Comic Story of Kashmir continues

With expert inputs from yours truly…first part of the last concluding part of Sumit Kumar’s ‘Kashmir Ki Kahani’ is out. Read and become an instant expert on Masala-e-Kashmir. Check it out at newslaundry.com

Expert comments like: “But…but… Ornub, back then times-n-climes were different… we forget Maqbool Butt was handed over to the police by a Kashmiri Mob who didn’t know or care who he was…I am only talking about the social narratives that have been undermined by the mainstream media….” are welcome. As are comments like: “Indian Trith”

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Previously: Comic Story of Kashmir

Flag Day


I remember exactly what I was doing on the day of 26th January in year 1990. I remember it because I was playing stupid that day.

Just before the winter of 1989 set in, at Biscoe school, in a crafts class, I learnt a useful lesson. I had learnt how to make the flag of India.

On 26th January, I was bored. But a thought occurred to me. Since the nation, with all its glory, had arrived at the footsteps of my house in Srinagar, with its uniformed men and bunkers and armoured vehicles, all apparently to guard us from something horrible, I decided to celebrate the Republic day of India in grand style. I decided to make Indian flags, not just one or two but as many as I could and put them all over the house. The process of making the flag was simple and I had all the materials it needed. The process went like this: You tear a fresh page from a notebook, you turn this page around so that the length become the breadth and the breath becomes the length. Then using a pencil you draw two parallel lines on it in such a way that it divides the page into three equal part. If the partitions don’t look good, erase the lines using a rubber and start afresh. If you still fail, tear a fresh page and start all over again. Once you get the division right, in the center partition, make a circle touching the two lines and inside this circle draw exactly 12 lines dissecting each other and meeting in the center of the page, inside the circle at a single point. They will magically give you the Dharma wheel of Ashoka with its 24 spokes. Now, take two sketch pens, one orange and other green, and using your teeth pull out the caps from both of them and get their wet spongy innards out. You might get your hands dirty and colored in the process, but that’s the fun part. After this, take the orange filler,  leaving the center partition untouched, paint one of the partitions orange. Take the green filler and paint the other partition green. Your flag is almost ready but have to attach it to a staff to be able to hold it or stick it somewhere. For this you will need a broom and some cooked rice. Get them from your grandmother. Don’t tell her what’s it for. There is good chance your will be denied access to both, if you do tell her. Once you have the broom, take a twig out of it, and using the rice as gluing agent, attach the flag to it. While attaching, keep in mind that the orange partition is supposed to be at the top of flag and green at the bottom, and not the other way round. If you follow all the steps to the T, you will have your Indian flag. The symbol of your nation.

I repeated the process over and over, till I made about two dozen flags. Then I went about putting them all over inside the house. I put them on windows and on doors, looking for familiar cracks on the ageing wooden structure. I stuck them inside rose bushes and on evergreens. The last one I put on the wobbly old wooden handle-lock of the main door to the house. This one hung outside the house for everyone to see. There was no curfew that day, there was much movement on the road, so a lot a people could see it. I wondered if the men in bunker could see it, but there was no movement there.

It was done and it had taken me less time than I had expected. The afternoon was over but the day still remained. I was again bored. I decided to play another game. I had seen these other kids on road outside who would nail a used and empty boot polish tin pack to one end of a stick and would then run the contraption around like they were driving a wheel. A wheel-stick. That seemed fun. I was going to make me a wheel-stick. I already had a stick with me. A stick from a cloth roll. It was perfect for the job. I knew where to find the nails, a box in the dark storeroom. All that was missing was a pack of Cherry Blossom. No matter where I looked, I couldn’t find a single empty pack. I found some filled one, but somehow decided that in the end the play may not be worth a beating. However, a lack of a wheel was not going to stop me. I held the stick in my right hand and just imagined that there a wheel at the end of it and started running around, with the other end of the stick touching the ground. I ran and ran, faster and faster, past all the fluttering flags greeting my parade from the rose bushes and the evergreens. It was fun till the stick suddenly caught a bump in the courtyard and in response the other end in my hand slipped out in recoil, catching me in my nutsack. In a never experienced before kind of pain, I fell down on the ground and rolled and rolled, hoping it would end before the white stars that I was seeing would engulf me. Saw saw Shankar Bhagwan laugh. A single tear rolled down my face. It was over soon enough but felt like an eternity. I threw away the stick and swore on the name of all the gods I knew, I would never play this game again.

I was still lying on the ground when an unfamiliar old man walked into the house. A man unlike anyone I had ever seen. This man had a black karakul cap on, and was dressed in all black. He walked upto me and in a very respectful manner asked if this is where the Razdans lived. I looked at him and although there was a gentle smile on his face, a smile that a dirt rolled kid would elicit, I could see this was face of a sad man. A very sad man. Smile couldn’t cure the deep lines on his brow. I told him, he was at the right place and pointed him to the building that was our house. He walked on slowly keeping his head low. It seemed like he was climbing up Shankracharya hill.

Much later, in fact decades later, I learnt that the old man was the boss of my Choti Bua. Since Bus had stopped going to office, he had come to enquire if everything was okay. Nothing was okay. There were direct threats in papers. There were dress diktats. He was told that Bua had already left for the safety of Jammu.  

While I was still in the courtyard, I saw the old man go out the way he had come, out the main door. As he opened the door to go out, I noticed that the flag on the main door’s handle was missing. I ran out to the door, indeed it was not there. I looked around. And found it. On the outer top floor window of a house just across the street. I knew the kid who lived there. We had recently become friends. My parents were probably worried I spent too much time playing with my sisters or inventing too many games that could be played alone. They probably thought I had reached the age when some male friends would be more appropriate for proper all round personality development. So this kid from across the road, a gour boy, son of a priest was introduced to me as a friend. He would often come over to my house and we would play cricket. And now this phoney friend had stolen my flag. I would not let it pass. I walked over to his house, called him out and asked him to return my flag. He denied stealing it and said he had made it himself. Had he not planted it so high up on his house, I would have just taken it and ran. But in this situation, there was one one thing to be done. I went back home and complained to my grandmother. I told her how this nasty kid, the one they call my friend had stolen my flag. Her response wasn’t the one I expected.

‘What flag?’

I told her how I had spend much of the afternoon making these beautiful flags. She walked out into the courtyard and was for some reason horrified by what she saw. She looked at all those flags I had placed all around the courtyard and yelled, ‘Myani Bhagwaano! You are going have us killed! Why? Why would you do such a stupid thing?’

Then she went about pulling out the flags from all the places and tearing them up.

‘That old man too must have seen them. We are going to die. We are going to get struck by lightening! Reign of darkness descends!’

I wanted to protest. I couldn’t understand what it was that I had done wrong. But there was nothing I could do to stop her. She was angry about something and I had never seen her angry about anything, ever. Even when one time I got her to catch an injured parakeet for me and it bit her fingers. And yet here she was tearing these harmless flags with such violence that her hands were shaking. And her hands never used to shake, never, never ever even as she would descale and cut to pieces quivering big fish using a knife. Yet here she was, meting out violence on pieces of paper and twigs. Then her eyes fell on something on the ground that made her a bit less angry and a bit more sad.

‘And you destroyed my broom too! My la’tchul!’

A few days later, I overheard the news about some members of a Kashmiri Pandit family living across our street getting shot in their house by ‘militants’. Many years later, as I first tried to understand the concept of nations, I wondered if it was the flag thief’s family that was killed.

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Summer 2008. The courtyard where it happened, in front of the old house that doesn’t exist.
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Untitled Post

[…] the system of the colonial rule that indulges in inhuman exploitation by imposing an artificial peace in the society:

Ghoom rahi sabhyata danavi, shanti-shanti karti bhootal mein,
Poochhey koi, bhigo rahi wah kyon apne vishdant garal mein.
Tank rahi hon sooyi charm, par shant rahen ham, tanik na dolen;
Yehi shanti, gardan katthi hon, par hum apni jeebh na kholen.
Bolein kuchh mat kshudhit, rotiyan shwan chin khayen yadi kar se,
Yehi shanti, jab we aayen, hum nikal jaayen chupke nij ghar se
Choos rahe hon danuj rakth, par hon mat dalit prabudh kumari!
Ho na kahin pratikaar paap ka, shanti ya ki yeh yudhh kumari.

(The monster civilization moves, urging peace on the earth,
Let’s ask, why does it soak its teeth in poison.
You sew up our skin, but desire peace and no resistance from us
This is the peace, where necks are severed, but expects us to be tongue-tied.
The hungry should remain voiceless, even if the falcon snatches food from their hands
This is the peace, where when they invade, we should quietly leave our homes
The monsters may be sucking their blood, but don’t want the oppressed to be conscious
They do not want injustice to be resisted; for you, O maiden, either this peace or war.)

~ from ‘Ramdhari Singh Dinkar: Makers of Indian Literature’, Sahitya Akademi.

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Akus Bakus Ad


video link

Imagine walking into a bank about your existing account and the guy behind the counter asking you questions like: Tell me who that guy in the corner is? Do you know who I am? Now, tell me who are you?

A kashmiri would probably run out of the bank saying, ‘ye bank hasa gov dheg’he dyun layak.’

Akus Bakus/Okus Bakus is a non-sensical childrens’ ditty that most Kashmiri Pandit children of a certain era grew up on, and probably still do, playing a certain little game in group with their fingers. Most words don’t mean anything. But these words evolved from hukus bukus telli wann che kus (Who’s he? Who am I? Now, tell me who are you?) by Lal Ded, the great poet-saint of 14th century Kashmir, who can rightly be credited for giving birth to modern Kashmiri language.

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I don’t know the number in the state but I think the big shots waking up to the emerging tier-2 market at the borders. Kashmir is suddenly the in thing. Some ads from recent years certainly point to this.

I think the first one was the Tata Nano Ad from 2010 that had definitive Kashmiri music with Rabaab and all. video link

Then there was Visa Ad from earlier this year with the definitive Kashmiri talking in Hindi Ad. The accent was made mainstream (or maybe parallel stream) decades ago by M.K. Raina and K.K. Raina.

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And now some native ads

Trash for Icicle God, 1921

“Inside the sacred cave of Amernath
In this rocky recess the devout pilgrims strip off their cloths and throw themselves naked on the blocks of ice which here form lingams, phallic emblems symbolic of Siva, the re-creator. The ice mound to the right is covered with the clothing of the pilgrims.”

From National Geographic Magazine, Vol 40, 1921.

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People have been trashing the place historically for a long time. Trashing is like some kind of tantric ritual there. So, people be allowed to do so in future too. Case dismissed.
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Jump, the angreez bai are here!

more

A funny little tale from Biscoe about what happened when girls first started attending English schools in Kashmir:

“It was somewhere in the nineties that one of the mission ladies started a girl school in the city; it was of course by no means popular, as it shocked the prejudices of all proper thinking folk in Srinagar. The girls who were brave enough to attend were very timid, and their parents were somewhat on the shake, as public opinion was very much against them. The school continued until the first prize day. The Superintendent had invited some of the European ladies of the station to come to the function, thinking it would be an encouragement to the girls and their parents. All the girls were assembled in the school when, on the appearance of the English lady visitors, some one in the street shouted out that the Europeans had come to kidnap the girls. Others took up the cry, and ran to the school windows and told the girls to escape by jumping from the windows, the man below catching them as they fell. Before the visitors could enter the school the scholars had literally flown; the girls of course lost their heads on account of the shouting from the street. It was terrible moment for the Superintendent as she saw her girls disappear out of the windows, for she feared that they would be damaged by the fall. It is said that one of the lady visitors was wearing rather a wonderful hat which upset the equilibrium of the citizens who were standing outside the school”

~ C.E. Tyndale Biscoe, Kashmir in Sunlight & Shade (1925)

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Summer, 2008

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Comic: Story of Kashmir

Cross-posted at my other blog.

If you know a Kashmiri who you would, just out of common courtesy, ask a question about Kashmir, a simple ‘Aur Aaj Kal Waha Kay Halaat Kaisay Hai?’ but then end-up praying to your God may guy please drop dead because he wouldn’t just shut up going on and on about Kashmir until you have learn’t by heart all the clauses and sub-clauses in article 370 and the exact chronology of  signing of the Instrument of Accession, before you even get a chance to offer your sympathies or apologies, leave alone a solution, that there, that crazy Kashmiri guy with possible terrorist looks, would have been me. Back when I was in college, the ignorance of Indians about Kashmir infuriated me and like any other good Kashmir, I took upon the charge of educating Indians about the real Kashmir. I became the resident Kashmir expert of the college, of Chai ki Dukan, of Cinema Hall, of train, of bus.  You could ask m anything you want but the problem was that a question asked at around 11 P.M. would often end-up in a session lasting till 5 A.M., with at least last 2 hours of the session often ending-up with me talking to myself. After a few such sessions with Indians from all corners of the country, I soon learnt that there are basically two type of Indian listeners to ‘Kashmir Ki Kahani’. First Type, Sympathizers: those who mean good, who do want to know it all, but because of reasons beyond their control, can’t stay awake beyond 11:30 P.M.. Note to self: the story has to be short, precise, not too much details but juicy all the time. Second Type, Antagonizers: they just want in on dirty details. These otherwise normal human beings on usage of some specific keywords like ‘Muslims’, ‘Islam’, ‘Pakistan’, ‘Hindus’ transform into raging chimpanzees from Space Odyssey, even maybe a bit more advanced because at times they actually beg to be deliberately fed these magic words. I once was made to tell the story in a  train. Ten minutes into the story the guys cut me off, ‘Yaar, Maza Nahi Aa raha‘. Why? Because not enough people were dying in the story (and I had only told them about exploits of Lalitaditya yet!). I made another note to self: Some Indian have seen and known much more violence than Kashmiris, your stories won’t move even a hair inside their ear, not unless your Kashmir story involves a neutron bomb accidently going off in Kangri of a Kashmiri terrorist who was going to bring it to Delhi, and the blast taking out entire Kashmir and half of Pakistan, problem solved. But how many nuclear explosions can one have. But, I did not lose hope in humanity I continued to bore people with stories of Kashmir. And just so that Kashmiris don’t feel left out I even started a blog to bore Kashmiris with stories of Kashmir. This blog. Do you realize the efforts it takes to bore Kashmiris with Kashmir story. Ask me. It became such an effort that I forgot all about educating Indians.

But that was until a couple of months back when Sumit Kumar e-mailed  me to inform that it was an old post of mine that led him to Andrew Whitehead’s ‘A Mission in Kashmir’ which went on to be one of the sources for his comic take on events around 1947 in Kashmir, the freakishly funny Kashmir Ki Kahani Part – 1. Part 1 involved story about the genesis of the problem. Part 2 was going to be about rise of Sheikh Abdullah. He asked me if I could help him a bit with that. A chance to mess with…eer… re-educate the two type of Indians about Kashmir in an entirely fun new way. I was in. What followed was a series of emails on the subject.

The result: wickedly funny (and educative at the same time) Sumit Kumar’s Kashmir Ki Kahani – Part 2 here. Do check it out!

If you pick subliminal Kashmiri messages in it, you know who to blame. Enjoy!

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P.S.

R.K Laxman’s caricature of Sheikh Abdullah that went on to be the base model for Sheikh in this comic.

Broken

 “Bewada
Around two weeks ago my mother fell down from a rickshaw. And on top of it, the rickshaw fell down on top of her. As she lay on the ground, the riskshaw-puller, seemingly unhurt, came running to pick her up.

Shikaslada-Kaula,” my mother screamed as she now picked the scent of alcohol in his breath. She tried to kick him. But she couldn’t move. Instead a pain moved into her right shoulder. A crowd gathered. In her anger, she wanted to say something else to the riskshaw-man. But she just couldn’t find the right word. She knew the word, but just couldn’t recall it. A young guy dropped her home in his car, neighbours took her to the hospital.

A week later, as they brought her out of the operation theater, on a stretcher, in her anesthesia induced delirium, I heard her say,”Heya, me chuv nasti sakh kashun yewaan.” I couldn’t help laughing out loud. Sometime later, she had me scratching her nose. In her delirium, I promised her I will get married, buy a car and even get back my ‘Kashmiri’ skintone that I had when I was four, get back the apples of my cheeks.

Two weeks later, adjusting to a metal plate in her shoulder, she finally remembered what she wanted to say to the rickshaw-walla. ‘Bewada Kahi Ka!’

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