Kashmir and Kerala by Pandit S. Anand Koul, 1928


Note on the Relation between Kashmir and Kerala
(By Pandit S. Anand Koul. Kerala Society Papers -1928. T. K. Joseph (Ed.) )

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Aside:

I waited a week for the book to arrive. All for a paper that I expected would throw up something interesting. But Koul Saheb’s paper turned out to be a bit disappointing. Much of what he writes her already was presented by him in his book on Kashmir Pandits. Besides reference to Kerala astrology in Kashmir and (in comments) Mankha’s work traveling to Kerala, there isn’t much. The story of white men on Malabar coast could well have been of Parsees or the Jews, but Koul Sabheb mentions in any case and tries to imagine them as Pandits. He seems to have been quite fascinated by the story, mentioning it in his Pandit book too. In an attempt to reach borders of Kerala, his only manages to reach Durbhanga (Bihar, where from returned the Kouls), Ellichpur (Maharashtra, where from returned the Dhars) and then Madras (where from came Ramanuja). It’s a sad attempt. I wish there was more.

Why more was I expecting? Consider this: there is Thiruv’anantha’puram in Kerala and there is Anantnag in Kashmir. Two cities dedicatedly named after a snake. King Solomon’s ships sailed to Kerala coast. Solomon’s throne is supposed to be in Kashmir. Ancient Jews lived in Kerala. And according to some at one time only Jews were allowed to enter Kashmir. (and not to forget, Kashmiri obsession with Jews. Interestingly, first person to broach up persecution of Jews in Germany during world war into a discussion about persecution of Pandits in medieval Kashmir was one Mr. GMD Sufi in his book Kashir (1948) while trying to form a defense for Sikandar Butshikan’s actions in response to popular discourse on the subject, an example of which would be writings by Anand Koul. Weird circular world, like a snake eating it’s own tail). Malayalam, the language that survives today was considerably shaped by westerners (particularly Rev.Benjamin Bailey and Hermann Gundert) who pulled it closer to Sanskrit (even at cost of other variants). The language is alive and kicking. In case of Kashmiri,  which is much older than Malayalam, here is the difference, one time opium agent Grierson’s work still divides the people on origins of the language as it pulls it away from Sanskrit. The is no single definitive script. Result: My Christian friend from Kerala, who is great at using programming languages, uses Malayalam in regular life, can sing some Sanskrit prayers as they are quite popular in the land, know sHindi as it was part of school curriculum but is not so great with English. In my case, I am not so great at programming, can barely speak Kashmiri, definitely can’t read or write it in anything besides Roman script, don’t know Sanskrit, can’t truly appreciate Hindi and can just about manage English, using it as a tool to earn my bread and butter.
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Picked Kashmir at Delhi Book Fair, 2013

This is the fourth year of the ritual. And it seems the well has finally dried up. Couldn’t find much that I hadn’t already read. This year’s pick:

Kath – Stories from Kashmir
Compiled and translated by Neerja Mattoo
Sahitya Akademi
First Edition, 2011
Rs. 175

Mahmud Gami
by Muzaffar Aazim
Sahitya Akademi (First published 1991), Rs.15)
(Thanks to this one, made an edit to note on Wahab Khar’s Shekh Sana)

Next ones are in a language I can’t read. Kashmiri. Maybe, I will pick it up someday.

Cricket
Nehru Bal Pustakalaya
First published 1975
2001, Rs.21

A beautiful page from the book that sold it to me:

And then sold this book too.

An Anthology of Kashmiri Poem
National Book Trust, India
2000, Rs. 65

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Previously:

  1. Picked Kashmir at Delhi Book Fair, 2010
  2. Picked Kashmir at Delhi Book Fair, 2011
  3. Picked Kashmir at Delhi Book Fair, 2012
  4. Picked Kashmir at Delhi Book Fair, 2012 (Part 2)

Our Zoon isn’t Cheese enough

“Either it brings tears to their eyes, or else -“
“Or else what?” said Alice, for the Knight had made a sudden pause.
“Or else it doesn’t, you know.”

I still recall that late night phone call. Someone, a relative, had been killed in Srinagar. That killing became a vindication for my parents that the decision to move to Jammu, a decision much contested by my Grandfather, was right. A storeroom on roof of a relative was the right place for us, it was our refuge.

The stories of Pandit migration that most people read and write, is a story of a single night, and it goes like this, ‘And then that morning our family left in a …’ In my family’s case, it didn’t happen in a single moment. It wasn’t just one morning. We moved in parts. And there was more than one such morning. First one to leave was my choti Bua, who back then I used to call Didi. This was the time when threats to Pandit women were openly advertised. Then a few months later, as the frequency of killings increased, it was the turn of wives, children and some essential goods, mostly clothing and gold. My grandparents stayed back. After dropping his wife and children at a relative’s place, my father and some uncles went back for their respective parents. They got stuck in the city for a few week. It was the time when Srinagar experienced some of its first few long spells of curfew. During a brief pause in these spells, they too reached Jammu. My family reached Jammu from Chattabal.

And all this time, feeling of fear was unknown to me. In a way, my feeling of normality was protected by my parents and grandparents even as they were experiencing a situation that was questioning their sense of normal. In Srinagar, a city burning under a thousand guns, I was busy chasing cats and dogs. In Jammu, a city burning under a thousand suns, I got busy tracking toads and frogs.

Even that late night phone call didn’t change much for me, except for seeding a feeling that something terrible was in fact happening. That it all was not a game that gods were playing. That it was a game of men who believed in gods and paradise. That maybe I should remember it all.

The stories of those days arrived much later. Only after we learnt to speak again. As we learnt to revisit our memories. I heard these stories, over and over again, and because I was listening carefully, I saw them change and evolves, tales getting appended and deducted from the narrative  Till they achieved a definitive narrative form. Rahul Pandita’s Our Moon Has Blood Clots captures all the major points of this narrative. It’s a narrative that most Kashmiri Pandits believe in and hold close to their heart. And now for some families Rahul Pandita’s ‘Our Moon Has Blood Clots’ too will become part of a family heirloom and an inheritance that consists of books like ‘My Frozen Turbulence in Kashmir’ by Jagmohan, ‘Converted Kashmir by Narender Sehgal  (Utpal Publications, 1994) and some old issue of various community magazines. Based on one’s political position, one can judge whether it is a good or a bad company of books to keep. But one can’t deny that this book is trying to do what these older publications were never even aiming to do, or had no chance of doing. Trigger a debate, bring the narrative of Pandits into the mainstream, even perhaps rescuing it from right-wingers. A few years ago, the possibility that a Ramachandra Guha or a Patrick French should be interested in the story was there, but that they would openly talk about it, or even back it, wasn’t. So, I do think it is an improvement. It is something that Pandits were waiting for a long time. A public telling of their personal sorrows.

On page 86 of the book are the details of that phone call. Description of that killing which I grew up listening to in much more brutal details. A story recounted many times by my mother. It goes like this: They say when the killers shot him down on that bridge, the man fell to ground. His killers, with pistols in hand, came around to check on him and to make sure he was dead. The man on ground, in pain, raised his one hand and told his killers, ‘Bas. Be ha Mudus. Stop. I am already dead.’ A killer shot him through his hand.

The dead man’s son, a distant cousin of mine and more of a friend, just about the same age as me, went to a college only miles away from the college that I went to. Even during college days he remained one of the most decent guys I knew.  The decadence of college life barely touched him. They say he is a copy of his father, a man about whom a poet friend (in a poem quoted in the book) asked:

“I used to ask him every time
why doesn’t he possess the cunningness of Srinagar
I still await his response
My friend! Yes, I changed my address
since after your murder
it ceased to exist
the bridge of friendship, this Habba Kadal”

The son of that man is not online trolling Kashmiri Muslims, asking for their mass-killing at the hands of Indian Army. He is busy working, building a life, raising a family. He isn’t clinging to any sense of victim hood. But that doesn’t mean that the killing on that bridge didn’t take place. It shouldn’t be brushed aside just because it complicates an already complicated situation. Usually at this point, it becomes a question of who suffered more: ‘A lot of innocent Kashmiri Muslims, not just one, died on these bridges at the hands of Indian security forces.’ And then the usual. ‘True.True. But in this case, the perpetrators of these crimes are known to you. You know where to put your anger. The Security forces. The State. But who were killing the Pandits? Men with a dream. Men funded by another State. Men with orders. Men who were worshiped as saviors. Men who inspired at first fighters and later writers. Men who after spilling blood of innocents in the day, at night went back to a life of wives and children. Together dreaming of a bright future. Of course, Pandits question this dream itself. They curse the men who were dreaming. This idea of a religious state that will be a paradise. They point at the present and ask if this is the future they wanted. They point at the state of the State that funded it. They curse the idiot who first labeled these killers ‘Secular’. Then they curse the ‘Sickulars’. They curse the idiots who formed cozy narratives about what transpired.’

A million things transpired. You need a microscope, not a telescope.

In a world where victims, to prove a point, are increasingly either setting themselves aflame or blowing themselves up along with a few more people, it is not surprising that even well meaning people find it difficult to understand Pandit response (or even a lack of it). They fail to see a possibility that it is a community in which I can still have the freedom to argue with relatives of a dead terror victim about the political nature of help offered by Shiv Sena. I can critique their single track narrative of 1990s. It is a community in which I can keep asking my father questions, uneasy questions, till he acknowledges that he did see an innocent Kashmiri Muslim die at the hands of Security forces on a street outside his home during the weeks he was stuck in Srinagar back in 1990. Yes, this free space is at times shrinking and at times expanding too. It is a community always evolving. Always changing. There are Pandit writings from 1920s in which old men complain that the young are not following the ways of the old! That a way of life is dying. Of course, it is dying. But something new is always born.

What Kashmiris ask of each other, ask of the world, ask of the written text, is something that they themselves, the world in general and the text itself, seldom offers. They ask for an absolute truth.

Me, I am only interested in nature of text and its relativity. ‘Our Moon Has Blood Clots’ provides some interesting twists to the known text about the events of 1947. From my family, I had already grown on stories of an earlier pandit migration, flight of relatives, from the border towns of Princely State of Kashmir to the capital Srinagar during the Kabili raid . But I first read about the scale of this migration in a Pandit community magazine some years ago. It was an entire series documenting the hardships faced by these people, all told mostly in personal narrative. I believe bits of these have gone into ‘Our Moon Has Blood Clots’ in the section dealing with 1947. Here, in this section I found an interesting bit. In most of the historical texts dealing with the events of 1947, destruction of Mahura power grid by tribal men and the subsequent plunging of Srinagar into darkness is one of the most dramatic events of Kashmir story of that time. But in ‘Our Moon Has Blood Clots’, we read that the Mahura power grid may well have been switched off by an unnamed Pandit to signal fellow Pandits in a nearby village that their lives were in danger. Isn’t that interesting. Is it a literary invention? Is there space for invention in memoir? Or did the earlier texts miss this detail because no one even back then asked migrant Pandits their end of the story?

This book is letting the Kashmiri Pandits connect their stories and experiences in a way that no other book has done before. Rahul Pandita’s house was in Chanpore. Chanpore was my Matamal, the place of my Mama and Massi. I know that place. It too have taken walks along Doodhganga. Walks organized by my Nani, who would sometimes take the kids to a Gurudwara too. Rahul Pandita mentions the evening when the mosque got stuck by a lightening. I was there that evening. I was in the crowd that had gathered in front of it. Rahul Pandita mentions the night of 19th January. My sister was in Chanpore that night. Only six, and about two years younger than me, she doesn’t remember but when the mosques started playing the ‘Jihadi Tapes’, my Massi stuffed her mouth with Parle-G biscuits to shut her up. Rahul Pandita in Jammu went to Luthra Academy, it was the first school in Jammu that I too could find admittance in. I lost a school year in the process. Rahul Pandita changed 20 homes in Jammu. For me the number is more like 5. He writes about living at a place called Bhagwati Nagar. My Matamal, my Massi’s place in Jammu for a couple of years was Bhagwati Nagar. I know the sweet spot along the Neher where the water falls off with a gush. He writes about not belonging anywhere. I have spent last ten years moving from one place to another, living out of a bag. For him Kashmir is home, rest are all a house. And so it is with me.

In ‘Acknowledgments’, among many other people, Rahul Pandita thanks me and this blog for triggering memories of home. I am content to say that my contribution to this saddening book has been addition of some happy memories. Memories that I can’t truly call my own. I was delighted to see Deen’e Phila’safar‘s ‘Man in the river’ proof used in this book to embellish a sentence. It’s a story that I can’t call my own as it was shared by a friend of my father. I am told Professor Dinanath’s progenies are now settled in Germany. I was delighted to see the sentence that mentioned the play of bursting fish bladders. It’s a game I have never played, it was a memory shared at this blog by a reader, Arun Jalali. 
While I am on nature of memories, isn’t is wonderful that bits and pieces from this blog have already gone into an Indian Publication, into Kashmiri Muslim publications and now a Pandit Publication too.

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Buy Our Moon has Blood Clots: The Exodus of the Kashmiri Pandits from Flipkart.com

Kashmir War Speak, 1948

From ‘Kashmir Speaks’ by Prithvi Nath Kaula and Kanahaya Dhar (1950), these things, a reminder, wars make for sad quotes and sadder lives. It makes spartans out of apostles and apostles out of spartans.

Above is the only known photograph of Maqbool Sherwani. Or rather an illustration based on a photograph published in the book. The original photograph, published in a Kashmir war pamphlet from 1948, was shared by Andrew Whitehead sometime ago on his website [here]. When he did it became the only online available photograph of Maqbool Sherwani. Now above posted image is going to be the second, and more in focus, image of Maqbool Sherwani available online Wherein lies an interesting fact about the way history works. And even the way web works. Back in those days poems were penned in name of Sherwani in Kashmir, novels were written in India. Acclaimed as savior of Kashmir. And yet, because of the way history shaped over the years, and because of the way it in turn shaped the opinions of those who are online now, his image is only to be found old propaganda material.

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‘Art and Crafts Jammu and Kashmir Land People Culture by D.N. Saraf’ (1987)

Some photographs from the book ‘Art and Crafts Jammu and Kashmir Land People Culture by D.N. Saraf’ (1987).

working on a namda

A carpet weaver

a craftsman’s family

old master and  young apprentice

for the love of kangri

Rouff Dancers.  Based on the snake headdress, probably a production of Heemal Nagrai

soofiyana kalam gathering

for the lover of pheran

a kashmiri girl

Ladakhi/Bott women
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Photo-Portrait of Kashmiri Pandits, 2007

Deepak Razdan shares some pages from the photo-book ‘Enduring images frozen in time: a Photo-Portrait of Kashmiri Pandits by S N Pandita and Ramesh Manvati’ (2007). This book has more than 200 images of Kashmiri Pandits spread over a century. From what I read, the only problem with the book was the it gave very little or no information about the actual subjects in these photographs, doesn’t tell you who they were, where was the photograph taken, general stuff like that would have made this book more personal. Still, a great effort. As I have written quite a bit about vintage photographs from Kashmir, I am adding some additional notes to some of the photographs shared here. [Those interested in buying the book can do so here ]

The photograph is by Francis Frith.  I have written in detail about it, more about the image here

The youngest in the group wearing a Ladakhi Gomcha. Others in collared Pherans. (change visible in dress code)
 Deepak Razdan’s grandfather’s brother JN Kaul with Indira Gandhi
First Kashmiri Photographer. Pandit Vishi Nath Kampassi in his studio (1893 A.D.)
A few of his works survive in the book ‘Kashmir in Sunlight & Shade: a Description of the Beauties of the Country, the Life, Habits and Humour of its Inhabitants, and an Account of the Gradual but Steady Rebuilding of a Once Down-trodden People’ (1922) by Cecil Earle Tyndale-Biscoe. You can see it here, here and

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Ganga Yamuna in Kashmir

Ganga Bank, Rishikesh. 2009

Yamuna Bank. Delhi.2012.


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Below some pages from ‘Vaishava Art and Iconography of Kashmir’ (1996) by Bansi Lal Malla

Ganga in niche on left, Avantisvamin temple, quadrangle porch, outer chamber, northern wall, Avantipur (Pulwama), Mid 9th cent. A.D., Bluish grey limestone.

 Yamuna in niche on right, Avantisvamin temple, quadrangle porch, outer chamber, southern wall, Avantipur (Pulwama), Mid 9th cent. A.D., Bluish grey limestone.

 Yamuna, Baramulla, 8th cent. A.D., Grey schist. S.P.S. Museum, Srinagar.

Ganga on left, antarala, main shrine, Martanda (Anantnag). First half of 8th cent. A.D., Sun temple, Martanda.

Yamuna, Dhumatbhal (Anantnag). 11th cent. A.D., Present location (?)


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Vitasta at Zero Bridge. 2010.

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Picked Kashmir at Delhi Book Fair, 2012 (part-II)

Pick from the second book fair of the year.

Two Decades of Dogri Literature
Shivanath
Sahitya Akademi
First Published in 1997.
Rs. 55

Echoes & Shadows: A selection of Dogri Short Stories
Sahitya Akademi
First Published in 1992
Rs. 75

Padma Sachdev, A Drop in the Ocean: An Autobiography
Translation by Uma Vasudev & Jyotsna Singh
National Book Trust, India
First Edition, 2011
Rs. 180

Abhinavagupta
by G.T. Deshpande
Sahitya Akademi
First Published in 1989. Reprinted in 1992, 2009

Medieval Indian literature: An Anthology
Volume 2
Edited by K. Ayyappa Paniker
Sahitya Akademi
First Printed in 1999. Reprinted in 2010.
Rs. 500

Picked this one for its Kashmiri selection. Along with translations of some rare poetic works ranging from 14th to 16th century, it also offers the script of two Bhand Pathers, Diriz Pather and Buhir/Batte Pather.

Vaishava Art and Iconography of Kashmir
Bansi Lal Malla
Abhinav Publications
First Published in 1996
Rs. 400

Art and Crafts Jammu and Kashmir Land People Culture
D.N. Saraf
Abhinav Publications
First Published in 1987
Rs.800

Yes, managed to get a copy of this out-of-print book which perhaps still  remains one of the most beautifully produced books on the state, its people and culture. One of the rare books that doesn’t rely only on beautiful pictures (which it has plenty) but also provides genuine well-researched information on its subject.

Previously:
Picked Kashmir at Delhi Book Fair, 2010
Picked Kashmir at Delhi Book Fair, 2011
Picked Kashmir at Delhi Book Fair, 2012


kral, 1920s

Buyer:Pundit:Seller:Muslim:Maker:Muslim
1920s

Came across this photograph in cookbook ‘Kashmiri Cuisine Through The Ages’ by Sarla Razdan. It’s a fine book with lots of recipes explained in simple terms and steps, and on top of that the book is packaged in with many beautiful photographs of Kashmir, both new and old (albeit a bit too casually for my taste). But, do not be misled by the title. This book actually offers no clue about the history of Kashmiri Cuisine. There is however a nice little introductory essay by the author that will find resonance with ‘9AM Batta’ generation. Thanks to my early school days in Srinagar, I could relate to it. And the book has me wondering: how come only Kashmiri Pandit women are writing books about Kashmiri Cuisine (one can find about a dozen listed in online stores) but not Kashmiri Muslim women. 

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Tok and Bricks. Jammu. 2012.

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Buy Kashmiri Cuisine Through The Ages from Flipkart.com

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thought for ancient food

Fish prepared with oil and salt,
ginger, pepper, pomegranate peel,
with walnuts garnished, touched with saffron,
and served on a bed of cool, white rice:
the doer of this act of merit
is bound to go to paradise.

~ Ratnabhuti, only name of this Sanskrit poet is known

In this chilly winter time,
may your cooking pots be full
with paste of lotus stem and root,
bright and smooth as elephant tusk,
with fritters rich in pepper,
and pieces of the shakuni fowl.

~ Bhatta Vriddhi, again only name

Came across these in ‘Subhashitavali: An Anthology of Comic, Erotic and Other Verse’, translated from the Sanskrit Subhashitavali of Vallabhadeva (fifteenth-century CE, Kashmir ) by A. N. D. Haksar.

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Purchase link:

Buy Subhashitavali from Flipkart.com

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