Awtar Kaul: A Shooting Star from Kashmir Who Pioneered Indian New Wave Cinema”

3–5 minutes

A personal look at Awtar Kaul’s life and legacy, this guest post is by his nephew, Vinod Kaul, a writer and former Executive Director of Rajya Sabha TV.

Early Life in Kashmir and Journey to Filmmaking

Awtar Kaul was born on September 27, 1939, in Srinagar’s Fatehkadal to the Daftari family with no connections to film or theatre. He was one of six siblings. Awtar Kaul’s early childhood was a haven of love and warmth, spent in the nurturing environment of his Matamaal in Safakadal. Kaul’s early education took place at National High School in Srinagar and later in Delhi. Before moving to the United States in 1960, he worked in British Information Services, New York, after completing a Bachelor’s degree in Film from City University of New York. Upon returning to India, Kaul joined Merchant Ivory Productions as an Assistant Director for “Bombay Talkie.”

A very young Awtar Kaul (front row, extreme left, wearing a black coat) with siblings in his Maatamal at Safa Kadal, Srinagar, where he was raised by his grandparents. 1940s.
Awtar Kaul’s maternal grandparents, Vidya Dhar (Gaash Bab) and Raajrani (Taat), who raised him at their home in Safakadal, Srinagar.
Awtar Krishan Kaul as a young man.
In Title credit of Bombay Talkie (1970)

’27 Down’: A Cinematic Masterpiece

Shooting of 27 Down

‘27 Down’ was Awtar Kaul’s directorial debut and unfortunately his only film. Upon its completion in 1974, it was tremendously received and secured two prestigious National Film Awards 1974 – ‘Best Feature Film in Hindi’ and ‘Best Cinematography’. The film has made a lasting impact on Indian cinema and has received international acclaim for the treatment and depiction of emotions of urban alienation. It garnered two international distinguished awards in 1974: The Ecumenical Prize at the Locarno Film Festival and the Film Dukaten Award at IFFMH Munich, Germany, solidifying its position as a masterpiece of Indian cinema. Awtar Krishna Kaul was at the forefront of the New Wave Indian Cinema. This was the time of Shyam Benegal’s Ankur and MS Sathyu’s Garam Hawa. In 70’s, the FFC (now NFDC) helped Mrinal Sen produce Bhuvan Shome, Basu Chatterjee with Sara Aakash, Mani Kaul with Uski Roti and Awtar Kaul with 27 Down. 27 Down was a marked departure from the mould of mainstream Indian films. It was deliberately shot in black and white to create contrasts and shadows alluding to the ups and downs of life. Even after 50 years, this film remains ageless in its treatment, having not resorted to melodrama.

M.K. Raina and Rakhee in “27 Down”

Enduring Legacy and Global Recognition

27 Down has continued to captivate audiences worldwide. In 2013, under the theme of ‘100 years of Indian cinema’, 27 Down was screened at the Festival des 3 Continents, France. To mark the film’s 50th year, 27 Down was screened specially at IFFI Goa 2024. Another recent premiere at ‘The Festival of Singular Films’ on September 23, 2024, at GES-2, Moscow, as part of ‘The Retrospective Program, celebrated the film’s enduring heritage’. In October of 2024, in Barbican in UK, under the banner of ‘Rewriting the Rules: Pioneering Indian Cinema after 1970’, curated by Dr Omar Ahmed, 27 Down was screened as an exemplary film. These accolades have solidified its position as a masterpiece of Indian cinema.

Entry in Sight and Sound Magazine for Locarna film festival of 1974. The film was titled “27 Down Bombay – Varanasi Express”

A Tragic Loss and Unfinished Dreams

Tragically, Kaul’s life was cut short in a fatal accident in Bombay at just 35 years old, ironically on the same day his National Awards were announced. He never got to witness the accolades his film received, leaving behind a poignant legacy in the world of cinema. His brief career, however, is a testament to original and outstanding work in films. He came from a humble family that had no connections to film or theatre and he built his lens and work on his own. Despite having been dealt societal roles and responsibilities, he dared to continue to pursue big dreams. Film 27 Down explores urban alienation, something no Hindi film had done before. Awtar Kaul’s passing has created an unbridgeable chasm, leaving Indian Cinema to ponder the what-ifs of his unfinished works.

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Born in a valley untouched by railways, Awtar Kaul ironically or not so ironically crafted one of Indian cinema’s finest films, ’27 Down,’ using the very essence of trains to weave a human tale.

Game of Thrones Kashmir Connection


My wife doesn’t like that I end up tying everything to Kashmir. But, I can’t help it. It is true. Yes, everything is tied to Kashmir. Even Game of Thrones.

High Sparrow and his faith militants

[Randhir Bhan wondered] Is our good old Pheran in Game of Thrones?

Quite possible, as the designer April Ferry has worked on Ashutosh Gowariker’s upcoming firm ‘Mohenjo Daro’. 

But, but…the tale it seems is more interesting. That costume was introduced to the series much earlier season. The character “High Sparrow” and his faith militants might have an even more interesting Kashmir connection.
D.B. Weiss, the screen writer for the TV series had in around 2008 written a script for a film called “Kashmir”. The story revolved “around three ex-mercenaries who stumble upon information as to where a wanted terrorist will be for a short period of time. They decide to brave a trip into the volatile region between Pakistan and India to catch the terrorist and claim the $30 million bounty on his head. Each man has a different motive for taking the dangerous journey, and their loyalties are tested when the going gets rough.”

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A Kashmiri dust storm that blows in Rajasthan

I got married in February. Half the marriage functions were held in Jammu where my family is now based post forced eviction from Kashmir in 1990. Other half of marriage was held in Delhi where my wife’s family is based due to the same events of 1990. A Muslim friend from Srinagar who attended my marriage couldn’t help but notice on a sad note this “scattering” of a Kashmiri community. “Chakravun” is the exact word used for scatter by all Kashmiris.

Aap logo kay saath accha nahi hua. You people had it rough, ” the Mehendiwalla hired in Jammu chirped while putting henna on hands of an aunt. As often is the case, the Mehendiwalla turned out to be a migrant worker from Rajasthan. He then proceeded to prove how well he understood the Kashmiri Pandit story.

“Nehru….Jagmohan…”

Most people present were surprised and delighted that people now know the story. Pandits always feel people are oblivious to their story. People asked him how come he knows all this.

He gave his source, “I saw it on that Zee TV special about pandits of Kashmir. And that video by Anupam Kher.” 

Everyone thanked Anupam Kher for telling their story, as it is. “Truth”, they call it.

It was the Hindi TV news channels that did the work. I was already having a tough time convincing people that what Anupam Kher is doing with Kashmiri Pandit story is wrong. It has been conveniently molded into a handy weapon for communal political ends that in no way redress the genuine issues faced by Kashmiri Pandits. So, where is this weapon getting used, how and why?

A month later, I was in Rajasthan with my wife. In Udaipur, a local shopkeeper guessed from my looks that I was a Kashmiri. He said I looked like the guy who runs the shop next to him. The next shop was of Kashmiri handicrafts and shawls. The two were good friends.

On entering Jodhpur, I could see that a lot of walls had an appeal painted on them,”Gow Mata kay hatiyaro ko phansee do. Hang the killers of Mother Cow.”

While leaving the city, I asked the driver to stop for tea. Just outside the city on way to Jaisalmer, we stopped at a local roadside tea stall. As I ordered tea, a middle-aged man sitting on a plank under a tarpaulin shed called out to me. I turned around to see it was in fact a gathering, a bunch of men with nothing else to do, just sitting and talking. I was going to be the topic. I greeted the man with a smile and walked to them. I sat down and we talked.

“Where are you from?”

Over the last many years, I have answered this question in a lot of different places all over India. Earlier on hearing Kashmir, conversation would be about “Halaat kaisey hai” and ‘Terrorism”. However, since last few years, conversations are becoming more invasive.

“ Dharam. Jaat. Gotra.”

Everything was asked.

“I am a Kashmiri Pandit”

On hearing the words, what followed was a discourse in which the doctor had finally found the patient about which he had read and studied a lot. The man proceeded to diagnose Kashmir and kept testing my pulse to look for a communal beat.

It was the usual report: Nehru was a dumb idiot, UN was not needed, Brahmins were always weak, Jagmohan saved the Pandits, Muslims can’t be trusted. What they did to you was wrong!

Aap log sadak par aa gaye.

I couldn’t help pointing out, I was traveling in a car, he was sitting by the roadside.

It was obvious he was performing to an audience that had gathered. He was the local genius who sits under the banyan tree dispensing wisdom. It was the Sangh narrative.

I wasn’t biting. I tried to reason. But, it was as if the man was on some drug.

He offered the medicine.

“Modi will get you back. Just see. We are all with you.”

I told him Modi was no good for me.

He suggested, “Go back. Answer them in same language. Kill your neighbours. Take back your homes.”

The narratives in which all Kashmiri Muslims are seen as perpetrators of ethnic cleansing is at work here.

I laughed and asked, “You mean everyone?”

“You can’t trust them.”

I must have laughed nervously for my driver now intervened as the casual banter was taking a heated turn.

Kya Bakwaas kar rahe ho?

My driver was a Muslim from Mount Abu. For entire length of the journey, he only played Muslim religious songs in the car. He had been listening to the sermon silently till now. The man offering the sermon was suddenly aware of the presence of a certain other.

“Tum kaha say ho bhai? Where are you from?”

Ajju Bhai, the driver was not going to play along.

“Calcutta say! Tu kya kar lega? Calcutta! What is it to you? Chalo Sir, we have a long distance to cover.”

I couldn’t leave with doing a bit of a performance of my own. All that people understand these days is acting.

The secular performance, “Log kharab nahi hotey. Halaat hotey hai. People are not bad, time is.”

Back in the car, Ajju Bhai explained, “These guys are Jokes.”

“These guys?”

“They are all low castes. Men with too much time and no work. We don’t even talk to them. And this is not a good time to discuss such matter.”

Ajju Bhai it seems was an expert on Manusmriti. His opinion on caste was another debatable topic, however, I could see the talk at the tea shop has impacted him in a different way. The way it is supposed to: cause a little burn. It was no play. He told me that the previous night there had been minor rioting in Jodhpur city. He had been up half the night keeping a vigil in the streets where Muslims live. It all started when head of a cow was reportedly found outside a temple. Soon, a crowd was stoning the Muslim shops. Few men were arrested.

Far away Kashmir was just a fuel in such local stories.

We reached Jaisalmer. I wasn’t looking for a guide. At a tea stall, a man with Sandalwood tilak on his forehead offered to show me the fabled Yellow city. From the talks he seemed like another performer. I hired him. The man selling the tea exclaimed, “Kaha say pakad liya! Where did you find him!”

Ten minutes into the tour, it became obvious that the man’s brain is littered with Saffron bombs. Explaining the Gadisar lake, he reached Israel and claimed Jews are actually Hindus too.

“Where are you from? Dharam. Jaat. Gotra.”

When I gave him the answers, he pulled out a rudraksha necklace from around his neck and claimed to be a “first class Brahmin”.

The usual narrative started, “Nehru idiot…”

Mr. Purohit, the guide, claimed to be a VHP worker having worked for them for more than fifteen years. The delight of being part of a secret group reflected like a glint in his eyes.

“Caste has weakened Hinduism. I don’t believe in it. We believe in Sanatan Dharam.”

I asked him if he was okay with a Brahmin marrying outside the caste. He evaded the question, continued to prove Yahoods were actually Yadavs, so part of Sanatan Dharam.

There’s a small ill-maintained crafts museum just next to the lake. The guide thundered how Indians neglect history. He claimed Muslim fakirs had predicted fall of Hindu empire in Rajasthan. How foreigners will walk like bulls in its streets. I looked around and saw a foreign tourist was keenly trying to make sense of the sermon. The guide claimed the local VHP unit works closely with the intelligence unit of the state, reporting on smugglers and other threats. He believed he had some power. He believed he could put a spell on politicians and make them lose. “I will give them all cancer.”

We reached a square in the fort city, he exclaimed out aloud, “Make way! This here is an intelligence agent from Kashmir.” 


I couldn’t help but chuckle at his antics. In Kashmir, in certain circles, a Kashmiri Pandit was and is always an intelligence agent.

“Aap logo kay saath acha nahi hua”

Again, I could see who the audience of Kashmiri Pandit story was. Where the daggers were getting sharpened.

We reached top of the fort. Purohit climbed on top of a view point next to a rusty cannon and pointed out at a Haveli the owner of which in old days had molested an entire Brahmin village. He turned around and claimed there’s only one real hero in India: Nathuram Godse. He screamed it at the top of his lung.

He showed me the Jain temple inside the fort city. Proudly he pointed out the Ganesh inside the Jain temple. With a sly nudge he pointed out the stones in “Kamasutra” pose. Then insisted I visit the old Hindu temple too.

On the way down he claimed to be a Kabirpanthi. I told him I didn’t know that Kabirpanthis were also members of VHP. I left the thread, didn’t want to offend Kabir.

Outside the shop, Ajju Bhai caught up with us. Purohit’s language changed. He and Ajju Bhai got along well. I told them to drop me and my wife at the famous Bhang Shop. Ajju Bhai was a little annoyed. He only believed in Zarda. Purohit proceeded to sing a hindi paean about the benefit of Bhang. I couldn’t understand it. They laughed.

We left Jaisalmer and headed back for Udaipur via Barmer. It was late at night when we stopped again for tea. I was hungry and asked if anything could be had. He had only tea to offer. I noticed a 786 in the shop name. Ajju Bhai probably noticed it too. His language changed. He now talked with a heavy tinge of Urdu with the shop owner. As if to tell the owner that he is a Muslim too. The owner of teashop was from Gujarat. He used to work in diamond industry but due to heavy loss in business had to leave everything. He was starting over again. I could see, behind the shop he had setup a little house. His infant child was in a makeshift cradle. His wife, head and face all covered, walked out to us with a big plate of papaya.

“How much for the papaya?”

“No charge for that. You asked for food. We had nothing. Just this papaya. We offered you half.”

In house of a dispossessed man, I finally found some respite from Kashmir.

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The piece was later republished on EPW, 07 May, 2016.

Republished by raiot.in

shop in Ooty


The reach of Kashmiri traders never ceases to amaze me.

Kashmir House
Ooty
Handicraft shop

Tibetan Shop. In Ooty. The Himalayan neighbours of Kashmir. Another prolific moving/trading community.
 
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The Big Bores

The garden dividing A and B blocks was decked up like a gaudy bride. Twinkling fairy lights, tied and twisted over potted plants and tallish trees, blinked into the cool December haze. Chairs had been laid out in a crescent shape under the jamun tree. A sprinkling of idle chatter and laughter enveloped the late evening air.
To prevent the mud from dirtying bare feet, and the ladies’ high-heeled stilettos sinking in, a thick cotton rug had been laid on the ground. Smell of rose incense and aromatic foods permeated the thick winter chill.
‘You call this chilly? Baap re. What would you do in Kashmir then?’
‘Why don’t you just put a rubber stamp on your forehead? Kedar suggested. ‘Razdans, the bores from Kashmir, that way you won’y have to announce it over and over again. In Kashmir this, in Jammu that. Arabian Sea is like toilet water when you compare it to Dal lake, the air in Mumbai is like breathing poisonous gas…’

Kedar was sick of Mrs Razdan’s rants. He had spend the last fifteen minutes in that corner behind the table. and in spite of his resolution not to be rude to elders, he found he couldn’t help himself. He walked off with a flourish, hitching up his trousers and jabbing his fingers int he air, rapsta style. The New Year was a few weeks away, by then he would have got his act together, he promised himself. Besides wasn’t it rude to be as boring as the Razdans? Actually, he decided, as he sauntered off, their boringness had been far worse than his rudeness, so all in all, it was okay.
~ Swapnalok Society: The Good News Reporter (2009) by Suchitra Krishnamoorthi, fiction for young teens about the way television news works. The story is based around happening in a Mumbai urban society where a Kashmiri Pandit family also lives.
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The new crop of Kashmir Pandit immigrants have been in living in these urban settings, away from Kashmir, for more than twenty years now. It’s only natural that we ought now be part of stories coming from these urban centers. Stories which do not revolve around Kashmir and in which a Bhattni just pops up as one of the characters. (It is kind of funny that the clearest example of it should have some from the mind of someone who gave us pop-hit ‘Dole Dole; in year 1995 [youtube]).

Mixed Housing societies have always been good theme for ‘Indian Stories’. We find them in writings of Salman Rushdie and in cinema of Sai Paranjape. The stories often suffer from usual racial stereotype syndrome: Gujrati goes ‘Kemcho’, Tamil goes ‘Aiyyo’, old Parsi goes ‘Dikra’, Marathi doesn’t go ‘Bokmay’, Punjabi doesn’t go ‘Pencho’, Sardarji goes ‘Peg lagao’ and now Kashmiri goes…’Kashmir ye…Kashmir wo’…which of course is boring. 

Yes, we are big bores. Kashmir consumes us. Our world revolves around Dal Lake, Jammu is our moon and Srinagar Venus+Mars. Odd that we can write tomes about a world we no longer inhibit but barely acknowledge the ground beneath our feet. 
The new immigrant Pandits literature still revolves around Kashmir and not about characters living ‘Jamna Paar’. Jaman Paar does not exist. Perhaps it would take us another decade to start writing about the ‘Indian’ characters as we see them. Then maybe we would have some more boring stories to tells.
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