Glimpse of people, streets and sounds of Kashmir.
I do think that some of the shots are not of Kashmir, and yes, music is great.
Courtesy of GlobalCafe
in bits and pieces
Glimpse of people, streets and sounds of Kashmir.
I do think that some of the shots are not of Kashmir, and yes, music is great.
Courtesy of GlobalCafe
For me the best part of the movie was listing its two Kashmiri folk songs.
The song are Ha Faqeero and Mastaan Mastaan (Lyrics by A.G. Madhosh and Fazil Kashmiri respectively)
The songs are sung by veteran kashmiri singer Gulzar Ganai and the music is by renowned percussionist Taufique Qureshi. Not so incidentally, brother of Tabla maestro Ustad Zakir Husain, Taufique Qureshi is also of kashmiri origin. There are times in song when you can listen to his personal touch to these songs. Also, the recording is top notch.
This must be a first when authentic Kashmiri music has been used in a mainstream Indian film.
And for that credit must go to Santosh Sivan.
“Tracing connection between mythology and science, Governor Lt. General (Retd) S K Sinha today said that the latter cannot totally ignore the former.
Inaugurating an international workshop on physics and analysis of hot and dense matter at University of Jammu this morning, the Governor while referring to mythological belief said that emergence of the Himalayas from the ocean. Scientists were today studying the Big Bang concept which led to the creation of the universe. They may find an element of commonality between their scientific findings and some mythological beliefs. He said that Homer’s Idiyad describing the Trojan War used to be dismissed as mythology and poetic fantasy till recent archaeological excavations have established the historicity of that war, which over centuries had got embellished with mythology.”
– from Daily Excelsior, Jammu, Feb 12, 2008
Governor (he was not yet ex) was inaugurating a workshop on ‘A Large Ion Collider Experiment’ (ALICE)’.
Indian teams are contributing to two of the experiment in the Large Hadron Collider (LHC) Experiments that aims to re- create conditions that existed immediately (in a billionth of a second sense) after the Big bang. These two experiments are CMS experiment and ALICE . Starting on 10 September 2008, it is the single biggest experiment conducted in the world since NASA’s mission to space.
The team from Jammu University worked for ALICE under Variable Energy Cyclotron Centre Kolkata.
Photon Multiplicity Detector (PMD) for the LHC to be used in ALICE was built by Indian experts and the team from Jammu contributed to its creation.
Back to the (ex) Governor. I think it would have been understandable had he been quoting Frijof Capra. It would have been a nice ruse to talk about Amarnath.
But, taking about Homer’s Iliad (Idiyad?) at a physics workshop! He sure was a curious fellow and it’s a funny world.
Anyway, here is a little funny something to see:
Google search results for Big Bang India
and Google search results for Big Bang Pakistan
The biggest analysis of Indian genes has not been able to get a clear answer on whether there is any genetic foundation behind caste or religion.
After analysing 75 genes from 1,871 individuals belonging to 55 caste, tribe and religious groups for the last three years, the Indian Genome Variation Consortium could not identify definitive genetic links to these groups.
The same is true with religious groups. The research shows Kashmiri Pandits and Kashmiri Muslims are genetically close and both share genetic similarities with Dravidians.
Read the complete report at Deccan Herald (26th April, 2008)
Also, my previous post about historical ties between South Indian and Kashmir
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(Continued from my previous post on Tahaan: a boy with a grenade)
Came across the trailer of Tahaan on youtube at IDreamProduction channel
Have a peek at what the movie promises:
Yes the voice-over is irritating. Too HBOish!
(They removed this trailer. Guess the voice over was really over the top)
Here is the new trailer:
Here is one more with a better use of the soundtrack:
Since the movie is still not out in the theaters (it will be in October), I am going to pontificate about the 2 minute trailer. And here I go:
The little boy commanding his donkey in Kashmiri to Pakh! Pakh! (Walk! Walk!) is a fine linguistic experiment.
The background score just in the mid of the trailer is authentic Kashmiri music and absolutely stunning at that. These are the fast beats of Chakkri. The music is set by Taufiq Qureshi, son of Ustad Alla rakha, younger bother of Zakir Hussain and a person of Kashmiri origin. The soundtrack sounds brilliant.
Apart from all this, the thing that really took me with surprise me was: a simple dialogue uttered by a Kashmiri
Ye Ga’da ab tumhara nahi raha
Jao yaha se
How do I know it’s a Kashmiri voice? Notice the tone of the voice and the way hindi word Gadha is pronounced as Ga’da by the character. This pronunciation is characteristically Kashmiri. It may seem a trifle little matter. A trifle matter of tongue. But…
Here is a little note taken by Godfrey Thomas Vigne, an English travelers who visited Kashmir in 1835. In his book Travels in Kashmir he wrote:
The languages now spoken, which are derived from the original and pure Sanscrit, are denominated Pracrit. The Italian is a Pracrit of Latin. The Hindu, Gujerati, Tirhutya, Bengali dialects, and others, are Pracrits. The language of Kashmir is a Pracrit. The Kashmirians, says Abu Fuzl, have a language of their own. I was told on good authority, that out of one hundred Kashmiri words, twenty -five will be found to be Sanscrit, or a Pracrit, forty Persian, fifteen Hindustani, and ten will be Arabic ; some few are also Tibetian. There is an uncouth rusticity about the Kashmirian pronunciation which is almost sufficient, at least I thought so, to betray the language as a patois, even to a person who did not understand it. The Sikhs, their lords and masters, are well aware of their erroneous pronunciation, and have a standing order against the admission of any Kashmirian as a recruit, on account of their almost proverbial timidity ; and if a man present himself for enlistment, and is suspected of being a Kashmirian, he will be told to utter some word, such as Ghora (a horse), which, if he be of the valley, he will pronounce broadly Ghoura or Ghura, and be thus detected.
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And now my close friends would certainly understand why sometimes I sound funny, why Gaurav becomes Ghaourav and why Sau Rupay becomes Saoo Rupaye.
The Persian word sqay means ‘knowledge of war’. According to the legend, thousands of years ago, Kashmir’s King Dharyadev trained his fighters in this defensive art form.
The modern form of sqay was introduced in Kashmir by one Nazeer Ahmed Mir. Now sqay is practised in 20 Indian States. The swift movements and defensive steps of sqay are similar to those of kalaripayattu of Kerala.
kalaripayattuJust like in kalaripayattu, sqay employs weapons such as swords and shields. “Tora’, the sqay sword is made of bamboo with leather cover. Burgula, the shield is made of leather. Besides Sqay combines elements of Karate and Taekwondo. A wide range of combat methods such as blows, kicks, punches, locks and chops are used in sqay.
It has four kinds of competitions — Loba (fighting), Khawankay (Katta), Mathol (power breaking) and Aerosqay
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Like most people I had never heard about this martial art from Kashmir. It came as a complete surprise to me.
The info. here is from an article published in The Hindu
Read more about it at The Hindu
Everytime the light goes off, people come out on the street to protest. They are protesting for land in Amarnath. On the phone I was told that Electricity meters of houses have been damaged by the protesters. I asked is the protesters are damaging the meters of their own house. In jest, I was informed: first they go out and destroy meter of others, and then they go home and destroy their own meter.
Only a few years ago, Jammu was a meter less town. Electricity – the city did have some time in between 8-10 hour power cuts, voltage – if you torched a live wire intentionally, on good days it could tickle you to go into a voluntary spasm and break a smile on your face. Every house was and still is run by giant privately owned transformers. Step up – Step down is a ritual to be performed every hour or so for 24 hours, everyday, every night, every month and every year.
This electricity was almost free. Then the local administration stringent on the subject of electricity meters. On my last visit to the city, June 2008, my uncle told me now the electricity almost never goes, except of course when its our vari . And even the hours of vari are now normal – only 2 to 3 hrs. I was there for more than two weeks and the light did go off unscheduled. I was told: Bad Luck!
Actually now that I remember, there were meters earlier also but only now they are being taken seriously.
I guess the city never took them meters kindly.
Now every time the light goes off, with nothing better to do, people go out protesting for land.
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Those who remember history, or those who remember Freedom at Midnight by Dominique Lapierre and Larry Collins, or better still, those who remember Salman Rushdie’s Shalimar the Clown, will of course remember that the the story of Kashmir problem starts in 1947 with the burning of Mahoora Power House and plunging of valley into darkness.
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I was told that the Gujjars are being asked to leave Jammu. Where will they go? They have always lived in Jammu. They are told: Go back to the Valley.
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Back at Jammu, my grandmother is worried. She is worried because there is a talk in that town:
All the trouble in city, all this violence over Amarnath issue, has its origin in Pandits of Kashmir. These Pandits carried their scourge with them to Jammu.
Somewhere hidden along with that brass Khos, pandit sneaked in the scourge.
My grandmother is worried that we would be thrown out of Jammu.
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Unrelated post:
Back to Kashmir, Pandit
Finally decided to move my posts on Kashmir from my other blog to this new blog about Kashmir.
However, I decided not to move some of the older posts related to Kashmir.
Here are the links to them from my other other:
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Francois Bernier, the french physician who came to Delhi in 1658, during during his visit to Kashmir in 1664–65 as part of Mughal Emperor Aurangzeb’s entourage, was the first westerner to call Kashmir a paradise. Paradise – his response to the abundant natural beauty of Kashmir was in fact colored by opinion of Mughals who thought of Kashmir as ‘Jannat‘ or ‘Paradise’. Bernier wrote a number of letters during his travels in India. These letter, originally written in French were later translated and printed by various publishers in a book format. The first one was published in 1670 and , naturally, Kashmir was covered under the title Journey to Kachemire, The Paradise of the Indies.
After Emperor Akbar’s conquest in 1585, Kashmir was slowly developed into a retreat for Mughals. Naseem Bagh ( Garden of Pleasant Breeze) was built during Akbar’s reign in around 1586. However, it was his son Jahangir’s infatuation with Kashmir that lead to the creation of great gardens in Kashmir. And it was the Persian influence of Jahangir’s Irani wife and her family that decided how these gardens were actually going to turn up.
At Veri-nag, the place of spring considered to be the origin of Jehlum river, Jahangir constructed a beautiful Persian styled Garden enclosing a blue watered spring. This spot, around 78 km south-east of Srinagar, is said to have been the favorite garden of his Iranian wife Empress Noor Jahan.
But, the real testimony to the Mughal fascination with Kashmir are the Iranian influenced royal Gardens: Shalimar, Chashma Shahi and Nishat Bagh.
Photograph of Shalimar Garden taken by me in June 2008
Jahangir, for his beloved wife Noor Jahan, built the fabulous Shalimar Garden* in around 1619. It was originally named Bagh-i- Farah Bakhsh (meaning delightful). During the time of Shah Jahan, in around 1630 Zafar Khan, the Mughal governer of Kashmir extended the original garden, the new portion was named Bagh-i-Faiz Bakhsh ( meaning bountiful).
Shah Jahan, son of Jahangir, built the Chashma Shahi ( Spring Royal) Garden in around 1632.
Ali Mardan Khan, the Iranian man put in change of Kashmir by Shah Jahan, is believed to be the person who actually built this garden.
Photograph of Chashma Shahi, June 2008
Asaf Khan, brother of Noor Jahan, father of Mumtaz Mahal, father-in-law and wazir of Emperor Shah Jahan, built the beautiful Nishat Bagh (Pleasure Garden) overlooking Dal lake. This garden is believed to be the better planned and better located among all the three Mughal gardens of Kashmir.
Photograph of Nishat Bagh, April 2006
According to a local tale: During Shah Jahan’s visit to Kashmir in around 1633, the Emperor got completely enamored by the beauty of Nishat Bagh and subtly asked his father-in-law wazir Asaf Khan to consider handing over the garden to him. Asaf Khan was too much in love with his Pleasure Garden and choose to remain oblivious to this subtle royal suggestion. Snubbed, Emperor Shah Jahan ordered that the water supply to Nishat Bagh be cut. Nishat began to wither and would soon have been in complete ruin had a servant loyal to Asaf Khan not dared to go against the royal decree and defiantly restored the water supply to the garden. In face of such defiance, instead of being angry, in a benovalent mood, Shah Jahan passed a sanad – a royal Mughal grant that allowed the owner of Nishat Bagh to draw water from the royal stream.
The water to Shalimar and Nishat Garden was (and still is) fed by a reservoir situated at Harwan, a seat of ancient Buddhist monastery. Ages ago, famous Buddhist teacher Nagarjuna was supposed to have dwelt at this place. Located at this place is another garden of Mughal built.
Near Chashma Shahi, at the foothills of Zabarwan mountains, Dara Shikoh, Shah Jahan’s eldest son, the sufi one, converted an ancient Buddhist monastery into a school of astrology and dedicated it to his master Mulla Shah. Pari Mahal or the Palace of fairies, was a place steeped in magical stories. Walter Rooper Lawrence, who visited Kashmir in 1889 as the Land settlement officer, wrote in his book The Valley of Kashmir (1895):
Strange tales are told of the Pari Mahal, of the wicked magician who spirited away kings’ daughters in their sleep, how an Indian princess by the order of her father brought away a chenar leaf to indicate the abode of her seducer, and how all the outraged kings of India seized the magician.
Photograph of Pari Mahal, June 2008
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‘Gar firdaus bar rue zameen ast / hameen asto, hameen asto, hameen ast‘
If ever there is Paradise on Earth / It is here! It is here! It is here!
– A farsi couplet of Amir Khusrau believed to have been uttered by Jahagir for paradise Kashmir.
Jahagir’s memoirs tilted Tuzk-i-Jehangiri records:
“If one were to praise Kashmir, whole books would have to be written. According a mere summary will be recorded.”
“Kashmir is a garden of eternal spring, or an iron fort to a palace of kings — a delightful flower-bed, and heart-expanding heritage for dervishes. Its pleasant meads and enchanting cascades are beyond count. Wherever the eye reaches, thre are verdure and running water. the red rose, the violet, and the narcissus grow of themselves; in the fiels, there are all kings of flowers and all sorts of sweetscented herbs more than can be calculated. In the soul enchanting spring the hills and plains are filled with blossoms; the gates, the walls, the courts, the roofs are lighted up by the torches of banquet adoring tulips.What shall we say of these things or of the wide meadows and the fragrant trefoils?”
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June, 2008
Pari Mahal, now, has fewer security personal, although the empty bunkers inside the ancient buildings have not been dismantled yet. You never know when they would be back in business. Pari Mahal, with all its blazing lights, still looks great at night. From its highest terrace, you can see more valley and less lake, for a still better view – get on top of the dome at Shankaracharya. Ignore this. On a wall near stairs that lead to the main sanctum scrotum of the temple somebody has scribbled a word – Fakbar.
Vegi Nag has fallen victim to a ghastly attempt at restoration by the government bodies. Never too popular, fewer people would want to visit it now.
Harwan is said to be in shambles and people don’t frequent it often. It still remains the source of water for Nishat and Shalimar.
Nishat, Chashma Shahi and Shalimar continue to be popular among the locals, as well as the tourists. But few tourists stroll to the higher terraces of Nishat, you find more Kashmiris there – sitting, laying out on greens or walking contently in a garden. Snake sightings are still common at Nishat. There is still some water rivarly between Nishat and Shalimar. Fountains and canals at Nishat do sometimes run dry.
People bottle ice cold waters of Chashma Shahi in pet bottle. These bottles are later even sold. Walls of the central building at Shalimar Garden, once a venue of royal love games – a love pad – This Mughal summer house, the stones of which – locals had told Bernier – came from an ancient Hindu temples, is now a scratch pad for teenage lovers.
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*
Various meaning of word Shalimar:
Shalimar, in Sanskrit (?) is believed to mean ” Abode of love”, “House of Joy” and similar.
According to some it means ‘Abode of Lilies’.
According to some it means “the House of Kama Deva”
Maharaja Ranjit Singh believed Shala meant God and Mar meant Curse. He wanted to change the name of the garden. His courtiers told him that Shala was a Turki word meaning pleasure and mar means ‘place’.
According to another version Shalimar means “paddy growing area”
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There is a Shalimar Bagh in Lahore also. This one was built by Shah Jahan in 1641.
Then there is a Shalimar Bagh about five miles north of Delhi built by Shah JaHan. Also known as Aizzabad-Bagh ( after Shah Jahan’s wife named Aizzu’n-Nisa Begum), this was the place where coronation of Aurangzeb took place in 1658.
Both are an imitation of the Shalimar Bagh of Kashmir.
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And finally, there is Shalimar The Clown.
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Etymology of word ‘Paradise’: From William Dalrymple’s City of Djinns: A Year In Delhi
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Recommended read: Relating Paradise to Kashmir’s Historical Gardens at KashmirForum.org
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