1866
2016.
in bits and pieces
1866
2016.
1848 |
1870
Feb, 2016.
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Man Mohan Munshi Ji shares photograph of Submerged ancient temple at Manasaras (Manasbal). It is an ancient spot recently re-discovered and re-claimed. About the place he says:
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To these photographs I am adding following old note:
“One of the most attractive places in the valley is the Manasbal lake. Being absolutely free from disturbance of any kind, and nestling in an oval basin surrounded on all sides by hills and uplands, the lake is an ideal abode for the happy lotus-eater, who dreams away his days reclining under the shady chinar, and passes his evenings in watching the long streaks of moonlight flitting across the mirror-like surface of the water. Naturally, such a delightful spot would not have been overlooked either by the devout Hindu or the nature- adoring Mughal. The former have left a small temple, now partially submerged during the greater part of the year. It is a very small structure, and only its two pyramidal roofs are visible in the driest seasons. The cornice of the lower roof, and the horizontal band which divides it from the upper storey, are decorated with series of dentils and metopes. Only the upper part of the pediment of the entrance is visible. It faces west.
~ Ancient Monuments of Kashmir (1933) by Ram Chandra Kak.[Read the complete book here at KOA]
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Note on the temple by Pandit Anand Koul from his book ‘Archaeological Remains In Kashmir’ (1935) . [You can read the complete book here]:
Miniature Temple at Manasbal
At the south-east cornner of the lake of Manasbal is a miniature temple built of stone, standing in the water.
The temple appears to be a square of about six feet and has only one doorway to the west covered by a pyramidal pediment, which is divided into two portions by a horizontal return of the said mouldings as in the case of the Martanda colonnade. The upper portian is occupied by the head and shoulder of a figure holding a sort of staff in the left hand. The angles of the lower portion of the doorway pediment, below the horizontal moulding and above the trefoil, are occupied each with a naked figure leaning against the head of the trfoil, and holding up over the arch a sort of waving scarf which is passed on through the other hand.
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