History of Jammu State

Extraction complete

History of Jammu State

by
J. Hutchison and J.Ph.Vogel
Journal of the Panjab Historical Society
Volume 8, No.2
1921
“As already mentioned the ancient name of the State was Durgara, as found on two Chamba copper plate deeds, and of this name the terms Durgar and Dogra, in common use at the present time, are derivations. Till the discovery of the copper plates several other derivations were assigned for the origin of the name. One of these was Dugarta or Dvigarta, that is, “the tract between two rivers,” viz., the Ravi and Chinab – in analogy with  Trigarta or Kangra. By some the name was supposed to refer to the two sacred lakes of Saroin Sar and Man Sar, and the country around them. These derivations of the name must now be regarded purely fanciful. The name Durgara is probably a tribal designation, like Gurgara, the original of the modern “Gujar”. The names Durgar and Dogra are now applied to the whole area in the outer hills between the Ravi and Chinab, but this use of the terms is probably of recent origin, and date only from the time when the tract came under the supremacy of Jammu.
The chronology of Jammu is a blank down to the early part of the tenth century, when it is referred to under the name of Durgara. This reference establishes the fact that the State then existed and was ruled by its own chief, called the ” lord of Durgara.” At a considerably later date the references in the Rajatarangini to two Rajas of Babbapura, if accepted as applying to Jammu, enable us to fix approximately the subsequent reigns. We may assume that Vajradhara, who was in power in A.D. 1114-18, succeeded about A.D. 1110, and the earliest authentic date after this is that of Raja Parasram Dev (A.D. 1589). Between these dates twenty Rajas ruled the State, giving an average reign of about twenty-five years. There may have been omissions of names in copying the Vansavali which would reduce this average, indeed one such name is found in the Akbarnamah. Again, from A.D. 1589 to A.D. 1812 there were twelve reigns, giving an average of nearly twenty years. These averages are in keeping with those of many other hill States.
As in other parts of the hills, Jammu State was probably preceded by a long period of government by petty chiefs, called Ranas and Thakurs. The traditions relating to this Thakurain period, as it is called, are less definite to the west than to the east of the Ravi, but in the historical records of most of the States in the Jammu area there are fairly clear evidences of such a political condition. These traditions, however, are least definite in the oldest States, having probably passed into oblivion through lapse of time. The foundation of some of the States is distinctly associated with the conquest of one or more of these petty barons. There are no references to the Ranas in the Jammu Vansavali, and it is unusual to find such references in the case of very ancient States, but in the folklore of the people traditions of the ancient polity are common.We may therefore assume that for many centuries after Jammu State was founded the outlying portions, which at a later period became separate and independent States, were under the rule of Ranas and Thakurs, possibly with a loose allegiance to Durgara.
The Dogra royal line trace their descent from Kus, the second son of Rama, and came originally, it is said, from Ayodhya. Like Chamba and many other royal families of the hills, they belong to the Surajbansi race and the clan name is Jamwal. Probably there was an older designation which has been forgotten.
The Manhas Rajputs, a large agricultural tribe found along the foot of the outer hills between the Ravi and the Jehlam, claim to be descended from the same ancestor as the Jammu royal clan. The tradition among them is that from an early period some of the younger members of the royal clan took to agriculture, and as following the plough is opposed to Rajput sentiment, they thereby became degraded, and are looked down upon by those who adhere to ancient custom. Most of the Manhas, it is said, can trace their descent from chief of the various States under different offshoots of the ‘Jamwal royal clan. It is improbable that Jamwal was the original name of the tribe as suggested by Ibbetson. The name can date only from the time when Jammu became the capital and it is applied only to the royal clan and its offshoots.
The early history of the State is lost in the mists of the past and even common tradition is silent. The first Raja, named Agnibaran, is said to have been a brother or kinsman of the Raja of Ayudhya. He came up into the Punjab by way of Nagarkot (Kangra), and after crossing the Ravi settled at Parol near Kathua, opposite to Madhopur in the Gurdaspur District. According to the records this, if authentic, must have been at a very early period. His son, Vayusrava, added to his territory the country of the outer hills as far west as the Jammu Tawi. Four other Rajas followed in succession and the fifth was Agnigarbh, who had eighteen sons, of whom the two oldest were Bahu-lochan and Jambu-lochan. Bahu-lochan succeeded his father and founded the town and fort of Bahu, on the left bank of the Tawi, opposite Jammu, and made it his capital. In seeking to extend his territories towards the plains he fell in battle with Chandarhas, then Raja of the Punjab (Madhyadesa) whose capital was probably at Sialkot. The reference is interesting and probably historical. The war with Chandarhas doubtless was the outcome of an attempt on the part of the hill chief to enlarge the State boundaries towards the plains. Tradition affirms that in former times the territory extended much farther to the south than now, and the Raja of Sialkot would naturally oppose such encroachments on his borders.
Sialkot has been identified with the ancient Sakala, the Sagala of Buddhist literature, which is thus proved to be one of the oldest cities in the Punjab. In very ancient times it was the capital of the Madras who are known in the later Vedic period, and Sakaladvipa or ” the island of Sakala ” was the ancient name of the doab between the rivers Chandrabhaga (Chenab) and Iravati (Ravi). In somewhat later times (c. B.C. 200) Sakala was the capital of the later Graeco-Indian kings of the house of Euthymedus, who ruled the Eastern Punjab, and it was the residence of Alenander who has been identified with king Melinda, who is known from the Buddist treatise called “The Questions of Melinda.” His date was about B.C. 150. At a still later period Sakala was the capital of Salavahana, whose son, Rasalu, is the great hero of all Punjab tradition, and after the invasion of the Hunas (Huns) in the latter part of the fifth century A.D. it became the capital of Toramana and his son Mihirakula, who ruled over the Punjab and also probably over Kashmir. As Jammu is only thirty miles from Sialkot, and the boundary even at the present time is within seven miles of the latter place, it is evident that frequent disputes must have arisen in former times, similar to that referred to in the Vansavali.
Jambu-lochan followed and continued the war with Chandar-has in which the latter was slain. He is then said to have founded the town of Jammu. The story is thus related: Jambu-lochan on becoming Raja wished to found another town as ^ his capital and name it after himself. With this in view he went out hunting one day accompanied by his officials, and crossing the Tawi he saw in the jungle a deer and a tiger drinking at the same tank. Being surprised at the sight he returned to his tent and calling his Ministers enquired the meaning of such a strange occurrence. They replied that the explanation lay in the fact that the soil of the place excelled in virtue and for that reason no living creature bore enmity against another. The Raja therefore came to the conclusion that this was just the kind of site he was in search of and founded a new town, calling it Jambupura.’
The spot on which the tank was found is now called Purani Mandl,’- a locality in Jammu town, where the Rajas on their accession receive the rajtilak, or mark of investiture at the time of installation. The Purani Mandi marks the spot where the palace originally stood, and the Rajas resided for centuries. It is near the small temple of Raghunath (Rama) called ” Maharani ka Mandir,” founded by the Bandhrali Rani of Maharaja Ranbir Singh. A great number of people are daily fed there, and receive each one pice in cash in name of the rani. The present Purani Mandi buildings are said to have been erected by Raja Mal Dev, probably in the fourteenth century. The present palace is modern and was erected by Maharaja Gulab Singh.
Jammu has no ancient buildings or remains, nor anything to indicate that it is a place of great antiquity. The temples, which are generally a sure evidence of age, are all modern. The place has a large population, but its prosperity is of recent date. The earliest historical mention of Jammu is in connection with Timur’s invasion in A.D. 1398-9. In the Tarikh-i-Kashmlr-i-Azami (A.D. 1417) a Raja of Jammu is referred to and the town is spoken of as then about five hundred years old. We may therefore conclude that it was founded about A.D. 900. It is quite possible, however, that Jammu may date from an earlier period, as the legend says; though it may not have been a place of any importance and did not become the capital till a later time.”
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Tawi. Jammu. Spring.2013.
Gulab Singh’s fort [by the side of Chinab?]. 1847. By James Duffield Harding during 1846 visit to the Kingdom by Charles Stewart Hardinge, the eldest son of the first Viscount Henry Hardinge, the Governor General of India.
[via: British Library]
Map of Jammu City. Company Period Punjab. 1880-90 A.D.
[from an exhibition at Kala Kendar Jammu]
Dogra Man 1944
“Nautch fencing dance before the Prince of Wales at Jummoo”,1876.

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The Royal Dancers, 1926

 Pratap Singh died on 25th September, 1925 and the throne passed on to his nephew Hari Singh. The coronation ceremony, the ‘Raj Tilak’ was held in February 1926. It was a long elaborate affair. Starting on February 14 and ending on 24th. After the main function was held in Jammu, the processions moved to the Akhnoor where the final ceremony of power transfer was performed.

The world media was obviously interested in the obscenely lavish pageantry held in honor of “Mr. A”.

“Jammu, Kashmir, India – New and rare photographs of the religious ceremonies within the palace gates and the dancing girls who took part in the coronation of the Maharaja of Kashmir have just been recieved. Reigning prices from all parts of the empire were present at the coronation of Sir Hari Singh, better known as the “Mr. A” of the sensational Robinson Case, in ceremonies which rivalled in splendor those of the Arabian Night. The celebration lasted over a week, preceded by mystic religious rites by the Hindu priests. The Prince’s favourite dancing girls also took part in the coronation, dancing for the new Maharaja before and after the religious ceremonies. Gifts amounting to two million pounds sterling were received by the new Indian potentate.” Dated: 19th April 1926.

 Here are two rare photographs from the ceremony. A closer look at the dancing girls.

The child dancer.
The Dancer and the Wailer.
Here the woman in the foreground is the dancing girl while in the background can be seen the woman hired for wailing. The coronation ceremony was essentially a mix of both a happy and a sad occasion. Traditionally the death of the previous king was to be mourned and the new king celebrated. This photograph captures it perfectly.  

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on the wall


Over the last couple of years, I released thousands of photographs online, most of them now end up anonymously on Facebook walls of thousands of anonymous people.

If those walls aren’t enough, on a recent visit to Jammu I found some on the walls of a community centre.

Kashmiri Pandit Sabha, Nov. 2013

P.S. A cousin sis tells me she saw my Mekhal pics in an ad for hairloss treatment in Bangalore. Internet is weird.

Song for Durbarmove

Jammu. Spring.2013.
Angan phuli chamba mala
Jamuan di karni pyari a
Chitthian bhejda koi na hin
ti khat nal ue chhori bas a
chakri Kashmir an di pai ma him
a on da tera sukh a sand
Jasmine is blooming in my courtyard and wafts its scent across my bed!
O Beloved, thy service in Jammu, but perforce thou must go to Kashmir:
I send thee letters, but none come back to tell of thy welfare – 

Jasmine is blooming in my courtyard and wafts its scent across my bed!
~ A dogri folksong dating back to early 20th century Jammu about a woman’s lament about separation from lover caused by ‘durbar move’.
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Manja Makers

Jammu. July 2013.

My first experience with kites was in Srinagar. It was a failed experiment. I tied a pangot thread to a kanni and ran around, pretending it was flying. That was the last summer.

I really learnt the art in Jammu. But it was a different art. In Srinagar, it was a leisurely sport. You just tried to fly it high. But in Jammu, kite flying was like learning to fight a war. The art of this war required you scream, run, fight and capture. You need the right weapons. The perfect threads. The Manja of rough thread with the sharpest of glass. For short plays. You could even make it at home, powdered glass, glue and flour. Or you could use thread with more smoothness. Surtis. For longer plays. You need the perfect kite. A tactical Guddi. Or a mighty Gudda. A bhoot is perfect. You need to learn to read the cane backbone of the kite. Is it hard? Is it soft? Should the thread be tied near or a bit further down. You need the perfect crew. Someone to give the perfect Kanni. You need to learn to read the wind. You need to learn read the signal’s from your enemies. Is he challenging you? You need to know when to pull the thread and when to let go. You need to burn the skin. Blend in. Sweat it out. Watch the skies. It is all an art. The only real art I know.

In fact, I even mastered the highest level of it. At the peak of my prowess, I could even lapet-in a lost kati patang. Sometimes two.

And I did it all but never ever even buying a Manja. My Manja was always put together from the threads that came in with the kites I looted. A Manja both Smooth and Sharp. With threads of colours red and greens. And blue and grey. And yellow and white…

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Zorawar’s War Horses

A monument dedicated to
 General Zorawar Singh in Jammu

Zorawar kay ghoday dhoday
Kuch log ujhday
Kuch desh bhasay

My Great-Great-Great Grandfather was a man named Kamal Joo Razdan/Raina, a cashier in Zorawar’s Army, posted at times in Gilgit. The family lore has it he even had a sword, a royal gift.

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Fragment from a painted scroll: Zorawar Singh’s army marching through the mountains

A Buddhist Shrine: detail from a painted scroll. [In the bottom left corner can be seen Zorawar’s Army, looking on]
From Kashmiri Painting by Karuna Goswamy, 1998.

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In Leh, we hear Ladakhi women singing the song of Zorawar Singh’s wife:

I do not wish to eat bread received from the sinful northerners
I do not wish to drink water received from the sinful northerners
Amidst the inhabitants of this land I have no friends and relations…
When arriving at the Zoji-la-Pass, my fatherland can be seen…
Although I can see my fatherland, I shall not arrive there…



In Jammu, a wife of a soldier sings:

Tera miga ladga i manda, O gadda,
tera miga lagda i manda,
Eh Patwari migi khat rehyum liki dinda,
sau sau karnian Chanda.
Kehsi banai Rama
Jange di Chakri


I am sick of separation, my love,
I am sick of separation,
I entreat the Patwari again and again,
To write a letter for me, but he refuses,
So you leave the army and return home.
Why, O God Rama, have you created a permanent institution like the Army?



lines found in book, ‘Jammu and Kashmir’ by Somnath Dhar (1982) [link]


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Map of Kingdom of Kashmir from David McCormick’s ‘An artist in the Himalayas’ (1895).



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