After flood, Inside SPS Museum

In 1898, after a proposal from a European scholar, Captain S.H. Godmerry, Maharaja Pratap Singh converted the Ranbir Singh Palace in Srinagar into the Pratap Singh Museum.

18th November, 2014

I found the gate open and just walked in. Half way in, I heard someone commanding me to stop. It was a big burly Sikh security officer who pointed out that I hadn’t walked in though the right security gate. I traced back my steps to the main gate. Again walked in through the right gate and was again stopped by the security officer.

“The museum is closed due to flood. Nothing to see here today.”

I could see the place was open. I pleaded to be let it.

“The place is still wet. It is left open for drying.”

“Where have you come from?”

I didn’t tell him I am a Kashmiri. I told him I had come from Kerala. The place is too far and I would be leaving the next morning.

He had a turn of heart and told me that the in-charge of the museum was in the office. I could plead with him.

I was escorted to the officer. An old man busy with office work. I again pleaded. I was let in on the condition that I won’t be photographing anything.

“Condition of the museum would only bring further bad press.”

I promised. A man was assigned to keep watch over me. I walked around the place that should have been one of the finest museum in the sub-continent.

I asked him if there was any literature available about the museum. Officer handed over a big fat inter-office magazine that mostly carries self-congratulatory letters for various members of the history department.

It is a hopeless place.

1906

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Goddess of Dance, Indrani

Goddess of Dance, Indrani
7th Century, Kashmir
Sri Pratap Museum 

This Goddess of Dance, Indrani
7th Century, Kashmir
Sri Pratap Museum


This one was came from Badamibagh in 1926. About 20 other were found in Pandrethan between 1923 and 1933 while digging of military barracks were going on in the area. More than 500 relics were found. Now not much remains.

Kashmiri Dancing Girl at Shalimar
photograph by Herford Tynes Cowling,
 for National Geographic Magazine, October 1929.

Vyjayanthimala in Amrapali inserted into a comic panel based on story of Hamsavali from Somadeva’s Kathasaritsagara.
Somadeva, son of Brahman Rama, composed the Kathasaritasagara (between 1063 and 1081) for Queen Suryavati, daughter of Indu, the king of Trigarta (Jalandhar). She was the wife of King Anantadeva, who ruled Kashmir in the eleventh century. The story of Suryavati, Ananta, Kalsa and Harsha is perhaps the gruesomest tale from Rajatarangini that ends with Anata killing himself by sitting on a dagger and Suryavati going ablaze.  

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2017

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