Lull in midst of a Storm, 1947

An extract from ‘The leaf and the flame’ (1959) by Margaret Parton (1915-1981), staff correspondent of the New York Herald Tribune. Paints a vivid picture of Kashmir just before the invasion in 1947 as the flames of partition finally starting reaching Srinagar.
June 17

The first time I came to the Vale of Kashmir I was disappointed. Perhaps I had subconsciously confused the words “Vale” and “Veil”. I had expected a lush ravine with great ferns, towering pines, and soft veils of rainbow-glowing mists from the sprays of waterfalls.
Kashmir is nothing like that, at least in the valley. It is a wide, gently-rolling plateau- five thousand feet high – set about with bare and craggy peaks. Back in the mountains there are indeed the kind of ravines and vegetation I had pictured, but unless one goes trekking one does not see them. One sees instead the bare mountains all about, the great stretches of artificial lakes near Srinagar, and the tumbling wooden town itself.
Gradually, running many visits since then, the quiet beauty became powerful in my eyes; the enchantment of Kashmir penetrated my heart. Now, sitting on the flat roof of our houseboat and staring across Dal Lake at a sunset-reddened range of noble peaks, I wonder how I could ever have thought them ugly that first visit, that time which now became almost legendary in my mind. And now, peacefully, I wish to re-live that fevered time.
It was October, 1947. The brat partition riots, which took perhaps a million lives and made twelve million people into homeless refugees, were barely over. We had seen too much murder and bloodshed in both India and Pakistan to be able to take sides any longer; we were weary of refugee problems and talk of revenge. Perhaps when you have spent many months looking at the mutilated corpses of murdered babies you reach a point beyond an understanding of revenge, when only an emotion of universal grief seems appropriate. We needed a little time for peace and restoration, and so, because we were in Rawalpindi, we went to Kashmir. There had been no riots in Kashmir. Kashmir, everyone said, was quiet and beautiful. the Hindu Maharajah had not yet decided whether to join India or Pakistan, but no one seemed to be hurrying him.
At that time the only road into Kashmir from the Indian sub-continent led from Rawalpindi in Pakistan up past Murree, through the mountains of Western Kashmir up onto the plateau, and past Baramula along the Jhelum River to Srinagar.
Still on the Pakistan side, we drove along beside a river which formed the border of Kashmir and saw hundreds of people crossing the river towards us, riding on logs or crude rafts. One young man lay on an inflated goatskin and paddled across with his hands and feet to the bank where we had stopped the car. Dripping, he climbed up the rocks and spoke to us.
“We have been driven from our homes by the Maharajah’s troops,” he announced.”We have brought our women and our children to safety in Pakistan, but we are going back to fight. I myself have only come over here to get a gun and ammunition.”
It seems strange to me now to think that this little rebellion in the western district of Poonch has been so completely forgotten in the surge and confusion of later events. It was certainly a small wave of history swallowed almost immediately by a larger one.
On the Kashmir side of the bridge from Pakistan we had to stop the taxi and go though customs. Although the population of Kashmir was largely Moslem, the Maharajah and the ruling class were Hindus and, therefore, worshippers of the cow. Our baggage was carefully searched for forbidden beef as well as for firearms. The officers finished with us quickly and then turned to two large wooden boxes which an old Moslem in the front seat was taking to a doctor in Srinagar; the young clerk pried open the lids and recoiled when he discovered both boxes contained live leeches.
“Search them. They might be hiding guns,” ordered the customs officer. The clerk picked up a stick and began poking unhappily among the leeches. The custom officer, a thin Hindu pundit, leaned against a railing above the river and, in the way of all educated Indians, talked politics.
“We Kashmiri pundits are the third most intelligent people in India.” he said. “Only the Bengalis and the Madrasi Brahmins are smarter than we are. That is well known.
“If Kashmir joined India there would be two other peoples ahead of us. But if we joined Pakistan, we would be able to dominate them, because we would be more intelligent than anybody else.”
Wondering how democracy is ever to succeed in Asia, we drove on another hundred miles, through the Jehlum gorge and up into the Vale. Once, we stopped beside a field of early winter wheat and spoke to a peasant boy. He was wide-eyed and shy, and he spoke softly.
“No, there is no trouble here, Sahib,” he said.”All is peaceful. I do hear in our village gossip that the government is fighting itself, but what is that to do with me?”
On the outskirts of Baramulla, a pleasant little town at the edge of the Vale, a crowd was massed near a stone bridge. A haggard young man was auctioning off clothes one by one. While we watched he sold a pair of pink-satin Punjabi trousers for three rupees.
“Those belonged to his wife who was murdered,” explained an old man standing nearby.”He, like so many others, us a refugee from the West Punjab, without money and forced to sell everything. Hindu refugees have come here to Kashmir because they know it is peaceful and they will not be persecuted, although most of us are Moslems.”
Within a week, the custom officer, the peasant boy, and the young refugee were probably all dead.

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‘Of Hills’ by Tom Ashley Lakeman, 1944

The free book released this month under SearchKashmir Free Book project is not just about Kashmir, it is about experiences of a World War Two era British soldier whose travels took him to the hills and the seas. It is about places you could easily visit before the modern world grappling with aftermath of a war, altered and redefined concept of places.

Blurb for Tom Ashley Lakeman ‘Of Hills’ (1944) explains this beautiful book of verses and its purpose quite well:

‘Of Sea and land, of Hills, of Loving Times’

To those who make the journey —

The photographs, verse and descriptions are to bring places near or to take readers far – at thought speed.
To the man from the hills by the Afghan border— on the cover – then glimpse of Kashmir; to Battlesbury on the steep western edge of Salisbury Plain. To Kashmir again — from Srinagar to Haramukh — then homeward to the cliffs of Devon.
To the Deosai Plains, not far from the Roof of the World, to India in England, to children, to the Indian forest, by Delhi, through the Red Sea to Malta, ending with Pir Guhl and the man from the hills.

The book was formed when a holiday was needed and it is hoped that others too will find holiday in these pages. May this book help, in some small way, the National Trust. After the war, what profit there is from the book will go gladly to help the Trust ; during the war it will be sent to the Royal Tank Regiment Prisoners of War Fund — for those who cannot yet see our shores.

Link to the Book

In 1945, the books had a sequel. To be uploaded next month…

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Kingfishers Catch Fire, Rumer Godden, 1953

“Two little bulbuls were sitting on a wall,
Quarrelling and pecking, quarrelling and pecking,
Quarrelling,
Quarrelling,
Pecking pecking pecking pecking.
This is more than flesh and blood can stand.
Now all that is left
Is the tail of one bulbul

And the beak of the other.”

A white woman takes an old house of a pandit on lease and decides to live ‘poor’ in Kashmir with her two children.  She loves Kashmir and its people. She thinks she can make a new beginning here. But the British woman is too ‘meddling’, too ‘uncontrollable’ and can’t help herself trying to correct the locals and their ways. Soon enough the alien community in which she lives is vying for her attention, everyone wants ‘mem’ on their side. The age old rivalry between the clan of Dars and Shiekhs burn even more feverishly and leads to new polarizations. Unknown to the foreigner, the simple fact of a white woman living alone by herself in a house in Kashmir causes tiny ripples in social fabric of the natives, soon enough a wave of inane violence engulf her ‘Dilkhush’ world. It is a Kashmir in which no one person truly understands another person, or even tries. Or rather, it is a world where there are only frivolous misunderstandings which lead to serious tragic consequences. A Kashmir where everyone is innocent but also guilty. Guilty of an undefinable vaporous thing called simple human emotions of beings living in a complex modern world. A world where a person can poison you in a mistaken attempt to make you love them.
The novel came out of personal experiences of Rumer Godden when she moved with her children to a place called ‘Dove House’ in Kashmir in 1941. She went on to live there for three years. ‘Kingfishers Catch Fire’ is also one of the few works which she later went on to disown a bit. The work seems to be a product of pure raw emotions of living in an alien society that can appear hospitable as well as threatening at the same time. The finale of the novel comes out of a true incident in which Rumer Godden’s (in her words ‘mad’) cook tried to poison her.
The depiction of Kashmiri society by Rumer Godden is brutal. It is as if no one cared for anyone, everyone seems mean and indifferent. Pandits don’t get along with Muslims, Muslims don’t get along with each other. Everyone is worried about their relative poverty. The only redeeming quality they all seem to possess is their simplicity. Which of course if accidental because the modern world hadn’t caught up with them. It is a simplicity that Rumer Godden’s main character Sophie wants to emulate, it the modernity that Sophie wants to escape, she wants to be poor, she wants them to see how rich their really are, but all her attempts are bound to fail. 
The way the story unfolds with its stages of innocent enamourment with Kashmir, trying to adjust and change the place for better, and the creation of mess in which everyone wishes you were never there in the first place, it does make one think that the story is an allegory on British engagement and disengagement with the Indian Sub-continent. 
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The Dove House, the model for Dhilkusha, Sophie’s mountain bungalow.
[I believe it is the ‘Ishber’ area, which finally became more inhabited in the late 60s and 70s]

Photo from: Colonial Strangers: Women Writing the End of the British Empire By Phyllis Lassner (2004)

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You can read the book ‘Kingfishers Catch Fire’ for free here at Open Library

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Previously: The Anita Desai’s parallel story that takes place in a house of a pandit in Kasauli when pandits were the new ‘angrez’ of recently independent India: Fire on the Mountain, 1977
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How those old Kanz Mool photographs were actually shot

Because there are hundreds of these photographs with ‘native women with pestle and mortar, pounding rice’…every photographer worth his salt had to have this shot in his Kashmir inventory…

 

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A questing man with camera came,
And Kashmir maiden fled in shame,
Her heartbeat quickening in her haste,
Her twinkling bare feet keeping pace.
The, feeling safe from distant arms,
She, woman-like, did feel her charms
And, courage held in tight-gripped calm,
She slowly, fawnlike, came again,
And gave him face and form and name

~’Of Hills’ by Tom Ashley Lakeman, 1944.

Kshemendra’s Smayamatrika by Edward Powys Mathers

Although Edward Powys Mathers is more famous for ‘Bilhana: Black Marigolds’ (1919), which was later used by John Steinbeck for dramatic purposes in his American novel ‘Cannery Row’ (1945), Edward Powys Mathers was also one of the first translators of Kshemendra’s Smayamatrika.

His english version came out as ‘Harlot’s Breviary’ in volume 2  of book ‘Easter Love’ (1927).

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The book was available at Digital library of India but the reading method provided there is not too easy. So I have recompiled and uploaded the book to archive.org

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Bandobast Sahib’s Nightmare

Kashmir was my paradise, for the work was a constant pleasure. But in a way it unfitted me for the life outside paradise, and though I have had the happiest chances and the most delightful experiences since I left the happy valley, I always compare my life now with my life then, and nothing has rivalled Kashmir. When the Kashmiris weave their lovely carpets they always leave one thing undone, for their religion teaches them that nothing done by man must be perfect. I finished my work in the valley, but there was a tract of beautiful country not belonging to the State which I had promised to “settle,” and when the end came I left this unsettled. And now year by year I have a vivid dream that the boat is ready and that all my plans are made. I have chosen my best men for this last piece of work, have sent on my tents and supplies, and am going to make no mistake this time, and the map and the settlement of the land shall be perfect. But I always wake before my boatmen shout “Yo pir” and make the boat tremble with the strong stroke of the heart-shaped paddles, and I know that if the boat ever does start, it is “finis,” or as the Moslems write on their tombs, “Khatm“.

~ ‘The India We Served’ (1928), Walter Rooper Lawrence.

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By a singular coincidence, this chance halting-place under the chinars of Panzin, brought me also across the foot-prints of another man whose name is engraved upon the history of Kashmir. For as the evening grew the Village Headman came and sat by the brook, and conversed about his fields.

“Sir,” he said, “since Laren we have had great peace. He came walking along this very road on his way to Wangat, and I stood before him, thus, with folded hands, and said :

‘”Huzoor, here is great zulm; yon field is mine, but another from the next village, who has friends at court, has stolen it from me.’

 “And Laren said, ‘What is your name ? ‘ and I said Sobhana, the son of Futto and he put it down in his note book ; and then he said:

“‘What is the name of your field ? ‘”

“and I laughed and said, ‘ Huzoor, they call my field Bamjoo.'”

“And he put that also in his book, but said no more and took his way ; and lo ! in the fullness of days when the Settlement was accomplished, my field was given back to me, and Justice was done.”

” And who was Laren ? ” I enquired —

” Laren,” he replied, ” was the great Sahib who made the Settlement ; the friend of all Zemindars. Since his time a deep confidence has settled upon our hearts. It was he who said ‘ O Wise Ones do not part with your lands for they will one day become gold.’

~ The Charm of Kashmir’ (1920) by V.C. Scott O’connor

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“I saw the Mullah step with great dignity into the ferry boat: I saw the boatman prostrate himself, as had the crowd bowed down as he passed along. He was a man of about fifty, clad in white, and when we met by my tent I noticed that, though his face was austere and ascetic, his eyes had a twinkle in them. We sat down for some time in absolute silence, and without any order on my part everyone went to a respectful distance. Then he spoke in good clear Hindustani. He had heard from his people of my work, and though I and my officials through our ignorance had made many mistakes, and though at first he had thought we should fail, he now had some hope that we should succeed. He had been told of my collision with Colonel Natha, and that I had vowed that if he remained in the State service I would resign. He was pleased that I had kept my vow, and it was for this that he and his people trusted me. “But,” he added, “you must be careful. Careful of the hate of the city and the officials, and careful not to free my people too quickly. They are under the curse and are well called the worshippers of oppression. For if they become absolutely free and careless of their rulers, they will be lazy and improvident. And one other matter you have taken on yourself affairs that do not belong to you.”

~  ‘The India We Served’ (1928), Walter Rooper Lawrence, the Land settlement officer in Kashmir from 1889 to 1895.

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Kashmir in ‘L’espace bleu entre les nuages’ by Cosey, 1978

From personal collection

Kashmir in Jonathan series ‘L’espace bleu entre les nuages‘ (The blue space between the clouds) by swiss artist Cosey (Bernard Cosandey) for Tintin Magazine No.147, July 4, 1978.

The plot revolves around sale of rare European paintings meant to fund a militant movement run from Srinagar. The movement in this case happens to be a veiled reference to ‘Free Tibet’ movement whose main agents have taken refuge in Kashmir.

Much like the old European travellogues, Srinagar here is presented as the springboard to the roof of the world. The comic comes from a time when comics were art, this collection apparently is supposed to be read with the background score of Beethoven (Concerto No. 3 in C minor op. 37) and Chopin (Concerto No. 2 in F minor op. 21).


To get the art and feel of the place right, Cosey actually travelled to Kashmir and seems to have soaked it all in quite well. The issue also carried a brief piece by Cosey about his experience in Kashmir  (along with some photographs by Paquita Cosandey, who usually did script and design for him).

Tintin Magazine was meant to be a space where new and future comic works by various artists could be showcased. ‘L’espace bleu entre les nuages’ as a complete work came out later in 1980.

At that time the west seemed to be much taken by Tibet, in this particular issue of the magazine, I would find two more comics themed around Tibet.

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Previously:
Kashmir in Indian Comics

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