Template for defending Sikandars of the world

[Image: An extract from a photobook prologued by Neerja Mattoo/Suraiya Abdullah Ali (of famous Abdullah clan). Kashmir, Jammu & Ladakh: The Trefoil Land (1989)]

Template for defending Sikandars of the world

1. Take the name of Harsha, not in vain

Begin with reminding people about “similar” violence from Hindu past. Doesn’t matter that the events are separated by a gap of 3-4 centuries. Doesn’t matter that the account for these destructions comes from Hindu sources. In which, more often than not, the actions of the temple destroying kings is regretted. Doesn’t matter that for his actions, Kalhana called Harsha a “Turk”. He had mercenary turks working in his army. His turk legacy, and his influence on art fashion of the era can be seen in Buddhist Alchi Frescos of Ladakh. But, ignore all that.

Brahmin Kalhana mentions that just like a bad poet steals material from other poets, a bad King, plunders other cities. Take this truth and apply it no where else.

Foul mouthed S’amkaravarman plundered the nearby Buddhist site of Parihaspora to build his new town. But, the same king conquered and subdued areas which are now part of the imaginary map of the greater Kashmir.

In the defense of these Hindu kings, you can’t say that temples were getting raided for material and political gain. Just mentions that Brahmins. Rest of the history, will fall in place automatically.

[A similar template can be applied to Mahmud of Ghazni too, and has been. Sadly, the nationalist Kashmiri writer has accepted that Ghazni was a motivated zealot. ]

2. Nice guy named Sikander (who, mind you, came much later).

Remind the reader how nice the fellow was. Scholar and patron of Sufis. Ignore what the historgraphic scholars of these Sufis wrote about him, or how they almost fought each other to claim as being the “influencers” of the king’s actions. Ignore the sources in which his actions are lauded. Don’t even wonder if there are works of any Sufi back then who criticised the action of the King. Was there a Musilm Kalhana in any of the Sufi orders?

Instead, remind them that since nice is not so often used with Sikander’s name, it is possible that it is true, that he was nice guy, or at least as nice as others, and there’s an ancient conspiracy at work to sully the name of Muslims, since forever, and ever, and ever. Only in extreme case mention that, it is possible that Sikander was possibly only 6 when he took over the throne. Temples are obviously destroyed. So, who did it?

3. The fanatic Brahmin

Remind the readers of the fanatic Brahmin convert Suha Bhatt. A neo-convert, a new convert, a bhatta on narcos, a fanatic. Forget that at that time there must have been hundreds of new converts. Where they fanatics likes new converts are supposed to be? Don’t ask why Suha was fanatic? What empowered him? Don’t ask if the missionaries asked him to think of himself as a Muslim Brahmin. It will all automatically somehow tie back to Harsha the fanatic. And, never, never ever, tell the reader that when Suha Bhatt went on his temple destroying spree, the name he chose was “Saif-Udeen”, the “Sword of Faith”. It was Saifudeen who was doing the destruction. However, during these acts only use the name Suha Bhatt.

4 . The Son

The glorious son. Could the son have been glorious, if the father was a fanatic? Tie it up to dad. Fruit has a bearing on a tree. Or, vice versa? You may mention his mother was afterall a Hindu, still buried among the stones. That’s Kashmiriyat. Don’t mention that the orthodoxy that supported the actions of Sikander and Saifudeen where always dragging Budshah down. That he was labeled kafir. That he too in his moment of violent query broke down a stone or two, what to do there was too much stone in Kashmir, and wood, he broke the wood of Sharda when the goddess won’t talk to him. But, no one blames him. It’s understandable. The historians and Kashmiris were always nice to him. That’s Kashmiriyat. And, that’s how you write history.

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Monkey business on the Hill


In the beginning was the Word and the Word was with God, and the Word was Kashmir. This was beginning with God and the duty of every faithful monk would be to repeat every day with chanting humility the one never-changing event whose incontrovertible truth can be asserted. But we see now through a glass darkly, and the truth, before it is revealed to all, face to face, we see in fragments (alas, how illegible) in the error of the world, so we must spell out its faithful signals even when they seem obscure to us and as if amalgamated with a will wholly bent on evil.

Hari Parbat is in Faridabad. Koh-e-Maran is in Balochistan and in Kashmir. Takht-e-Suleman is in Iran, Kyrgyzstan, Balochistan and now officially in Kashmir.  And Adi Shankaracharya broke and re-built a temple in Srinagar of Gharwal, where they tell stories of a demon who died of head injury after getting hit by a divine rock.

To call everything by its true name and the trouble to be reminded that everything is a double.

Shankracharya and Takhht-e-Suleimani have both been used for a long time. But both names are essentially just names which people have given to it relatively recently. Name Shankracharya became a currency during Sikh/Dogra time. A name which Pandits, having recently regained ground, happily adopted. Thanks to work of Sir Stein, all kind of ancient places were getting reclaimed during this era. Takhht-e-Suleimani became a currency during Mughal/Afghan time. During Dogra time a inscription declaring the temple as ‘Takhht-e-Suleimani’ was destroyed by the soldiers. The inscription had come up during Mughal times probably when Noorjahan got the ancient stone stair case leading to the temple destroyed and had the stone used for her Pathar Masjid (which in turn provided stones for building Sher-Grahi palace by Afghans). By the time British arrived, re-naming war was already on, for the hill, both name were in currency. Based on which religious group you asked, a convenient name was provided.  That’s how the dual name system gained currency. What about the one true name? The temple it is believed was originally known as Jyeshteswara and was first built by Jaloka, son of Asoka around 220 B.C. One of the old name of the hill was Sandhimana-paravata named after Sandhimana, minister of Jayendra (ruling from A.D. 341 to 360). In between, it is believed, Gopaditya (A.D. 238 to 253) repaired the old temple on the hill…giving the name ‘Gopadri’ to hill. Then there is a theory ( by James Ferguson countering the previous theory of A. Cunningham) that the temple we see now was commenced by a nameless Hindu during Jahangir’s time but remained incomplete when Aurangzeb arrived on the scene. This unfinished state gave it the ancient and misleading look. This assumption came from some Persian inscription on its staircase. But then there were other writing on the staircase too which read, other claims likes “the idol was made by Haji Hushti, a Sahukar, in the year 54 of the Samvat era”, while at the foot of the same pillar there was another scribble stating that “he who raised this temple was Khwaja Rukn, son of Mir Jan in the year___.”

Then there is theory that the spot was actually Buddhists and is still revered by them and called as ‘Pas-Pahar’. So it goes on…

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Two Srinagars

‘The Rope Bridge at Serinagur’ by Thomas Daniell (1800)

“One can only wonder at the fortitude of the early travellers  men such as Huien Tsang, or the painters Thomas and William Daniel. Their determination must have been supreme in order to press them ever forward and eventually reach the Vale, settled as it is high among seemingly impenetrable mountains at the end of a route that was, and still is, full of hazards.”

~ Visiting Kashmir by Allan Stacey (1988).

All that is fine but…

Sometimes a familiar image and a familiar name can cause all find of confusion. A lot of people consider Thomas and William Daniel to be among the first Europeans to reach and paint Kashmir. Painting titled ‘The Rope Bridge at Serinagur’ by Thomas Daniell only confirms it. There are a bunch of books that claim this. All this because the place they visited is Srinagar. But the fact remains, the two never visited Kashmir. Thomas Daniell (1749-1840) and his nephew William Daniell (1769-1837) were in India during 1785 and 1794. In 1789 they visited of the city of Srinagar on the banks Alaknanda river in Garwhal which is named so because . That’s were ‘The Rope Bridge at Serinagur’ comes from.

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Now, coming back to ‘Srinagar’ or rather the two ‘Srinagars’, and continuing with the word games and antonymic folklores… it is believed that the town of Garwhal gets its name after the goddess of Fortune, Sri or Laxmin. Some say the same of the city of Srinagar in Garwhal gets its name from ‘Sri Yantra’, a giant rock which could kill you if you even looked at it. The rock had origins in a tale in which a Goddess kills a demon named Kalasura thanks to the device/rock . The local storytellers say that this rock was turned upside down by Adi Shankaracharya, in the 8th century AD and chucked into Alaknanda. He thus put an end to all the tantric exercises associated with the rock and laid down the plan for the city of Srinagar. Interestingly, there are places in Garwhal were Sri Yantra is worshipped. One of the belief associated with Sri Yantra in Garwhal is that installing a roof over Sri Yantra would bring disaster. [This last bit from ‘Marriage And Customs Of Tribes Of India’ by J. P. Singh Rana (1998)]

The Srinagar in Kashmir still has the Sri Yantra rock at Hari Parbat. The origin of the rock/hill in local folklore has killing of a demon named Jalobhava by a Goddess using a rock, hence laying the foundation of Srinagar. The temple that was reclaimed in Srinagar by Adi Shankaracharya is across this Hill and on top of another Hill that is now renamed after Shankaracharya. The Sri Yantra is roofed at Hari Parbat. Done only in recent times. The only person to protest construction around the rock was an artist named G.R. Santosh.

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Mr. Vigne is responsible for the strange derivation of the name of the Kasmir  capital, Srinagar (Srinagara, or as he spells it, ‘Siri-nagur,’ from ” Surya Nagur, the city of the sun” (p. ii. 137). Judging from the persistence with which the error has been copied by a succession of modern writers on Kasmir, this etymology bids fair to establish itself as a piece of orthodox creed with European visitors to the Valley.

~ Ancient Geography Of Kashmir by M A Stein (1895).

Kashmir War Speak, 1948

From ‘Kashmir Speaks’ by Prithvi Nath Kaula and Kanahaya Dhar (1950), these things, a reminder, wars make for sad quotes and sadder lives. It makes spartans out of apostles and apostles out of spartans.

Above is the only known photograph of Maqbool Sherwani. Or rather an illustration based on a photograph published in the book. The original photograph, published in a Kashmir war pamphlet from 1948, was shared by Andrew Whitehead sometime ago on his website [here]. When he did it became the only online available photograph of Maqbool Sherwani. Now above posted image is going to be the second, and more in focus, image of Maqbool Sherwani available online Wherein lies an interesting fact about the way history works. And even the way web works. Back in those days poems were penned in name of Sherwani in Kashmir, novels were written in India. Acclaimed as savior of Kashmir. And yet, because of the way history shaped over the years, and because of the way it in turn shaped the opinions of those who are online now, his image is only to be found old propaganda material.

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Untitled Post

[…] the system of the colonial rule that indulges in inhuman exploitation by imposing an artificial peace in the society:

Ghoom rahi sabhyata danavi, shanti-shanti karti bhootal mein,
Poochhey koi, bhigo rahi wah kyon apne vishdant garal mein.
Tank rahi hon sooyi charm, par shant rahen ham, tanik na dolen;
Yehi shanti, gardan katthi hon, par hum apni jeebh na kholen.
Bolein kuchh mat kshudhit, rotiyan shwan chin khayen yadi kar se,
Yehi shanti, jab we aayen, hum nikal jaayen chupke nij ghar se
Choos rahe hon danuj rakth, par hon mat dalit prabudh kumari!
Ho na kahin pratikaar paap ka, shanti ya ki yeh yudhh kumari.

(The monster civilization moves, urging peace on the earth,
Let’s ask, why does it soak its teeth in poison.
You sew up our skin, but desire peace and no resistance from us
This is the peace, where necks are severed, but expects us to be tongue-tied.
The hungry should remain voiceless, even if the falcon snatches food from their hands
This is the peace, where when they invade, we should quietly leave our homes
The monsters may be sucking their blood, but don’t want the oppressed to be conscious
They do not want injustice to be resisted; for you, O maiden, either this peace or war.)

~ from ‘Ramdhari Singh Dinkar: Makers of Indian Literature’, Sahitya Akademi.

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