Dinanath Nadim Radio Interview by Rehman Rahi & Shafi Shauq, 1983

Rehman Rahi & Shafi Shauq interview Dinanath Nadim for Radio Kashmir in around 1983. From personal collection of his son Ahinsa Kaul and daughter-in-law Vijay Kaul. Shared by Pratush Koul.

video link

Note: Viceroy Lord Reading visited Kashmir in 1924. Coming of comets as portent of doom is a theme in Kashmiri history, going back to Śrīvara recording arrival of Halley’s comet in 1456 just before death of Budshah.

Documentary on Pushkar Bhan: “Akh Taruf” – by Ashok Bhan

Kashmiri language documentary on life and work of Pushkar Bhan by Ashok Bhan. From around 2008-9 for DD.

Some evocative enactment by M.L. Kemmu of soundcape from 1940s Kashmir, the era in which Pushkar Bhan arrived on scene. With comments by artists/broadcasters Mehraj-Ud-Din, Sharif-Ud-Din, Mohd. Sultan Pandit, Rita Jitendra, Bashir Arif, AB. Rehman Bhat etc

And some sound extracts from radio shows “Machama” and “Zoon Dub” (no recording of which are still publicly available).

Some extracts from tele-show version of “Hero Machama”.

0-

From personal collection of his son Ashok Bhan. Shared by Pratush Koul.

video link

Habba Khatoon’s “Cholhama Roshay” by Rishab Raino | Music Video 

A SearchKashmir production. 15th in the series.

A love song of Habba seen as a play of nafs

video link: Habba Khatoon’s “Cholhama Roshay”

Lyrics: Habba Khatoon

Singer | Music: Rishab Raino

Backing Vocals: Yasir Bashir

Mix and Master: Rishab Raino

Recorded at MIM Studio

D.O.P: Sameer Malik

Video Editing: Rishab Raino

Video Colouring & Grading: Basit Ali Rajput

Video Director: Rishab Raino

Cast: Rishab Raino, Tahir Qureshi, Shujah Maqbool, Azhar

Story: Rishab Raino & Sameer Akhon

Screenplay and Storyboard: Rishab Raino

Costume Designer: Shahid Rashid

Casting Director: Ayaaz Nishaat

Production Manager: Reography

Line Production: Dark House Production

Producer: SearchKashmir

Special Thanks: Jhelum Restaurant & Team

-0-

Lyrics and translation:

Walvay gachavai handey,
Come, let us gather Dandelions,
Laanyum nyai kati andey,
It was fate, not meant to be
Loo’ka’ ma’ti ka’dnas randey,
All that people now offer is abjection.
Walo myaani poshey madano!
Come back my flower, my God, my Love!
cholhama
He is gone
roshey
enraged
madano
My Love
cholhama
He is gone
Walvay gachavai babrey,
Come my friends, let us gather Basil,
Chhokh me’ loinam tabrey,
My beauty he threw to axe, it went to pieces,
kahsa sooj nam na khabrey,
No one he sent to enquire of me
Walo myaani poshey madano!
Come back my flower, my God, my Love!
cholhama
He is gone
roshey, madano, cholhama
enraged , My Love, He is gone
Walvay gachavai aabas,
Come my friends, let us go to the river,
aabas
to the river
Dunya chhu nendri ti khaabas,
While the world is still asleep and dreaming,
khaabas
dreaming
Praaran tahindey jawaabas,
I await, I wait your answer
Walo myaani poshey madano!
Come back my flower, my God, my Love!
cholhama
He is gone
roshey, madano, cholhama
enraged , My Love, He is gone

Pushkar Bhan Interview

Video interview of Radio Kashmir legend Pushkar Bhan (1926- 2008) in “Bulaye na bane” for DDKashmir broadcast in late 90s. From personal collection of his son Ashok Bhan. Shared by Pratush Koul.

Some interesting bits on how the famous radio plays produced by Pushkar Bhan came into being.

video link

Dinanath Nadim, Video Interview, 1987

The only surviving video interview of great Kashmiri Poet Dinanath Nadim (1916–1988) . Produced by Bashir Ahmed (?) for Doordarshan Kendra Kashmir and broadcast in 1987. This is a VHS copy made available by Ahinsa Kaul, son of Dinanath Nadim. Special thanks to Pratush Koul for reaching out to poet’s family. The family had asked their Muslim neighbour to record the interview at the time of broadcast as they had a VCR. Nadim never saw the video and the family kept the recording, digitalising it more than a decade back, but revisited and shared now.

video link

Nadim remembers his childhood, his Bhagat Singh days, his early political and ideological influences, him finding his voice, he recites some of his famous works that enriched Kashmiri language with a verve that was uniquely Nadim.

It is 87. He has just been given a life time reward. There is an undercurrent of violence brimming in society. Maybe he knows what is coming. He breaks down reciting “peace”.

-0-

Yaad Aam Yaad Aam

A SearchKashmir production. 14th in the series.

A new version of Mahmood Gami classic. The brief for this one was simple: shoot on a tonga.

video link

Singer: Rahul Wanchoo

Music: San J Saini

Edit/ Color Grade : Umar Hamid

Drone : Music Dabaav

Video : Umar Hamid, Anu Anaf

Poster: Sakib Rather

-0-

Spotify

Lyrics and translation:

Vesiye Su Gulfam Yaad Aam Yaad Aam

Friend, that beautiful one, I remember, I remember

Khoshrukh Khosh Andam Yaad Aam Yad Aam

That body beautiful, that beautiful face, I remember, I remember

Shahbad Achbal rozum tas tchiz kal

On my mind at Shahbad, Achabal

Lolaab Sagaam

Lolab and Sogam

Yaad Aam Yaad Aam

I remember, I remember

daren dareechan baladaren pyeth

on windows and pavilions

darkhaiyn parwaan

maker’s chisel fell in love

Yaad Aam Yaad Aam

I remember, I remember

Az Waadi dith tem karnas faramosh

You promised and then forgot

Az subhu ta shaam

from morning till night

Yaad Aam Yaad Aam

I remember, I remember

-0-

‘Tanga Ride’ from the book ‘Kashmir’ by Shinya Fujiwara, 1978.
The inspiration. Had seen this in the book back in 2013.

The audio version is based on the old original version sung by Khemlata Dhar for Radio Kashmir composed by and additional lyrics by Rasa Javedani. [via: Jaya Parimoo..music director was one sabherwal of Delhi working for Radio Kashmir. Check the version here ]
-0-

Balmarayo | Animated Music Video

A SearchKashmir production. 13th in the series.

A new audio-visual interpretation of Rasul Mir’s classic qalaam. The visuals are spin on works of Dali. The story is a bit of Adam-Eve, some elements of Joseph, and Dante. And then of course there is Kashmir. The Ka of water, the Ka of Kashyap the Kachua, the Ka of Kashmir.

video link

Lyrics and translation

ba ti na yi durer chon zaray

This separation from you

I can no longer bear

bal marayo

surely I will die young

kyah karai thovtham zara zaray

bal marayo

cut to pieces, what to do?

surely I will die young

shahmar zulf nal wolnam

rood afsanay

Your snake tresses entangled me

all that remained was a tale

wyon wantam kem afsaan paray

Tell me, what other tales should I tell

bal marayo

surely I will die young

sharmanda karthas aftabo

kandharich zoon

I, moon of Kandahar was put to shame

by you, the brilliant sun

kaji chani gajisay lajisa daray

awaiting your hour, dissolved in your memory

bal marayo

surely I will die young

anyi gatti vaninam nani kathay

am lal faroshan

in darkness he revealed the naked truth

that dealer of precious stones

kani manz neyran jawharay

a stone split, a gem was revealed

bal marayo

surely I will die young

-0-

Audio credits:

Singer / Composer – Kartik Koul

Lyrics – Rasul Mir

Music produced and live harmonium by Akash Sage

Additionally Music Produced by Kartik Koul and Ssameer

Music Arranged by Kartik Koul and Ssameer

Live Guitar performed by Ssameer Mix

Master – Ssameer

Video credits: Made using the talent from Bakarmax

Direction, Story: Vinayak Razdan

Animation Director: Subin Philip

Animation: Subin Philip, Anis Talpade

Backgrounds: Aditi Dixit

Character keys: Anis Talpade

Storyboard: Subin Philip

Compositing: Subin Philip

Bakarmax team: Rachit Verma and Sumit Kumar

-0-

Listen and download

Youtube Music

JioSaavn

Spotify

itunes store

Census Numbers 1981 and crunching KP Killings 1990

In 1981 census there were about 124,078 Hindus in valley, bulk of them KP. Just 3.96 % of whole Kashmir valley population of about 31 Lakh. Down from 5 % pre-47 [In 1941 only about 85000 KPs were living in valley]. In 1981, 59449 Hindus were in Srinagar of total population of 708328. Thus about 8.39 % of Srinagar was Hindu down from 10.02% of 1971 [56,566/564,314]. In 1981, additional 0.96 of Srinagar was non-Muslim [bulk of them about 6,334 Sikhs].

Breakup of Hindus in other districts of valley.

Anantnag 24,731/656,351 = 3.76%

Pulwama 10,096/404,078 = 2.49%

Badgam 9,642/367,262. = 2.62 %

Baramula 13,513/670,142. = 2.01% [ Additional 9,806 Sikhs, this being the district with their highest presence]

Kupwara 6,647/328,743. = 2%

According to South Asia Terrorism Portal, based on media reports, in 1990 about 862 civilians were killed [According to MEA, 461 civilians killed in 1990. FIR in not more than 30+ cases] Of these about 177 were Hindu; a disproportionate 20%.

J&K State govt. figure for killed KPs in 3 decades is 216. Kashmir based KP body now gives the number as 670. Bulk of these are from year 1990. A KP civil organization in early 90s gives names, location of killed Hindus, mostly KPs. 298 killed in 1990. Of them 127 in Srinagar. Between 1987- March 1990, only 10 KPs assassinated. Yet, friends and foes alike warn of the doom impending. March onward KPs start leaving from valley. Killings start. April there is almost 1 KP killed each day. Bulk of KP leave by April. In summer 1990 genocide launched on few remaining KPs and those staying to work, May-June-July, 2 KPs killed each day. And this when bulk of 1 Lakh+ KPs had already left. By end of September 1990 KP genocide complete with change in demography of valley as only handful KPs remain who spend next few decades as nothing more than hostages.

The demographic profile of KPs tells us if KPs had stayed on and killings continued in same pattern (as later mass massacres in valley showed rate would have been much worse and no one would have been bothered), the community did not have the no. to sustain a healthy population and would have been annihilated.

In 1981, KP ethnic group had the highest no. of elderly per 100 among all the communities in entire state. It also has the lowest children per 100 among all the communities[ 0-14 years (28 percent)]. They had more old people and lesser children than any community percentage wise. It is profile of a community that on surface looks healthy but a community that is shrinking in a hostile environment but optimizing for survival by the only way it knows, adapting to modern ways. This progressive community after 100 years of struggle now had the best ratio of men to women working in state. For every 2 working men there was 1 woman. 86.6 percent women. 86.6 percent women were educated as compared to 84.5 men.

-0-

Ref:

A Demographic Profile of the People of Jammu and Kashmir. M.K. Bhasin and Shampa Nag. J. Hum. Ecol., 13 (1-2): 1-55 (2002)

1981 Census Report

-0-

124,078 KP may seem a small number. But, you just have to compare with right figure.

In 1981, 68376 was population of buddhists in Leh + Kargil. In 1941, the total population of the region now known as Union territory of Ladakh was about 40000 [compare with 85000 KPs in valley in 41 ]. In 1947-48, it is this Ladakh that also Pakistani forces tried to annihilate and claim. In 2011, Ladakh’s total population grew to about 274000 (H+M+Oth). And they are now a union territory. Free. By that account, it is very convincing to believe that since 1947 about 6 Lakh KPs are now floating internally displaced persons with no territory. Numbers hostage to fractions and percentage of whole valley. That should help people understand what has actually happened to Kashmiri pandits. Today there are about 6000 KPs in Kashmir.