Parvati’s Mirror

Herath is now often remembered as the day of Shiva’s marriage. A day of Shiva. A reflection of state of our society today. A correction: it is day of Parvati and Shiva. A small ritual in a Kashmiri Pandit wedding involves the bride holding up a mirror and the couple seeing each other’s reflection in it. A Pandit wedding is essentially a recreation of the wedding of Shiva and Parvati. The bride, Parvati holds the mirror and brings a certain self-realization upon Shiva. A balance. The nature of Shiva changes at this self-realization. The approach, the methods to explain him, changes. A war of ideas is settled. All made possible by Parvati, and the mirror she holds. Harsha V. Dehejia explains in ‘Parvatidarpana: An Exposition of Kasmir Saivism through the Images of Siva and Parvati (1997)’:

“Shiva’s first cognition discovers the sensuous Parvati
but he cognises yet again and sees the mirror in her hand
The first cognition reveals the lustful Parvati
the second cognition none other than Shiva himself
in the mirror of Parvati.
Shiva is wonderstruck, he experiences the rasa of adbhuta
at the transformation brought about by the mirror
a movement from the enigmatic dvaita to the restful advaita
such is the wonder of pratyabhijna that creates the majestic
advaita
not the advaita of negation but of affirmation, not where the mind whispers neti neti
but the chitta joyously exclaims iti iti.”

Image: Shiva and Parvati (holding mirror), Kashmir, 10th or 11th century. Cincinnati Art Museum. [source: wiki]

The Pratyabhijna thoughts started in Kashmir with the writings of Somananda (875–925 CE) and Utpaladeva (ca. AD 900–950).

-0-

Herath Mubarak.

-0-
Update:
11 Feb, 2016

The mirror ritual from my marriage.

-0-

Photo of Pandit Mukund Ram Shastri



From Aurel Stein, Eugen Hultzsch, John Marshal, Alfred Stratton to George Grierson, all of them were helped in their studies of Kashmir by a man in Srinagar named Pandit Mukund Ram Shastri. In early 1900s, 23 of the 29 books of “Kashmir Series of Texts and Studies” were brought out by Research Department of Jammu and Kashmir under his editorship. Books that are still read and shared in academic circles. And yet, if you Google Image Search, you will find no photograph of Mukund Ram Shastri. You can easily find Stein, Hultzsch, Marshal, Stratton and George Grierson, but no Mukund Ram Shastri. Given here is a photograph of Mahamahopadhyaya Pandit Mukund Ram Shastri, found in the biography of Stratton, ‘Letters from India, by Alfred William Stratton, with a memoir by his wife Anna Booth Stratton and an introductory note by Professor Bloomfield’ (1908).

Lake by G. Strahan, 1894



Shared by Beth Watson via email. She writes, “A painting by G. Strahan. It was given to my Great Grandfather Rev.William Morrison in 1898. The painting is of Sonear Nag Lake- Kashmir.”

Colonel Geoffrey Strahan (1839-1916 was Deputy Surveyor General, Trigonometrical Branch. Although there is a spring named Sonar Nag in Kashmir (Shall Mohallah at Waripora, Pehlipora, Shopian), this looks like famous Sheshnag Lake.

-0-

सैयार कहानी

मंदिर मे
मकानों मे
मिलता अक्सर दुकानों पे
सैयार प्रलय 

कभी मस्जिद की मीनारों पे

शंकर चीनी
बुद्ध नेपाली
अल्लाह 
नानक
पाकिस्तानी है

पहाड़ो मे

कश्मीर इक उपवन
उपवन कश्मीर

उपवन कश्मीर

चिनार ऊधमी   

जल खारा 
पंछी विध्वंसक
सूरज हरा
बर्फ काली
ये  रक्तरंजीत
सैयार कहानी
फानी है
-०- 

That Night in Chattabal

Pattered on paintings
of G. R. Santosh
using
“The Rumor,” (1943) by
German artist A. Paul Weber. 



tse kyoho vaatiyo myaani maranai
What will you gain with my death

~ Habba Khatoon

That morning I woke up to find a dead body in the courtyard. The day was going to be exciting. I called my sisters to have a look. We gathered around the body in a circle, examining it in fear and awe. What were we to do with it? How does this game work? There was a dead Rooster in the house and we had to do something about it. We were going to save it’s soul. It was to receive a proper funeral. One sister proposed a fire ritual. I objected.  The only people in the neighbourhood who had roosters and chickens in the house were Muslims, so our dead Rooster was obviously a Muslim, and deserved a burial. In any case, fire was going to get us in trouble with the elders. Everyone agreed. It made perfect sense. Next we needed to find a place to bury it without getting seen by anyone. Just behind the new room in which I used to sleep, there was a narrow alleyway used for storing wood. It was a perfect hiding place. As I started digging a hole in the ground, my sisters started gathering flowers for the ceremony. Moving the dead body to the grave proved to be a bit tricky. We were afraid of touching it. What if something evil latched onto us?  Fear of bacteria, virus and ghosts froze out hands. Finally, we came up with another trick. We rolled the body onto a torn old shirt of mine and dragged the shirt to the grave. A laughing carnival to the funeral. Then we dumped the body into the hole and sealed it up with soil. The grave wasn’t perfect. I had underestimated the size of the rooster and digging into the ground using bare hands and wooden sticks hadn’t been easy. So, the grave was quite bulgy with the soil barely covering the feathered body, you could still see the blue–brown-orange sheen on its wings. But that’s the best we could do. We were happy. We sprinkled some flowers over the spot and sang, ‘OmJaiJagadeshehare’. We decreed, if we repeated the ritual for seven days, Rooster’s soul was going to be saved from turning into a ghost and roaming forever on earth, haunting innocent people. In the end, Rooster was going to find peace and go straight to heaven. Or, so we thought. In the evening, when I visited the spot. The grave had been dug up and the body missing. Some hungry dog had met it’s lunch in our make believe graveyard. Rooster’s soul remained unsaved. We declared the alley haunted for the ghost of Rooster shall forever loom here.

Way to the alleyway where the rooster was buried.
2008.

During the winter of 1989-90, holed up inside our house at Chattabal in outskirts of Srinagar, that was what I was doing, playing, while Kashmir started its rapid descend into hell.

Many years later, when I narrated the incident to an uncle, he asked me when was this? Was it before 19th January or after?

19th January, has now come to mean something sinister. The definite line in history. I knew what he was thinking, ‘The dead rooster, with its wrung neck (or was it slit?), could have been thrown by someone into the house as a warning for things to come.’ Uncle knew what I was thinking, ‘Or maybe a dog dragged it in!’

‘Why do you have to complicate things? Don’t you remember the time our house was fired at?’

I remember. The city was under curfew. Fetching daily supplies was difficult. Vegetables and milk were passed wall to wall by the local sellers. Neighbours were still helping each other. As usual, that day uncle was fetching milk across the wall when there was a sudden long burst of bullets fired from an automatic rifle. Uncle dropped the milk tumbler and ran inside the house. A little later we all gathered outside and stared at the house looking for bullet marks.

‘You saw the holes in the house. Didn’t you?’

Our old house, how I loved it. It’s deodar wood. It’s smell. One time, I climbed the windows collecting resin that they would ooze in summers. I almost reached the first floor. How I was afraid when I realised I had climbed a little too high. How I jumped and danced on surviving, realizing my legs were stronger than I believed.

There were already too many holes in the wooden windows of the old house. How to tell which ones were made by the bullets and which one by time?

The uncertainty and fear experienced on that night still colours the nature of our memories of Kashmir. Perhaps, forever. The stories from the night have been untwined and simplified even as the future is getting more twisted. Twenty five years is a long time. Progress of humanity, or the decay, should not be counted in centuries anymore. But in quarters. Times change too fast now. Or do they change at all?

1972-1947=25: Partition, thermonuclear bomb, man on moon, computers, bunch of wars and Bangladesh.
2015-1990=25: Kashmir, liberalisation, nuclear tests, internet, war and again Kashmir.

Did people in 1972 talk about 1947 like it all happened yesterday? If they were among those who ‘lost’. I am sure they did. I am sure in their minds they too painted their lost homes. Cursed and mourned their neighbours. I am sure they remembered and told many a old tales. Who remembers?And, on some marked anniversaries, under banner of some banal community welfare committees, the ‘lost’ people asked to be told the old tales again. The tales of their loss. I am sure many a wiser men have been caught in this loop. and wondered, ‘I can see contours of great mathematical equation, the constants, but what does it all mean?’ May be it means nothing.

And yet, again, twenty five years later, I ask: Tell me the story one more time.

Tell me one more time what happened that night in Chattabal. I know in Chanpora, my sister had her mouth gagged by my Massi using Parle-G biscuits so that the she would stop crying and not draw attention while the faithful at mosques called for death and justice. I know in Jawahar Nagar, a girl who is now married to one of my cousins was shut by her parents inside a storeroom under a staircase to keep her safe. I know in Indira Nagar, a girl, now my aunt, was shut in an attic. I know those days were all the same for all of us. I know in Malik Angan Fateh Kadal, the family into which my sister is now married had their house fire bombed. I know. But tell me again what happened that night in Chattabal.

It was Friday and after the Isha Namaz, the local mosque started blaring taped messages over the loudspeaker asking the faithful to rise against the unfaithful, to declare war on the infidels and free themselves forever, free, like gods always wanted them to be. The unfaithful, most of them at home, were watching the Friday night English movie on Doordarshah. Ironically, as if universe has a logic, they were watching ‘Escape From Sobibor’ (1987), a tele-film on a group of Polish Jews escaping from an extermination camp. Heeding the call of faith, ignoring the curfew orders, people started to gather in the streets chanting slogans of God, war and freedom. Hearing all the commotion, my father and uncles went outside to check, but only after locking everyone else inside the house. All our Muslim neighbours were there. The crowd was walking towards the nearby tonga chowk. Walking at the fringe ends of the crowd, my father and uncles reached the spot to witness the hujoom, a sea of men. They saw a bonfire of tyres and around it people screaming their lungs out at the invisible enemy. This went on for sometime. In all this commotion, my father saw a bakhtarband gadi approaching the chowk from a narrow alley. There was an armoured vehicle slowing moving towards the crowd. He got suspicious. He bent down to his knees, put his ears to the road and tried to see past the vehicle. Beyond it, he could see something moving along. A giant centipede with hundred legs marching on. He could now even hear it. There were security men walking behind the vehicle. Father got up and ran to his brothers. There was going to be trouble. They decided to head back home. Walking back, they ran into [    ], a man who lived further down the street from our house. [   ] was livid with anger, his arms in air, chanting along with the crowd, in unison…Azaadi. Eyes blood red. My father and uncles told him what they saw and pleaded with him to head back home. [   ] wouldn’t listen. He said he had five young daughters at home, if anyone was going to harm them, he was ready to kill and ready to die. My father and uncles thought it futile to reason anymore with him. [   ] was a reasonable man but tonight reason had died. As soon as they reached the house and closed the doors behind them,  a volley of shots rang out. Pop like the pop in popcorn, but only louder, loud enough to put the fear of God in you. They could hear people screaming and running. The chanting had stopped. More shots followed. More running and screaming. Some more odd shots. And then a deafening silence. It was all over in a few minutes. The chowk which only moments ago was drowning in hellish chants had now floating in silence. After waiting for sometime, one of my uncles decided to open the main door and take a quick look outside. He couldn’t see a single soul on the road. No people. No security forces. No trace of the armoured vehicle. There were only chappals strewn all over the place. And on the road he saw something else. Something that called out to him. He went back inside the house and told everyone about the strange scene outside. He said he was going outside to check something. His brothers tried to stop him. It was madness. He didn’t listen. He was always a daredevil, the man assigned to ‘fetch first-day-first-show’ tickets at Broadway Cinema. Uncle stepped out ducking his head, as if to make himself invisible. A quick few paces away from house, he bent down to take a closer look. Something was there. Something dark. His curious hands reached out to touch it. The shock of liquid warmth sent his hands into recoil. Frantically, he rubbed his hands in dirt and ran back inside to announce, ‘There is blood on the street. There is blood. But, no bodies.’ Night was spent by them in vigil. This uncle of mine died about fifteen years later in a road accident, just past Qazigund, while returning to Kashmir as a tourist. Maybe, he should have not gone out that night.

Next morning, bodies were found on the roadside, chucked under some wooden logs. [   ] was among the dead. He had taken four or five bullets. Enforcing curfew, Security men had gone lane to lane, like fire brigade, with not a hose but guns, dosing fire. “Shoot at sight”, it was called. [  ] was declared the first ‘martyr’ from the area. An invitation was extended to everyone to attend the funeral. My father and uncles refused to go even though they had a new respect for the dead man, a respect that dead command and living unwillingly offer. Nothing good would have come of it, they all agreed. However, overruling the objections of the younger generation, my grandfather, out of some sense of ‘neighbourly duty’, decided to go. What followed was another tragedy. The religious affair that is funeral, quickly transformed into a political affair. Men of faith were asked to promise a final war, a final solution and a lasting blow. A war to bring lasting peace. Revenge, so that every martyr’s soul finds passage to final home. Let their names be remembered forever. There was a world to be destroyed, a new world to be gained.

My grandfather never spoke in detail about his experience at the funeral of [   ]. On being reminded of it, as if embarrassed, as if he had committed a crime, grandfather would touch his ears and say, ‘Trahi! Trahi! (Save! Save! The things I heard!)’.

-0-
The piece was later republished on EPW, 23 Apr, 2016
and a version on Scroll.in, Apr 30, 2016

Kashmira Tilotamma

Based on the 11th and 12th sarga of Kāśmīrakamahākaviśrījayānakaviracitaṃ Pr̥thvīrājavijayamahākāvyam.

Prithviraja Vijaya Mahakavya was written by Kashmiri poet Jayanaka between 1193-1200 A.D in Ajmer at the royal court of Prithviraj Chauhan III. It was an epic eulogy to the Chauhan, and along with Rajput history, it gives the description of early battles between forces of Prithviraj and Muhammad Ghori.

The only known manuscript  of the poem (missing some sections) was found in around 1875 in Kashmir in Sarda script by Georg Bühler. It was a commentary on the work by Jonaraja, who is famous for having written Dvitiya Rajatarangini (second Rajatarangini), covering  the period from 1150 A.D. to 1459 A.D.

In 11th sarga, Prithviraj is told the story of destruction of asuras Sunda and Upasunda. He hears about defeat of Ghori’s forces in Gujarat. He retires to his picture gallery, browses through his illustrated books and is aroused by image of apsara Tilotamma, the one made from the ‘finest bits’, the cause of destruction of Sunda and Upasunda. He over hears someone recite a verse, ‘…everything comes to him who strives to get it.’

In 12 sarga, the reciter is introduced:  Jayanaka, from the fine land of Sharda – Kashmira Mandala. A man knowing six languages, great-grandson of a brother of Sivaratha, a minister of King Uchchala of Kashmir (1101-1111 A.D.).

Then the epic abruptly ends.

-0-

Farmers Of Jammu, Kashmir And Ladakh (1959)



Free give away rare book this month for SearchKashmir Free Book ProjectThis is the twelfth and final book released this year. 

Kashmir specific photographs from the M.S. Randhawa’s ‘Farmers of India’ series were previously shared in July by Man Mohan Munshi Ji [here]. The photographer was Hari Krishna Gorkha.

I am now sharing the entire Jammu, Kashmir and Ladakh section from M.S. Randhawa’s ‘Farmers of India’ series. Volume 1 (1959).

Interesting bits:

Kashmiri name of things.

Apples: Abru or Ambri. Mohi Amri. Khuddu Sari. Nabadi Trel. Sill Trel. Khatoni Trel. Dud Ambri. Wild Apples: Tet shakr. Malmu.

Pears: Nak Satarwati. Nak Gulabi. Gosh Bug (Bub). Tang.

Walnuts: Kaghazi. Burzal. Wantu.

Local name of the type of soil: grutu, bahil, sekil and dazanlad.

Most of the archaic information in the write up comes from Walter Roper Lawrence’s ‘The Valley of Kashmir’ (1895), which in turn relied on expertise of Kashmiri historian Ghulam Hasan Shah (1832-1898). That should some idea about the lack of documentation on such matter since then. Also, the importance of this colonial work for the new bureaucracy of independent India. 

The books does offer tabled details on the area under cultivation and the approximate output.

Read and download here:
http://goo.gl/lmAhYH

Complete Guide to Sugandhesa Temple, Pattan

4–5 minutes

Kalhana tells us that King Avantivarman (AD 855 – 883 AD), the first king of the Utpala dynasty had a foul mouthed son who didn’t have taste for high poetry. He tells us S’amkaravarman (Shankaravarman, A.D. 883-902), son and successor of Avantivarman founded a new town called S’ankarapurapattana and built two temples at the place dedicated to Shiva. The new king named one of the temples after his wife Sugandha as Sugandhesa. After early death of her two boy kings, Sugandha too got to rule Kashmir from 904 to 906 A.D. 


Kalhana mentions that just like a bad poet steals material from other poets, a bad King, plunders other cities. S’amkaravarman plundered the nearby Buddhist site of Parihaspora to build his new town. The stone of the temple came after the ruin of Parihaspora, that happened just around 150 years after it was founded by Lalitaditya (697-734 A.D). According to Pandit Kalhana, it was the evil deeds of the King that lead people to forget the real name of this town and instead have them call it simply as Pattan [Stein, ‘the town’. Cunningham, pandits wrote it as ‘Paathan’, ‘the path’ as it falls on the important route to Varahmula]. Kalhana mentions that the fame of the town rested not on the temples but “what gave fame to that town was only what is still to be found at Pattana, — manufacture of woollen cloths, trade in cattle, and the like.”
In 1847, the two temples at Pattan were identified by Alexander Cunningham (1814-93) as the ones mentioned in Rajatarangini. Based on the fact that one of the temples was smaller and less decorate that the other, he marked it as Sugandhesa temple.
-0-
16th November, 2014
At a distance of about 25 kilomoters from Srinagar, this is the first major historical monument that one runs into while on way to Baramulla on national highway NH1-A. 

Sugandhesa Temple, 1868.
Photograph by John Burke for Henry Hardy Cole’s Archaeological Survey of India report, ‘Illustrations of Ancient Buildings in Kashmir’ (1869).
Ram Chandra Kak in his ‘Ancient Monuments of Kashmir’ (1933) provides the basic description of the structure:

The shrine is 12′ 7″ square and has, as usual, a portico in front. It is open on one side only, and has trefoiled niches externally on the other sides. These niches contained images. The temple stands on a double base, but it seems probable from the flank walls of the lower stair and the frieze of the lower base, in which the panels intended for sculpture decoration have been merely blocked out, but not carved, that the temple was never completed.
The entrance to the courtyard is in the middle of the eastern wall of the peristyle, and consists, as usual, of two chambers with a partition wall and a doorway in the middle.
Among the architectural fragments lying loose on the site, the most noteworthy are (a) two fragments of fluted columns with their capitals, (b) two bracket capitals with voluted ends and carved figures of atlantes supporting the frieze above, (c) a huge stone belonging to the cornice of the temple, bearing rows of kirtimukhas (grinning lions’ heads) and rosettes, and (d) a stone probably belonging to the partition wall of the entrance, having (1) two small trefoiled niches in which stand female figures wearing long garlands and (2) below them two rectangular niches, in one of which is an atlant seated between two lions facing the spectator, and in the other are two human-headed birds.
The cornice of the base of the peristyle is similar to that of the Avantisvami temple. The cells were preceded by a row of fluted columns, bases of some of which are in situ while those of others are scattered about in the courtyard.
The attention of the visitor is called to the slots in the lower stones of the jambs of the cells. These are mortices for iron clamps which held pairs of stones together. Pieces of much-corroded iron are still extant in some of the mortices.

Cunningham noticed an interesting fact that while the temple of Awantiswamin at Avantipur had lost its central structure and yet retained its wall. At Sugandhesa the central structure was intact while the walls were lost. A recent study of stones at Sugandhesa suggests, “collapse in the tenth or eleventh century, and significant damage in 1885, with at least one intervening earthquake possibly in the seventieth century.” [link]

Another place. Same treatment.

In 1847, Cunningham noticed that the chambers of the temple measuring about 6 feet by 4 feet, once must have contained linga: for he found the pedestals of three of those emblems, which had been converted into Muslim tombs within fifty paces of the temple. [‘An Essay on the Arian Order of Architecture, as exhibited in the Temples of Kashmir’ (1848), link to book]

All this essentially means, this Muslim shrine at the temple would now be more that 150 years old. Just as old as Parihaspora was when Sugandhesa Temple and the town of Pattan came up.

Traditional Kashmir morning tea outing 

by John Burke

Little Uruja and the temple

1913. Arch. Survey of India.
[source of old images: Universiteit Leiden, Netherlands]
Sugandhesa in ‘Our summer in the vale of Kashmir’ (1915) by Frederick Ward Denys.
Probably  
by Col. H.H. Hart.

-0-