Untitled Post

Way back from Gulmarg. June, 2008

‘I haven’t seen such forests. The air of creation moves inside them. Something religious and primordial comes to memory and blurs it melodiously.’

Petros Vlastos (1879-1941), India born Greek writer who spent most of his time in India and England, wrote this about the forests of Kashmir in his book Critical Journeys (1912). West came to Kashmir for all kind of reasons, this one was apparently seeking to understand through nature the history of race.*

-0-

*Greek diaspora and migration since 1700: society, politics and culture by Dimítris Tzióvas, Dēmētrēs Tziovas

Kashmir by Pierre du Jarric, 1597

 “The kingdom of Caximir is one of the pleasantest and most beautiful countries to be found in the whole of India, we may even say in the East. It is completely surrounded by very high mountains which for the greater part of the year are covered with snow, and all the rest of the kingdom is a beautiful plain clothed in verdure, and well watered by springs and rivers: a very pleasant land for those who dwell therein. Owing to the mountains, the climate of the country is somewhat cold, though it is more temperate than that of the kingdom of Rebat, which joins Caximir on the east. In the month of May, great numbers of wild-duck come from the mountains of Rebat and settle in huge flocks on the streams which flow near to the town of Caximir, the capital of the kingdom, because of the warmer climate. About three leagues from town there is a lake of sweet water which, though not more than two leagues in circuit and half a league broad, is so deep that large vessels can float upon it. In the middle there is an artificial island on which the king has a palace, where he refreshes himself when he goes to shoot the duck which abound on this lake. On the banks of a river, the waters of which flow through the lake, there is a species of very large tree, the trunk and leaves of which resemble those of the chestnut, though it is quite a different tree. The wood is very dry, and has a grain like rippling water; it is much used for making small caskets and similar articles. the country abounds in wheat, rice and other food grains. They plant vines at the roots of the mulberry trees, so that grapes and mulberries are seen hanging from the same branches. People say that this kingdom was one of the most formidable in these parts, and that the Great Mogor[L] would never have been able to subdue it but for the factions which existed amongst the inhabitants. Knowing that it was a kingdom divided against itself, he invaded it with a large army, and easily made himsef master of it. Formerly all the people of this country were Gentiles; but about three hundred years ago they joined the sect of Mahomet, and the majority of them are now Saracens.”

Pierre du Jarric.  (Akbar and the Jesuits, Page 75).

Pierre du Jarric, a 16th-17th centuries French priest of the Jesuit order and a professor of philosophy and theology at Bordeaux, travelled to Kashmir in 1596- 1597 as part of Mughal encampment and was first to introduce the western world to Kashmir when his travel letters were published in Antwerp in 1605. 

-0-
I looked for this description for a long time and finally found it in a footnote to Kalahana’s Rajatarangini by Ranjit Pandit. Interestingly the above passage also alludes to the Chinar trees of Kashmir.

Image: Found it in ‘Letters from India and Kashmir’ by J. Duguid, 1870. [The illustration is by MR. H. R. ROBERTSON, and engraved by MR. W. J. PALM KB, principally from the writer’s Sketches.]

Simurgh in Kashmir

A couple of days ago Man Mohan Ji sent me this wonderful painting.

The originally Persian mythical bird, Simurgh, holding fast nine elephants symbolizing lower constituents of the partial self. Kangra school, 19th century. Gouache on paper.

I came across stories of Simurgh a couple of times while reading things about Kashmir. And interestingly in these stories Simurgh was a very lose term that was easily applied to many kind of  mythical birds.

The story titled ‘Good King Hatam’, narrated to Reverend James Hinton Knowles by a barber of Amira Kadal named Qadir, revolves around a golden egg-laying bird Huma. In the footnote to the story Knowles tells us that Huma is ‘A fabulous bird of happy omen peculiar to the East. It haunts the mountain Qaf. It is supposed that every head it overshadows will wear a crown. The Arabs call it ‘anqa’ and the Persians simgh (lit. of the size of thirty birds).’


Another story about Kashmir and Simurgh comes all the way from ancient China.

According to a Chinese legend, a king of Kashmir named Chi-pin caught a Simurgh and caged it, but the bird never sang a single note for three years (in an Indian original the bird would be a kalavinka , a melodious songbird). The king’s wife then tells him that Simurghs only sing when they see their own kind, so the king deceives the bird by putting a mirror in its cage. Mistaking its own reflection for the lost mate, Simurgh sings a mournful song and dies. The story about the “single simurgh” (ku-luan) is from Liu Ching-shu’s Garden of Anomalies (I-yilan). *

* from ‘The age of Eternal Brilliance: Three Lyric Poets of the Yung-ming Era’ (Richard B. Mather, Yue Shen, Tiao Xie, Rong Wang ) and ‘The oceanic feeling: the origins of religious sentiment in ancient India’ (Jeffrey Moussaieff Masson)

Aldous Huxley in Kashmir.

“My uncle’s house is on a hill, but I cannot eat this rotten cabbage”

A couple of years ago a cousin on mine told me a  funny anecdote about Aldous Huxley’s visit to Kashmir. According to the story: Aldous Huxley was riding slow in a motor car down some road in the state of Jammu &  Kashmir  when suddenly, much to his amusement, a cow thrust its head through the side window and right into the car. Mooooo.
And till then I didn’t even know that great Aldous Huxley had been to Kashmir. Later I learn’t that not only had he been to Kashmir but had also written at some length about his Kashmir visit.

Between 1925 and 1926 traveled extensively in India and Burma. The account this journey can be found in his book ‘Jesting Pilate: The Diary of a Journey (1948)’.

His account of Kashmir make quite a fascinating read with the the book offering Huxley’s curious, bizarre, outrageous but never boring, observations on people, cultures and customs of the places he visited. Much to my surprise Aldous Huxley does mention cows in his account of visit to Kashmir, in fact he mentions lots of cows. But sadly, I couldn’t find reference to that particular anecdote.

Besides cows of Kashmir, Huxley also wrote about proud educated Kashmiri Pandits and their love for ‘wielding only the pen’. He writes about Indian fascination for starting passages with ‘apophthegms, quotations’ and ending it with ‘cracker mottoes’, and for saying things like ‘ As the Persian poet so beautifully puts it ‘. Aldous Huxley must have lost his mind to say something like this. Nonsense. Hmmm….come to think about it I still know people who write like that. No I never do it. It’s funny once you realize how true it is.

He also wrote about pathetic Indian education system and about the great ‘vacuum’ that the Indian youth steps out to. Reading this part, one actually wonders how little the things have changed.

And then Aldous Huxley also writes about the proverbial filthiness of Kashmiris. (I have already come across a couple of footnotes from history on this subject – here and here).

One realizes, Huxley wasn’t always looking for beauty. Among the great and famous Mughal gardens of Kashmir, he only thought Chasma Shahi to be ‘architecturally the most charming’ and he implies that Italians could had done a better job given them. I believe he wasn’t looking for beauty because just about a decade and a half before his visit to these gardens, a woman named Constance Mary Villiers Stuart,  was so enamored by these Mughal gardens that with her great book ‘Gardens of the Great Mughals’ (1913), she initiated the historical study of Mughal Gardens and Indian gardening.

Must not end this with a  cracker motto…must not. Caaan’t resist it. Control. The temptation is just too great. O’-what-the-hell! I can’t help myself. So here it goes – As it it often said, ‘Beauty lies in the eye of the Beholder’.

Here’s Aldous Huxley’s account of his visit to Jammu & Kashmir

-0-
Jesting Pilate: The Diary of a Journey (1948)
Chatto &Windus, London

[from: The collected works of Aldous Huxley]

Page (20 to 39)

-0-

KASHMIR
IT is cheaper in this country to have a waggon pulled by half a dozen men than by a pair of oxen or horses.All day, on the road below our house, the heavyladen carts go creaking slowly along behind their team of human draft animals. The coolies sing as they pull, partly out of sheer lightness of heart (for these Kashmiris are wonderfully cheerful, in spite of everything), and partly, no doubt, because they have discovered the psychological fact that to sing in chorus creates a strengthening sense of solidarity within the singing group, and seems to lighten the work in hand by making the muscular effort respond almost automatically to a regular rhythmic stimulus. I noticed two main types of labourer’s chantey. One of these is melodically quite ambitious; for it ranges over no less than three notes of the minor scale. It is sung in unison, and there is no separate chorus leader. The commonest form of the melody is more or less as follows:
[image of notes]
Da capo ad infinitum. They sing it all day at their work and half the night as well, for fun, when there happens to be a wedding or some similar festival. The other chantey takes the form of a kind of dialogue between the chorus and a chorus leader, who responds to the two strong beats of the choral song by a single monosyllable, always the same, sustained for two beats, and sung emphatically on a lower note. The words were incomprehensible to me; but translated into terms of gibberish, they sounded something like this: Chorus, Dum-dum. Leader, BONG. Chorus, Tweedle-dum. Leader,BONG; Tum-diddy, BONG; Tweedle-weedle, BONG. And so on, hour after hour.

This rhythmical dialogue is the favourite music of the waggon teams. Walking abroad, one is never for long out of hearing of that monotonous Dum-dum, BONG; diddy-dum, BONG. The singing floats down between the poplar trees of the straight flat roads of the valley, and slowly, laboriously the waggon and its human crew come following after the swift-travelling song. Passing, I feel almost ashamed to look at the creeping wain; I avert my eyes from a spectacle so painfully accusatory. That men should be reduced to the performance of a labour which, even for beasts, is cruel and humiliating, is a dreadful thing. ‘ Ah, but they feel things less than we do,’ the owners of motor-cars, the eaters of five meals a day, the absorbers of whisky hasten to assure me; ‘ they feel them less, because they ‘re used to this sort of life. They don’t mind, because they know no better. They ‘re really quite happy.’

And these assertions are quite true. They do not know better; they are used to this life; they are incredibly resigned. All the more shame to the men and to the system that have reduced them to such an existence and kept them from knowing anything better.

It is in relation to their opposites that things have significance for us. ‘ Opposite shows up opposite, as a Frank a negro.’ So wrote Jalalu ‘d-Din Muhammad Rumi. ‘The opposite of light shows what is light…. God created grief and pain for this purpose: to wit, to manifest happiness by its opposites. Hidden things are manifested by their opposites; but as God has no opposite, He remains hidden.’ These Kashmiri draft coolies, who are unaware of comfort, culture, plenty, privacy, leisure, security, freedom, do not in consequence know that they are slaves, do not repine at being herded together in filthy hovels like beasts, do not suffer from their ignorance, and are resigned to being overworked and underfed. Those who profit by the Kashmiri’s ignorant acquiescence in such subhuman conditions are naturally not anxious that they should be made aware of the desirable opposites which would make their present life seem odious. The spread of education, the improvement of living conditions are causes which do not rouse them to enthusiasm. And yet, in spite of everything, the spirit of humanitarianism works even through these reluctant agents. For the spirit of humanitarianism is the spirit of the age, which it is impossible for any man, born with the usual supply of social instinct and suggestibility, completely to ignore. His reason may tell him that his own personal advantage would be best served if he kept the disinherited in their places. But a stronger force than reason is for ever trying to make’ him act against reason. To be utterly ruthless towards the disinherited would be profitable; but he can never bring himself to be utterly ruthless. In spite of himself, he feels that he ought to give them justice. And he gives it-not very often, no doubt, and not very much at a time-but still, he gives it; that is the queer, significant, and modern thing. Even in Kashmir a tiny pinch of this humanitarian commodity-as yet, however, all but invisible has begun to be distributed.

Srinagar

THE Mogul gardens are disappointingly inferior to any of the more or less contemporary gardens of Italy. Shalimar and Nishat Bagh cannot compare with the Villa d’Este at Tivoli, or the Villa Lanti, near Viterbo. The little Chashma Shahi is architecturally the most charming of the gardens near Srinagar. And the loveliest for trees and waters is Atchibal, at the upper end of the valley; while far-off Verinag, where Jahangir enclosed the blue deep source of the Jhelum in an octagonal tank surrounded by arcades, has a strange and desolate beauty all its own. But in general it may be said that the design of all these Indian gardens is rigid, monotonous, and lacking entirely in the Italian grandiosity, the Italian fertility of invention. The architecture of the pleasure houses which they contain is petty and almost rustic. The decorative details, such of them, at any rate, as remain-for the ornamentation was mostly of a rather gimcrack and temporary character-are without much originality. How greatly the Mogul architects were handicapped by the profession of a religion which forbade the introduction of the human form into their decorative schemes is manifested especially in their fountains. A fountain in one of these gardens is just a nozzle sticking out of the ground, the end of a hose-pipe turned vertically upwards. Miserable object, and unworthy of the name of fountain! I shut my eyes and think of those Bolognese mermaids with their spouting breasts; those boys and tortoises at Rome, all black and shining with wetness; those naiads and river-gods and gesticulating allegories among the rainbows and the falling crystals of the Piazza Navons; those Tritons at the Villa Lanti with their prancing sea-horses-all the fantastic world of tutelary deities that stand guard over Italian springs. The Moguls were good Mohammedans and content with unadorned nozzles.

If the Kashmiri gardens are beautiful, that is the work, not so much of man as of nature. The formal beds are full of xinnias and scarlet cannas. The turf is fresh and green. The huge chenar trees go up into the pale bright sky; their white trunks shine between the leaves, which the autumn has turned to a rusty vermilion. Behind them are the steep bare hills, crested already with snow. Their colour, where the sun strikes them, is a kind of silvery-glaucous gold and, in the shadows, a deep intense indigo. Below, on the other side, stretches the Dal Lake, with the isolated fortcrowned hill of Hari-Parbat on the further shore. The sun shines out of a flawless sky, but the air is cool against the face. ‘ It is a nipping and an eager air’; for we are at more than five thousand feet above the sea. The Great Moguls regarded Kashmir as the earthly paradise. And a paradise to one coming fresh from the earthly hell of the Panjab in summer it must indeed have seemed. The visitor from temperate lands finds it less paradisiacal because more familiar. The lakes and mountains remind us of Switzerland and Italy, and in the level valley, with its interminable poplar avenues, its waterways, and soggy fields, we find ourselves thinking of France, of Holland even. Our ecstasies of admiration are reserved for the unfamiliar tropics.

Srinagar

IN the autumn great flocks of teal and mallard come through Kashmir, on their way from the breedinggrounds to their winter home in Northern India. Some breed in the recesses of Ladakh, a few hundred miles only from the Kashmir valley; but the majority, it is said, go further afield into Central Asia, possibly even into Siberia, where so many migrants pass the brief but generous summer. In the autumn they fly southwards, over the Himalayas, into India. Some varieties of these water-fowl cross the range at the eastern end, some to the west. Thus the cotton-tail, I am assured by sportsmen, is found in Assam and Bengal, but not in the Panjab; while the mallard is seen only in the west. How these birds, which normally spend their lives in the plain, contrive to pass the Himalayas without dying of mountain-sickness or asphyxiation on the way, is something of a mystery. Most small animals, when taken up suddenly to a height of fifteen or twenty thousand feet-and many of the Himalayan passes touch these heights-simply die. The migrating duck, if it really does come down from Central Asia, must be flying at these altitudes for miles at a stretch. Physiologically, the feat seems almost as extraordinary as that of the eel, which leaves its native pond or river to breed, two or three thousand miles away, in the deep water of the ocean.

It would be interesting to know the feelings of a migrant animal, when the moment has arrived for it to perform its journey. The swallow at the end of the summer, the salmon when, having attained its maximum weight, it feels that the time has come, for it to go up into the rivers, the fresh-water eel at the approach of its first and final breeding season, must feel, I imagine, much as a man might feel when suddenly converted, or who finds himself compelled by an irresistible sense of duty to perform some hazardous and disagreeable enterprise. Some power within them-an immanent godcommands them to change their comfortable way of life for a new and arduous existence. There is no disobeying the command; the god compels. If eels could formulate their theories of ethics, they would be eloquent, I am sure, about the categorical imperative and the compulsive character of the sense of duty.

Our categorical imperatives, like those of eels and swallows, are generally backed by the forces of an instinct. Our social instinct deters us from doing what we think would be condemned, and encourages us to do what we think would be commended by our equals, by our moral superiors, by our ‘better selves,’ by ‘ God.’ But there are occasions, curiously enough, when the categorical imperative to do or refrain from doing seems to have no connection with a compulsive instinct. For example, a man writes two letters, addresses two envelopes, puts the letters into the envelopes, and seals them up. lHe is extremely careful when inserting the letters, to see that each goes into its proper envelope. Nevertheless, a few minutes later, he is seized by an irresistible desire to reopen the envelopes so as to make sure that the letter to his mistress is not in the envelope addressed to his maiden aunt, and vice versa. He knows that each letter is where it should be. But despite his conviction, despite the derisive comments of the rational part of his mind, he does reopen the envelopes. The categorical imperative is stronger than reason. It may be so strong that after five more minutes, he will open the envelopes a second time.

What gives the imperative its strength in cases such as this, I am at a loss to imagine. The August cuckoo takes wing for Africa at the command of a special migratory instinct. A desire born of his social instinct, to win the approval of his fellows, of some hypostasised ‘ better self’ or ‘ personal god,’ makes a man act honourably in circumstances where it would be more profitable and more convenient to act dishonourably. But when a man reopens an envelope to see if it contains the letter he knows it does contain, when he gets out of bed on a cold night to make sure that he has switched off the light and bolted the doors which he clearly remembers turning out and bolting ten minutes before, no primary instinct can be invoked to account for the compulsive nature of the desire to do these irrational things. In such cases the categorical imperative seems to be morally senseless and psychologically unaccountable. It is as though a god were playing practical jokes.

Srinagar

THE Kashmiris are proverbial throughout India for the filthiness of their habits. Wherever a choice is offered them between cleanliness and dirt,they will infallibly choose the latter. They have a genius for filthiness. We had daily opportunities of observing the manifestations of this peculiar genius. Our compound was provided with water from the city supply. From a tap at the end of the garden we could draw the pure filtered water of the reservoir among the mountains. The water from this tap, which was left running for hours at a time, was collected in a small brick-lined tank, on which the gardener drew for the watering of his flowers. And not the gardener only. We found that our servants had an almost irresistible desire to fetch our washing and drinking water from the same source. The fresh water ran sparkling from the tap; but their instinct was to take only the standing fluid in the uncovered tank. And to what uses the tank was put I Looking out in the morning, we could see our sweeper crouching on the brink to perform his ablutions. First he washed his hands, then his feet, then his face; after that he thoroughly rinsed his mouth, gargled and spat into the tank. Then he douched his nose. And when that was finished, he scooped some water in his hands and took a drink. A yard away was the tap. He preferred the tastier water of the tank.

The astonishing thing is that epidemics are not more frequent and severe than is actually the case. That they are not is due, I suppose, to the powerful disinfectant action of the sunlight. Perhaps also an almost daily and domestic familiarity with the germs of typhoid and cholera has bred among Kashmiri phagocytes a healthy contempt for their attacks, together with increased powers of resistance.

THE Kashmiri pandit has a more than Spanish objection to manual labour. But, unlike the hidalgo who thought himself dishonoured by the exercise of any profession save that of arms, the pandit is ambitious of wielding only the pen. He may be abjectly poor (most people are abjectly poor in Kashmir); but he will do only a pandit’s work. Chauffeurs may get good wages, servants are clothed and fed; but the proud pandit had rather walk the streets begging than accept employments so derogatory to his Brahmin dignity.
There are many pandits in Kashmir. They are all educated, more or less, and all equally proud. The consequence is that, in Kashmir, you can hire a clerk for about half as much as you would have to pay your cook. And not in Kashmir only. It is the same throughout the whole of India. A circus recently visited Lahore. The management advertised for gate-keepers at fifteen rupees a month. Among the applicants, I was told, were upwards of forty graduates. Mysore, the best-governed of the Indian States, finds the same difficulty in disposing of the finished products of its higher education. After having gone to the trouble of taking their degrees, the graduates of its colleges demand, almost as a right (it is only natural), the work for which their educational attainments fit them. But the work does not exist.
That is the farcical tragedy of Indian education. The Universities produce a swarm of graduates, for whom there is nothing to do. The State can employ only a limited number of them, and, outside the government service, there is almost no opening for a man with the ordinary general education of the West. The industrial and commercial activities, to which most of our young educated men devote themselves, hardly exist in India. There is no available liquid capital to start such industries on a large scale, and the average educated Indian lacks the enterprise and energy to begin in a small way on his own. His ambition is to step into some safe clerical job with no responsibilities, and a pension at the end of it. A ‘ crammed ‘ education in the humanities or in pure science hardly fits him for anything else. Unhappily, the number of safe clerkships with pensions attached is strictly limited. The Indian youth steps out of the University examination hall into a vacuum. The class of educated unemployed-the class most dangerous to an established government-steadily grows.

Srinagar

EDUCATED Indians of the older generation have a great weakness for apophthegms, quotations, and cracker mottoes. They punctuate their conversation with an occasional ‘ As the Persian poet so beautifully puts it ‘: then follows a string of incomprehensible syllables, with their appended translation, which generally embodies some such gem of human wisdom as ‘Honesty is the best policy,’ or ‘The higher the art, the lower the morals,’ or ‘ My uncle’s house is on a hill, but I cannot eat this rotten cabbage.’ Those whose education has been of a more occidental cast have Gray’s Elegy, the works of Sir Edwin Arnold, and the more sententious parts of Shakespeare at their finger-tips. But among the younger Indians the quotation habit seems to be dying out. Their wisdom is diffuse and unquotable. Their minds are stored with the nebulous debris of newspaper articles, pamphlets, and popular science booklets, not with heroic couplets.

It is the same with us in the West. Latin tags issue from the mouths only of the aged. The days when Virgil and Horace were bandied from one side of the House of Commons to the other are past. Latin with us, like Persian among the Indians, is a deader language than it was a century, even a generation ago. Even the English classics are rarely quoted now. Young people trot out their Shakespeare less frequently than do their elders. The reason, I suppose, is this: we read so much, that we have lost the art of remembering. Indeed, most of what we read is nonsense, and not meant to be remembered. The man who remembered the social paragraphs in his morning paper would deserve to be sent to an asylum. So it comes about that we forget even that which is not worthy of oblivion. Moreover, to young people brought up in this queer provisional patchwork age of ours, and saturated with its spirit, it seems absurd to collect the rags of thought bequeathed by other and, they feel, utterly different ages. What is the use of knowing, in I925, that ‘when lovely woman stoops to folly,’ the best, the only thing she can do ‘ is to die’? What is the good of asserting baldly that ‘the quality of mercy is not strained,’that ‘ God ‘s in His heaven, all ‘s right with the world’? These poetical statements have no meaning for us. When lovely woman stoops to folly, we do not think of death – we think of suppressed complexes and birth-control and the rights of the unmarried mother. About the quality of mercy we have our own contemporary ideas; how we regard it depends on whether we are followers of Gandhi on the one hand, or of Sorel, Lenin, and Mussolini on the other. It falleth as the gentle dew from heaven; it is twice blest. No doubt. But what is this to us, who have our peculiar problems about the rights and wrongs of violence to decide in our own way? And what meaning for us have those airy assertions about God? God, we psychologists know, is a sensation in the pit of the stomach, hypostasised; God, the personal God of Browning and the modern theologian, is the gratuitous intellectualist interpretation of immediate psycho – physiological experiences. The experiences are indubitably true for those who feel them; but the interpretation of them in terms of Browning’s personal God is illogical and unjustifiable.

No, decidedly, the cracker mottoes of the ancients are of no use to us. We need our own tags and catch-words. The preceding paragraph is full of them: complex, birth-control, violence for an idea, psychology, and the rest. Few of these words or of the ideas for which they stand have yet found their way into poetry. For example, God, the intellectually interpreted sensation in the pit of the stomach, has not yet been crystallised into couplets. His home is still the text-book, the Hibbert Journal article. Like most of the rest of our ideas He is unquotable. The ancients were able to build up their notions of the world at large round an elegant poetical skeleton. L Less fortunate, we have only a collection of scientific, or sham-scientific, words and phrases to serve as the framework of our philosophy of life. Our minds and our conversation are consequently less elegant than those of our fathers, whose ideas had crystallised round such pleasing phrases as ‘ Sunt lacrimae rerum,’ ‘ I could not love thee, dear, so much, loved I not honour more,’ and ‘ A sense of something far more deeply interfused.’ Some day, it may be, a poet will be found to reduce our catch-words to memorable artistic form. By that time, however, they will probably be as meaninglessly out-of-date as the cracker mottoes of the classics.

Srinagar

SRINAGAR owns a large population of sacred cows and bulls that wander vaguely through the streets, picking up such vegetable garbage, grass, and fallen leaves as they can find. They are small beaststhe half of good-sized English cattle-and marvellously mild. Red rags mean nothing to these little bulls, they can be trusted in china shopseven in nurseries. Liberty, underfeeding, and unlimited access to the females of their species account, no doubt, for this surprising gentleness.

But, though harmless, these Hindu totems are passively a nuisance. They will not attack you as you walk or drive along the streets, but neither will they get out of your way. They stand there, meditatively ruminating, in the middle of the road, and no shouting, no ringing of bells or hooting of horns will send them away. Not until you are right on top of them will they move. The fact is, of course, that they know their own sacredness. They have learned by long experience that they can stand in the road as much as they like and that, however furiously the klaxon sounds, nothing will ever happen to them. Nothing; for Kashmir, though its inhabitants are mostly Mohammedans, is ruled by a pious Hindu dynasty. Up till a few years ago a man who killed a cow was sentenced to death. Under a milder dispensation he now gets only a matter of seven years’ penal servitude. A salutary fear of cows is rooted in the breast of every Kashmiri chauffeur. And the totems know it. With a majestic impertinence they stroll along the middle of the roads. When one is a god, one does not disturb oneself for the convenience of mere man, however importunate.

To the eye of pure reason there is something singularly illogical about the way in which the Hindus shrink from killing cows or eating their flesh when dead, but have no scruples about making the life of the sacred beasts, by their ill-treatment, a hell on earth. So strict is the orthodoxy of Kashmir, that Bovril is confiscated at the frontier, and sportsmen are forbidden to shoot the wild nilgai, which is not bovine at all, but happens to be miscalled the ‘ blue cow ‘; the very name is sacred. And yet nothing is done to protect these god-like animals from any cruelty that does not actually result in death. They are underfed and, when used as draft animals, mercilessly overdriven. When the goad fails to make them move, their driver will seize them by the tail and, going through the motions of one who tries to start up a Ford car, violently twist. In winter, when fodder runs short, the Kashmiris pack their beasts together in a confined space until they begin to sweat, then turn them out into the snow, in the hope that they will catch pneumonia and die. To the eye of reason, I repeat it, it certainly seems strange. But then the majority of human actions are not meant to be looked at with the eye of reason.

Srinagar

IT takes the Tartar traders six weeks of walking to get from Kashgar to Srinagar. They start with their yaks and ponies in the early autumn, when the passes are still free from snow and the rivers, swollen in summer by its melting, have subsided to fordableness. They walk into Kashmir, and from Kashmir into India. They spend the winter in India, sell what they have brought, and in the following spring, when the passes are once more open, go back into Turkestan with a load of Indian and European fabrics, velvet and plush and ordinary cotton, which they sell for fabulous profit in their own country.

We paid a visit to the Central Asian sarai at Srinagar where the Tartars halt for a rest on their way down into India. A dozen merchants with their servants were encamped there: strange Mongolian men, high-booted, trousered, jerkined in thick cloth or sheepskin. They showed us their wares: carpets, costly and cheap, from Kashgar and the other oasis cities of the Tarim basin; coarse felt mats, on which were rudely printed in red and blue the most exquisite designs; hand-woven and hand-printed cottons from Turkestan; Chinese silks, jade and crystal; furs. We bought a rug of the poorest quality, a thing of more cotton than wool, but superbly patterned in colours that were none the less beautiful for being manifestly aniline. Also a felt mat in the design of which a Greek decorative motive played a leading part. That identity of the contemporary with the ancient and classical form-was it due to the coincidence of reinvention, to a modern importation from the West? Or was it due, as I liked to think it was, to the survival, through centuries of change and tumult and in spite of invasions and slaughters, of the art which Alexander’s adventurous successors, the despots of Central Asia, implanted in that once flourishing land beyond the mountains?

I do not know why it should be so; but there is something -peculiarly romantic about caravans and the slow commerce of pedestrians. The spectacle of a hundred laden yaks or ponies is enough to fire the imagination; of a hundred laden trucks leaves us entirely cold. We take no interest in the merchant who sends his goods by train; but the pedestrian merchant seems to us an almost beautiful and heroic figure. And the aura of romance which surrounded the Tartars was brightened in our eyes when they showed us their medium of exchange. Diving down into the recesses of their greasy clothing, they pulled out for our in spection glittering handfuls of gold. We examined the coins. They were Russian ten-rouble pieces of before the Revolution, all bright and new. The head of the Tsar stood sharply out on them, as though they had but yesterday issued from the Imperial mint.
 
-0-

Bengali in Kashmir

If areas around Indian railway tracks (at least in the north) are the dominion of Shahi Dawakhana and Hakeem Sahib, then area around Indian roadways are the dominion of Dr. Bengali. Why the roads? Is it the truckers and the soldiers? Maybe. More baffling is the question why the areas around railway tracks? Is it the coach drivers? Anyway…
In Jammu city you are more likely to see ads for and expect help from Dr. Malhotra. But, the area along the highway to Kashmir is again under the monopoly of Dr. Bengali. Advertisements offering guaranteed cure for unmentionable diseases and unlimited power over unforgivable weaknesses appear all along the road to Kashmir. All along the road their limp message, effective design, snazzy coloring and generous appointment hours(actually a whole day) with the “Dr” hardly change. The frequency of their occurrence is rather high around Udhampur district. Here you can’t look away from them as almost every third shop has these ads promoting sex clinics(?) painted on their walls.
What I didn’t expect was to see these ads in Kashmir valley. However, I came across them even along the way to Gulmarg.

Dr. Bengali

———–
Earlier cross posted at my other blog

V.S. Naipaul in Kashmir

During calmer times, Vidia wrote to his family from Hotel Liward. He told Mira and Savi that the Kashmiris, ‘barring the Tibetans, are possibly the dirtiest people in the world. They very seldom wash…They associated – like the Indians of Trinidad  and our family – cleanliness with godliness; only on religious days, therefore, they wear clean cloths…They have nevertheless a tremendous charm; perhaps they have this charm because of all their faults. Certainly there are few things more attractive than the friendliness and broad smiles of the Kashmiri children.’

The World is What it Is: The Authorized Biography of V.S. Naipaul by Patrick French, pp. 228

Patrick French in his brilliant ‘official’ biography of V.S. Naipaul quotes the above lines from a private letter sent by Naipaul to his two sisters while he was visiting Kashmir in 1962. Vidiadhar Surajprasad Naipaul stayed in the valley for around five months, staying well into the first few months of 1963. During his trip to Kashmir, stayed at Liward Hotel (later corrected to ‘Leeward Hotel’ in his 1990 book India: A Million Mutinies Now) built on the bank, and in the middle of Dal Lake. In this “Doll’s House on the Dal Lake” Naipaul wrote a short novel called Mr. Stone and the Knights Companions. Turning away from his usual West Indies settings for the first time, Naipaul gave this short novel an English setting.

Mr. Butt – the owner of Hotel Liward and his helpful nephew Aziz and Kashmir later found place in Naipaul’s An Area of Darkness written in 1964. The book also had an account a physically daunting and hazardous journey to the Amarnath cave that he took on the advice of Karan Singh.

Naipaul again visited Leeward hotel, Mr. Butt and Aziz in 1989, just before Kashmir blew up with unprecedented violence. This time he was working on India: A Million Mutinies Now (1990). The hotel, now, had got a new (present) building. 

-0-

Hotel Leeward, Dal Lake, Srinagar, Kashmir
Photograph taken by me in June 2008.
Hotel Leeward is now a big military bunker for C.R.P.F (Central Reserve Police Force)
At that moment I didn’t know I was looking at the Hotel Leeward.
I took the photograph because of: sand bunkers, tin roofs, tin walls, barbwire, meditating ‘high speed’ boats and rested military men, in their clean white undershirts and khakis, unclogging a drainage pipe that goes into the lake. It is a beautiful lake.
While searching for a photograph of the hotel for this post, I realized I already had one with me.

-0-

George Harrison in Kashmir

George Harrison
We were talking – about the space between us all


And the people – who hide themselves behind a wall of illusion

Never glimpse the truth – then it’s far too late – when they pass away

Lennon had been making comments on Christ and Christianity; and George was taking a keen interest in all things India. These were tough times for The Beetles: there were even talks of retirement.

In July 1966, The Fab Four arrived at Delhi on what was to be the band’s first visit to India; it was a brief visit, and Harrison famously bought a Sitar from a music store in Connaught Circus, Delhi (now better known as Connaught Place or just CP, and the shop was Rikhi Ram and Sons.).

In September, seeking Sitar lessons from maestro Ravi Shankar, George Harrison returned to India on a six-week trip along with his wife Pattie Harrison (who later married Eric Clapton). He stayed at Taj Mahal Hotel in Bombay (now Mumbai) and commenced taking lessons from Ravi Shankar; but soon realized that he was too famous even in India: when mobs of Indian Beatles fan started descending to the Hotel, he decided it was time to move to a place that offered anonymity and peace. Kashmir with its natural beauty and general inaccessibility proved to be the perfect place.

Once in Kashmir, he moved into the retreat of the famous Kashmiri houseboats (invented at the start of the century for the luxury of European tourists) that still line the Dal Lake. In the serene background of still waters of Dal, for the next few weeks he started learning Sitar from Pandit Ravi Shankar, and this was the only extended period of training that Harrison received from Ravi Shankar. He practiced Hatha Yoga (to get over the discomfort of having to sit on the floor with the Sitar), he started reading Paramahansa Yogananda’s Autobiography of a Yogi and Vivekananda’s Raja Yoga. This was the start of his life long affair with Hinduism; and the immediate impact of the visit was for the world to see in the next Beetles’ album Sgt. Pepper’s Lonely Hearts Club Band. It was for this album that George Harrison created the beautiful song Within You Without You.

And the time will come when you see we’re all one,

and life flows on within you and without you.

Although the song did start the fashion of the ‘Indian sound’, generated western pop interest in ‘Indian thought’ and sent a million back backers on pilgrimage to Kashmir*; but the fact remains that the song, unlike its many successors, in many ways sounded like an outcome of genuine devotion to Indian music and thought.

-0-

*

George Harrison stayed with Clermont Houseboats, a famous tourist establishment (their office right next to Sheikh Abdullah’s grave)in Kashmir that over the years has played host to eminent guests like actress Joan Fontain, violinist Yehudi Menuhin, actor Michael Palin, former U.S. Vice President Nelson A. Rockerfeller and many more.

People still go to the place and look for the particular houseboat in which George Harrison stayed. Last year, Peter Foster, former South Asia Correspondent of Daily Telegraph, wrote about his trip to Kashmir and finding the George Harrison houseboat, now decrepit and sinking .

-0-

Hippie’yo kay lambay lambay baal

It’s a singsong line that I, while growing, had to hear every time I indolently would refuse a visit the barber, naeevid.

Hippies have long,

really long hair.

-0-

Junoon in Kashmir:

Kashmir Valley on 25th May, 2008

According to the official Junoon website: the concert, to be organized by the non-governmental organization SAF (South Asia Foundation), will be held on the banks of the Dal Lake.

Needless to say, this going to be quite an event; that is, if everything goes well.

A Respite.

From George Harrison to Junoon, a long vacuous journey.

-0-

You may also like to read about Kashmiri Folk music

-0-

The information about George Harrison’s trip to Kashmir is from the book:

The Dawn of Indian Music in the West

By Peter Lavezzoli

-0-

Cross posted at At The Edge

Folk music of Kashmir recorded by Verna Gillis in 1972

Kashmir, 1972
Verna Gillis writes in a blurb to this video at her Soundscape You tube Channel:

In 1972, travelling in India with Brad Graves, it was 115 degrees – the rains were late and we were sweltering in the heat. We flew to Kashmir, lived on a house boat for two weeks, and recorded music which was released on Lyrichord Discs now available as a CD – LAS 7260

Verna Gillis as a producer came at a time when few had heard the term ‘world music’ and she, according to many, was the one who kick started this genre of music.

According to Robert Palmer, one time chief pop critic of The New York Times and one of her earliest supporter:

”She [Verna Gillis] came along at a time when all this music from around the world was becoming relevant to jazz and pop and new classical music. There wasn’t anyone else who could move between ethnomusicology and presenting. She was open to all sorts of music. She was a synthesist. She created a larger dialogue.”

From 1972 and right up till 1978, Gillis recorded traditional music in places as varied as Afghanistan, Iran, Kashmir, Haiti and the Dominican Republic, Peru, Surinam, and Ghana. In 1979, she opened Soundscape (that closed in 1984), a multi-cultural performance space in New York City, which she directed for the next five years. In year 2000, she was nominated for a Grammy in the Producer category.

The fact that Kashmir was one of the first destinations for her musical journey and that Kashmiri music found space in world music might surprise many.

Recorded on a houseboat on waters of famous Dal Lake, Eli Mohammad Shera and others sing Sufi songs of love and devotion. In addition, there are several instrumental solos and duets bringing fore the melody of traditional folk instruments of Kashmir. The chatter of artists going on in the various tracks of this album only adds charm to it and bears testimony to the unassuming origin of the album.

-0-

You can check out sampling of songs from the album and even buy it below.
(Do check out the third track Rebab solo for its seemingly Irish sound)

Listen now

-0-

Video courtesy of Soundscape, do check out the website of Soundscape for more info. on Verna Gillis

Sven Hedin in Kashmir

Sven Hedin in Tibetean dress
Sven Hedin in Tibetean dress

From Pole to Pole:
A book for young people
By
Sven Hedin
Sven Anders Hedin (February 19, 1865 – November 26, 1952) was a Swedish explorer, geographer and geopolitician. His achievements include the production of the first detailed maps of vast parts of Pamir, the Taklamakan Desert, Tibet, the ancient Silk Road, and the Himalayas. He seems to have been the first discoverer to realise that the Himalayas are a single mountain range. The book From Pole to Pole has Seven’s account of his travels all around the world.
This extract from the book is about his visit to Kashmir and Ladak in around 1906

-0-

Kashmir and Ladak

When I arrived at Rawalpindi the first thing I did was to order a tonga for the drive of 180 miles to Srinagar, the capital of Kashmir. A tonga is a two-wheeled tilted cart drawn by two horses, which are changed every half hour, for as long as the pair are on the way they go at full speed. The road was excellent, and we left the hot suffocating steam of India below us as we ascended along the bank of the Jhelum River. Sometimes we dashed at headlong speed over stretches of open road bathed in sunlight; sometimes through dark cool tunnels where the driver blew a sonorous signal with his brass horn; and then again through rustling woods of pine-trees.

Old Photograph of bridge on Jehlum river, Srinagar, Kashmir

PLATE VIII. SRINAGAR AND THE JHELUM RIVER.

Srinagar is a beautiful city, intersected as it is by the rippling Jhelum River and winding canals (Plate VIII.). The houses on their banks rise up directly from the water, and long, narrow, graceful boats pass to and fro, propelled at a swift pace by broad-bladed oars in the hands of active and muscular white-clad Kashmiris.
Kashmir is one of the native states of our Indian Empire, and its inhabitants number about three millions. Many of them are artistic and dexterous craftsmen, who make fine boxes and caskets inlaid with ivory, mother-of-pearl, and ebony; beautifully chased weapons; tankards, bowls, and vases of beaten silver with panthers and elephants on the sides, chasing one another through the jungle. The saddlery and leather work of all kinds cannot be surpassed, but most famous of all the manufactures are the soft, dainty Kashmir shawls, so fine that they can be drawn through a finger ring.
Round about the Kashmir valley stand the ridges and snow-clad heights of the Himalayas, and among them lie innumerable valleys. Up one of these valleys toiled our caravan of thirty-six mules and a hundred horses, and after a journey of some 250 miles to the eastward we arrived again[Pg 88] at the banks of the Indus and crossed it by a swaying bridge of wood. Two days later the poplars of Leh stood in front of us.
This little town is nearly 11,500 feet above sea-level. It contains an open bazaar street, and a mound above the town is crowned by the old royal castle. Leh, as well as the whole of the district of Ladak, is subject to the Maharaja of Kashmir, but the people are mostly of Tibetan race and their religion is Lamaism.[Pg 89]

-0-

Read more at Project Gutenberg

License:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
E-text prepared by Susan Skinner, Janet Blenkinship,
and the Project Gutenberg Online Distributed Proofreading Team

Nirmal Verma and Kashmir

Nirmal Verma (3rd April 1929, Shimla – 25 October 2005)

Ve Din Nirmal Verma’s first novel, was set in Prague, Czechoslavakia. He translated Crech writers Ivan Klima and Milan Kundera into Hindi long before their works were available to English readers. Nirmal Verma, together with Mohan Rakesh, Bhisham Sahni, Kamleshwar, Amarkant, Rajendra Yadav and others, started the Nai Kahani (new short story) movement in Hindi literature. His fiction translated into English include The World Elsewhere, Maya Darpan and Other Stories and The Crows of Deliverance. Nirmal Verma won the Jnanpith award in 1999, the highest literary award for Indian writers.

Not many know about his relation with Kashmir.

An impractical and incompetent person as I am in, what people call, real life, I wonder what would I have done with myself, if an alternative life of writing had not provided me a route of escape. Escape from myself into another self. It is through this ‘other’ that I have been trying to discover in my writing the extent and magnitude of my loss.

The shadow of this ‘loss’ fell on my writing from the very beginning, from the very first story itself. It was written in the memory of two sisters whose father had rented me a room to stay in Baramullah (it was before Independence and partition), when I was returning home from Srinagar after spending my first school holidays in Kashmir. The story was never published and I don’t know what happened to those sisters.

But ‘Kashmir’ followed me like a doomed metaphor. The first person who really published my first story was the senior Sanskrit student, the editor of the Hindi section of Stephanian, of St Stephen’s College, a cousin sister of my friend Razdan. As I remember her after 50 years, she was a very frail and fragile creature, brilliant in her studies. She never told me what she thought of my story. Later, after a few years, when I heard of her death, it seemed to be a ‘sign’. Early, in my writing life, I came to know the color of grief. Since I knew nothing else, between grief and nothing, I chose grief, without knowing anything about Faulkner at that early stage.

Nirmal Verma, writing about his life and work in the July 1999 issue of Gentleman magazine.

Read Nirmal Verma story called “The Lost Stream” and “A Day’s Guest” at Little Magazine.

Hear him at South Asian Writers Literary Recordings Project

Facebook
YouTube
Instagram
RSS