Indrajal on Kashmir

It was around 1989 in Kashmir that I first discovered the world of comics. I came across a treasure chest belonging to an elder cousin. I remember staying up all night, my first all nighter, to go through his entire collection comprising mostly of Phantom of Indrajal comics. I remember witnessing my first break of dawn from a window of my Massi’s place in Chanpore. I was seven, I couldn’t actually read those comics. Comprehending words was a challenge. Bubbles in the panels, a puzzle.  But it was the colorful images in those panels that spoke to me. They spoke of some other magical worlds. A world were guns went ‘RaTaRaTa’, punches went ‘WHAAM’ and men went ‘UUg’.

Recently, after having helped in a minor way in the creation of a new generation of comic in India on Kashmir and that too with a high dose of History, I couldn’t help but wonder what Kashmir, the place, its people, looked like in earlier Indian comics.

The most obvious place to start was Amar Chitra Katha.

If it’s Amar Chitra Katha, it has to be history. Amar Chitra Katha has a bunch of issues based on stories from Kalhana’s Rajatarangini. Here the action is based in Kashmir (and please note Dharmendra or Amitabh was not the first hero to battle a wild cat, Jaydpeeda of Kashmir was). Some issues carry stories from Somadeva’s Katha Sarit Sagara (in which we have more of Ujjain), and there are are some ancient ‘travelogue’ issues in which we see a panel of Kashmir (like in case of comic on Hiuen Tsang). That’s about it.

Next, we pick Indrajal. In its ‘War-Series’ comics, in one on China war of 1962, we see a glimpse of peaceful Ladakh.

That’s about it. But then in late 1980s, just as Kashmir began to simmer like never before, and just as Indrajal’s readership was dwindling, Kashmir became a central prop for one of the ‘newest’ action hero’s created indigenously at Indrajal.

Dara, urf  Rana Vikram Bir Singh, urf Raja Saheb, an flamboyant ex-prince of Kashmir who secretly works for  Indian Intelligence Wing run by one Mr.Rao. In all there were about 8 issues published after which not only the series but Indrajal too shut shop. Of these 8 issues at least two stories are based in Kashmir – ‘The Savage Mercenary’ (with some of the action taking place on snow capped mountains) and  ‘Sparks of Treason’. Of these two, ‘Sparks of Treason’ is the most interesting specimen of ‘Kashmir issue in Indian Comics’.

The title and the cover sets the tone. Dara the super spy is called in by Mr.Rao to save Kashmir from a gang of Agent provocateurs who are tying to spark treason.

The way that story unfold reminds one of the gratuitous Hindi films on Kashmir made in 1990s. And this comic came out in 1989.

Some interesting panels.

The way the situation is sorted out in the comic reminds one of a recent statement by Union minister Jairam Ramesh, “Spy agencies dictate Kashmir policy.

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Comic Story of Kashmir continues

With expert inputs from yours truly…first part of the last concluding part of Sumit Kumar’s ‘Kashmir Ki Kahani’ is out. Read and become an instant expert on Masala-e-Kashmir. Check it out at newslaundry.com

Expert comments like: “But…but… Ornub, back then times-n-climes were different… we forget Maqbool Butt was handed over to the police by a Kashmiri Mob who didn’t know or care who he was…I am only talking about the social narratives that have been undermined by the mainstream media….” are welcome. As are comments like: “Indian Trith”

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Previously: Comic Story of Kashmir

bits from Chakbast

Village Tulamula, 2008.

“Zara Zara hai mere Kashmir ka mihman-nawaz
Rah men pathar ke tukrun se mila pani mujhe”

I first came across these lines (typically, unattributed ) in the book ‘Kashmiri Pandits’ by Pandit Anand Koul (1924). Recently, picked up that the lines are by an Urdu poet of Kashmiri origins, Brij Narayan Chakbast (1882–1926).

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Shikargah Pather

 A play revived after 30 years from the reportaire of Bhand Pather. One of the few that makes extensive use of masks. M.K. Raina mentioned that the art of making these masks was already lost, till one of the troupe artist, a basket weaver by profession, volunteered to make the masks for the show.

Bhand Pather performed at IGNCA on 6/4/2013. 
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Post to be updated with more details about particular Pathers. Later.