House at Ishber

February 21, 2014

Yaseen gave a tour of his new office. It’s an old Pandit house. Yaseen’s family and the previous owner have been friends for decades. In fact, the old owner still has a space reserved for his summer visits.

The suburb around Nishat-Ishber cropped up around late 70s and early 80s. The families that had seen an economic growth had started to move from traditional old Kashmiri houses in the conjested interiors of old Srinagar . Joint households were splitting and each micro inhabiting a new space of their own. The houses that came up around this time were a hybrid of faux European and Kashmiri style. The wood was still part of the design, instead of sand, mud was still used to bind the bricks, the entrance was still on a raised platform, but the interiors were more lavish and even offered the luxury of an attached toilet/bathroom with running water (thanks to a revolutionary product called ‘Sintex’).

Yaseen asked the name of that metallic hood thing at the top. Apparently, it was typical of Kashmiri Pandit houses to have it. I couldn’t tell. I thought he was asking me about the bee hive.

Brick Work with Sand

Yaseen told me this funny story about a Pandit house in this area that sold of 6 Lakh Rupees, and then resold for 35 Lakh Rupees and finally sold again to a NRI Pandit for 75 Lakh Rupees.

teak wood 
After renovation.
Two view from the window. Zabarwan.
Dal 
Sintex Tank
Old Belongings.
Inside Zoon Dub. Moon Room. Best part of a Kashmiri house.
Brair-Kani. Cat’s Attic.
I wanted to be inside these two spaces for the longest time.

Among the traditional obligation that a Kashmiri Pandit was required to fulfil after building a house was ‘Krur Khanun‘, digging a well. Most of the old houses came had a Krur. Yaseen’s house came with a ‘naag‘ (spring). For Pandits a house was a living entity and so was as spring. There is still some life left in the spring even though it got badly choked on trash during years of neglect. The new owner plans to re-dig and revive it.

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Lull in midst of a Storm, 1947

An extract from ‘The leaf and the flame’ (1959) by Margaret Parton (1915-1981), staff correspondent of the New York Herald Tribune. Paints a vivid picture of Kashmir just before the invasion in 1947 as the flames of partition finally starting reaching Srinagar.
June 17

The first time I came to the Vale of Kashmir I was disappointed. Perhaps I had subconsciously confused the words “Vale” and “Veil”. I had expected a lush ravine with great ferns, towering pines, and soft veils of rainbow-glowing mists from the sprays of waterfalls.
Kashmir is nothing like that, at least in the valley. It is a wide, gently-rolling plateau- five thousand feet high – set about with bare and craggy peaks. Back in the mountains there are indeed the kind of ravines and vegetation I had pictured, but unless one goes trekking one does not see them. One sees instead the bare mountains all about, the great stretches of artificial lakes near Srinagar, and the tumbling wooden town itself.
Gradually, running many visits since then, the quiet beauty became powerful in my eyes; the enchantment of Kashmir penetrated my heart. Now, sitting on the flat roof of our houseboat and staring across Dal Lake at a sunset-reddened range of noble peaks, I wonder how I could ever have thought them ugly that first visit, that time which now became almost legendary in my mind. And now, peacefully, I wish to re-live that fevered time.
It was October, 1947. The brat partition riots, which took perhaps a million lives and made twelve million people into homeless refugees, were barely over. We had seen too much murder and bloodshed in both India and Pakistan to be able to take sides any longer; we were weary of refugee problems and talk of revenge. Perhaps when you have spent many months looking at the mutilated corpses of murdered babies you reach a point beyond an understanding of revenge, when only an emotion of universal grief seems appropriate. We needed a little time for peace and restoration, and so, because we were in Rawalpindi, we went to Kashmir. There had been no riots in Kashmir. Kashmir, everyone said, was quiet and beautiful. the Hindu Maharajah had not yet decided whether to join India or Pakistan, but no one seemed to be hurrying him.
At that time the only road into Kashmir from the Indian sub-continent led from Rawalpindi in Pakistan up past Murree, through the mountains of Western Kashmir up onto the plateau, and past Baramula along the Jhelum River to Srinagar.
Still on the Pakistan side, we drove along beside a river which formed the border of Kashmir and saw hundreds of people crossing the river towards us, riding on logs or crude rafts. One young man lay on an inflated goatskin and paddled across with his hands and feet to the bank where we had stopped the car. Dripping, he climbed up the rocks and spoke to us.
“We have been driven from our homes by the Maharajah’s troops,” he announced.”We have brought our women and our children to safety in Pakistan, but we are going back to fight. I myself have only come over here to get a gun and ammunition.”
It seems strange to me now to think that this little rebellion in the western district of Poonch has been so completely forgotten in the surge and confusion of later events. It was certainly a small wave of history swallowed almost immediately by a larger one.
On the Kashmir side of the bridge from Pakistan we had to stop the taxi and go though customs. Although the population of Kashmir was largely Moslem, the Maharajah and the ruling class were Hindus and, therefore, worshippers of the cow. Our baggage was carefully searched for forbidden beef as well as for firearms. The officers finished with us quickly and then turned to two large wooden boxes which an old Moslem in the front seat was taking to a doctor in Srinagar; the young clerk pried open the lids and recoiled when he discovered both boxes contained live leeches.
“Search them. They might be hiding guns,” ordered the customs officer. The clerk picked up a stick and began poking unhappily among the leeches. The custom officer, a thin Hindu pundit, leaned against a railing above the river and, in the way of all educated Indians, talked politics.
“We Kashmiri pundits are the third most intelligent people in India.” he said. “Only the Bengalis and the Madrasi Brahmins are smarter than we are. That is well known.
“If Kashmir joined India there would be two other peoples ahead of us. But if we joined Pakistan, we would be able to dominate them, because we would be more intelligent than anybody else.”
Wondering how democracy is ever to succeed in Asia, we drove on another hundred miles, through the Jehlum gorge and up into the Vale. Once, we stopped beside a field of early winter wheat and spoke to a peasant boy. He was wide-eyed and shy, and he spoke softly.
“No, there is no trouble here, Sahib,” he said.”All is peaceful. I do hear in our village gossip that the government is fighting itself, but what is that to do with me?”
On the outskirts of Baramulla, a pleasant little town at the edge of the Vale, a crowd was massed near a stone bridge. A haggard young man was auctioning off clothes one by one. While we watched he sold a pair of pink-satin Punjabi trousers for three rupees.
“Those belonged to his wife who was murdered,” explained an old man standing nearby.”He, like so many others, us a refugee from the West Punjab, without money and forced to sell everything. Hindu refugees have come here to Kashmir because they know it is peaceful and they will not be persecuted, although most of us are Moslems.”
Within a week, the custom officer, the peasant boy, and the young refugee were probably all dead.

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Portrait of Pandit Shakyashribhadra



Kashmiri Pandit Monk Shakyashribhadra (1145-1244), about 1300, Shakya Monastery, Tibet. He went there in about 1204 after destruction of Nalanda, and returned after a decade to live another three decades in Kashmir. This is one of the rare portraits in which ‘Kashmiriness’ of his features is prominent. Came across it in the book “The Arts of Kashmir” Ed. by Pratapaditya Pal.


In Tibet he is known as Kha­-che-Pan-chen (‘The Great Kashmiri Pandit’)…where Kha-Che, the synonym for Kashmiris in Tibet, means ‘big mouth’.


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Previously: Shakyashri Raw Data in Hypertext

Flute Player, 1922

Kashmiri Pundit Playing the Flute
Every Note in Kashmiri Music is overlaid with Grave Notes, to give brilliance to the performance
Photograph by Pandit Vishinath Kampassi

“The melodies belonging to the lakes and rivers are of course unlike those of the mountains. Never shall I forget the charm of being paddled in our shikara, one beautiful moonlight night on the Dal Lake in Kashmir, with our crew singing softly a well-known boatman’s song punctuated by the rhythemic stroke of the paddles. An equally idyllic memory springs to my mind of the fine forests on the mountainous sides of the Lolab valley, and, seated beneath the shade of a lofty pine, a slender stripling playing plaintively upon his simple wooden flageolet. This mournful melody was called “The Parrot” and its theme was a tale of a lady taken captive to Kashmir, who released her favourite parrot to carry a chenar leaf in its beak as a message to her lover. “

“Shikara” on the Dal Lake with Kashmiri Fluting
A Shikara Ride on the Dal Lake, on a Beautiful Moonlight Night, with the Crew Singling Softly a Boatman’s
Song Punctuated by the Rhythmic Stroke of the Paddles, Leaves an Idyllic Memory
Photograph by Pandit Vishinath Kampassi

From ‘Asia : journal of the American Asiatic Association (Volume v.22, November 1922)’, ‘Echoes of Himalayan Flutes’ by Muriel Percy Brown (1874-1943), daughter of Sir Adelbert Talbot, Resident of Kashmir from 1896 to 1900, and wife of art historian Percy Brown. She is more famous for  here book, ‘Chenar Leaves: Poems of Kashmir’ (1921)
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On the steps of a temple, 1914

On the steps of a temple

Photograph from article ‘Behind the shutters of a Kashmir Zenana’ by Marion Whiting for Harper’s Magazine, Volume 129, 1914.

Village Martand (Mattan) figures mostly in this travelogue and as suggested by the title of the writing, focuses on women.

Among other things, she gives us description of Muslim New year being celebrated by the villagers at ruins of Martand temple:

That evening the new moon rose as advertised, and the New-Year celebrations began. But we were not prepared for what was to follow. Dinner was over, and we were lazily sitting in our comfortable camp-chairs warming ourselves in front of a huge bonfire. Presently the sound of singing came up from the village below, and soon it grew louder and louder. Then, emerging from the darkness into the light of our camp-fire, appeared what proved to be the entire population of Martand. First came a crowd of men and boys, and directly behind them women, singing, as they walked, a low, monotonous sort of chant. Close to the ruins of the temple they stopped, just near enough for us to make out in the firelight the outlines of their long, white scarfs and loose-hanging smocks. The singer arranged themselves into rows facing each other, each woman placing her hands on the shoulders of the woman next to her. Meanwhile the men had squatted on the ground in a circle around the performers, their knees up under their chins, their shawls wrapped tightly around them in a fashion peculiar to the Kashmiri. All the while the women were singing the same chant, over and over again, swaying back and forth in rhythm with the music. First one row would take the air, and then the other would respond in a sort of cadence, with always the same theme repeated again and again. The scene, so unexpected, was wonderful, the firelight illuminating the figures, the tall columns of the old temple rising behind, and the black night enveloping everything beyond. Our Kashmiri factotum was called upon to explain what it all meant.
“They come to the old temple to sing to Mohammed. they tell the story of his life. They tell his wanderings and his preachings, and then they tell long stories of what the Koran say must do. How the women must obey their husbands, how fathers must teach their sons, and how they all must worship the great God Allah!”
“Do they often come to the temple to sing?” we asked.
“Only at the New-Year,”he answered.
“And do the men never join in the ceremony?”
“no. Only the women; they do the singing.”
“But this was originally a Hindu temple,” we persisted. “Why do Mohammedans come here?”
“It is the custom,” he answered, vaguely, shrugging his shoulders.

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An interesting photograph by Howard Sochurek in from 1951 for Life Magazine. We can see a group of people dancing in front of Martand Temple.

Pandit in his temple, 1881

‘Voyage d’une parisienne dans l’himalaya occidental- Ouvrage illustré de 64 gravures sur bois’ (1887) by Marie de Ujfalvy-Bourdon, one of the first European woman adventurers to visit Kashmir and western Himalayas in around 1881.
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[Also, the book has reference to ‘Ramjoo’s temple’ built by a powerful minister of Dogra Raja]

Praying at the River, 1920s

Praying at the river.
The pandit morning ritual.
A postcard by Lambert from 1920s.
Location (provided by a reader): Dabiyaar Ghat near mission school Fateh Kadal
The back side had a letter from an English lady talking about meeting Nehru and Gandhi.
The beauty of Shalimar and smelting summer of Delhi.
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Praying at Boniyar Temple, 1920s

Praying at Bhaniyar Temple [Bunair/Boniar/Boniyar [now, in Bandi Brahamana, Baramulla[Lat 34° 8′. Long. 74° 13′]]].

A postcard from 1920s.
Temple is by the Jhelum river on the road between Uri and Naushera.
At one time it was said to be the best surviving specimen of Kashmiri architecture.

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Habits in Precious Metal and still more precious Money

“The Panditanis, the Brahman women, never like to wear silver ornaments, but they may prefer brass to pass it as gold.”
Ever New Kashmir by Prof. Devendra Satyarthi (for The Modern Review, February, 1935) [Entire article here]
I read a rather interesting thing in Pandit Anand Koul’s ‘Kashmiri Pandits’ (1929). At the end of the book, there is section of ‘gifts’ due in a daughter’s marriage. Apparently, there was some kind of a official scale set for it. And among other things, and an elaborate ‘gifting’ system, we read that on the higher end a first class bride was expected to bring in 150 tolas of Gold while on the lower end a grade seven would bring in 5 tolas. 
Prior to 1898, Indian currency was tied to silver, later tied by British to Gold. In 1929: Gold was trading at around $20 per gram. And Rupee was at .3620 (1 Dollar = 22.53 Rupees). So, 1.749571875 Kgs (150 Tolas) back then meant about 34990 Dollars or about 788324.7 Indian Rupees [ lower end, 5 tolas comes to about 26278.56]. Today, based on gold, thats like 4194038 Lakh Rupees on higher end and 139801 on lower end. [Pretty much the same scale today!]
Now, just for the fun of it, I had a little ‘tolas of Gold’ talk with some of my uncles. Of course they laughed. Even now 150 tolas sounds quite big. They imagined stuff. What it all meant. Then they recalled. In memories, no one came across as rich. Some maybe better then other. Yet, I teased some more. 
In was obvious what had happened. Among Pandit families, thanks to the gifting system, Gold was getting divided over and over. With no new value getting added, it was used as the backup, a reserve. And women were something that consumed this precious gold reserve. And son was the one who increased it. 
Then, one of them remembered an interesting practice among Pandits for ‘marriage gold’. ‘Pah Son‘: borrowing (pah: borrowed) gold for daughter-in-law by the husband’s side. So, if in normal scenario some amount of gold was going to come back to the girl, in this case, she was left with none.
Another one pointed out that often brass was used as pretend gold. He said brass was so common that in 1947, during Kabali attack, the tribals actually looted a lot of brassware thinking it was gold.
Same old stories…
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