition, each a newly constructed ‘two room with kitchen’ set in two blocks that lined right side of the courtyard. In all there were twenty two people living in the house: Six children, five old and eleven Adults. Of these, five adults were now Paplu addicts. The play would usually stop at sunset, certainly before dinner and continue the next day; but that fateful night they all decided to have a night session. They lit candles in the room and continued playing. The windows were still shut, blackout was still respected, yet voices occasionally rose with excitement of the game. They forgot about the world outside. They forgot the war that was waging outside. They were in their house, the house that their ancestors built and re-built over may summers, and in it they were safe and invisible. Or so they thought. There was a chink in their cave.
The bunker had cropped up outside our house somewhere in January. It grew just next to little cart shop of small things run by Mad Karim. The first day, the men from bunker just walked across to our house, knocked and asked if they could use our lavatory. My father made some joke about their need for Jangal Pani, and welcomed them. After that, they always welcomed themselves to our lavatory. Family thought it was maybe a good development. Mad Karim was the first to die, he died in what was called crossfire. His sister Posha was to tell me years later that some men from the bunker came to buy cigarette, they bought some and went back. A moment later there was firing and he died on spot. The size of bunker grew, more men arrived, always new men.
None of it mattered. The man with the gun was going to teach us a lesson. Or they were now just having fun? Or was it their ‘area domination’ technique at play? The unarmed men kept trying to reason with the armed men. That seldom goes right. The fact these men were arguing back was getting on the nerves of the men with guns.