Memories of Gulmarg

MEMORIES OF GULMARG

O! for the wind in the pine-wood trees

0! for the flowery, scented breeze
In far Gulmarg! in far Gulmarg!

0! for the wealth of flowers so blue
O! for the sound of the ring-dove’s coo,

O! for that earth’s soft covered breast
The turf my love’s footsteps have pressed,

And all the thousand scents which rise
To subtly haunt our memories,

Scents which spring from the very grass

As o’er its velvet growth we pass
In far Gulmarg ! in far Gulmarg !

0! for the babbling brook’s clear flow
Dancing from Killan’s heights below,

0! for the cold and gleaming snow
Which Apharwat doth proudly show,

And lights and shades which joyous play
On her grey-green slopes all through the day.

O! for the moonlight so serene
As ‘thwart the marg she casts her sheen,

O ! for the rainbow tinted vale

Which dream-like fades to vision pale
In far Gulmarg! in far Gulmarg!

Their distant peaks great mountains rear
Pure, shadowy guardians of Kashmir.

And now upon a dreary plain
I wounded lie in aching pain
How far Gulmarg! how far Gulmarg!

But when this pain comes to an end
My soul released swift may it wend

To its true home yonder I know

Instead of Heaven, God let me go,
To far Gulmarg! To far Gulmarg!

~ Muriel A.E. Brown
Chenar Leaves: Poems of Kashmir (1921)

Wan Raaz Trivikramasen

Wan Raaz Trivikramasen! Answer King Trivikramasen’ Baital needles the king into answering his trick questions in a 1960s (?) Kashmiri production of Baital Pachisi for Radio Kashmir. The popular  radio show was probably based on Kashmirian Somadeva’s Vetalapanchavirhsati  in which the hero, the King  is called ‘Trivikramasena, the son of Vikramasena’ ** but still refers to the semi-legendary Vikrama or Vikramaditya of Jain tradition.

More about  Vetalapanchavirhsati  Here

Visiting Ahdoos

She stands in front of the wall, looks at the door, stopped, a little confused. She call the waiter over.

‘There used to be toilet here! Where did it go?’
‘Madam the toilet is now down stairs. This is the…’

She looks around. At the ceiling, at the walls. I look away, miss the last word. I believe the word was ‘lift’. Her old legs slowly lead her downstairs.

The little woman must have been in her early Sixties. When we took a table, she was sitting at a nearby table with two men who looked like her sons. They were having a full table, a full meal. Dinner.

 ‘They are Kashmiris too. Must be Punjabis.You know the business class. Stayed here for generations.’

I know.

She did the ordering. This was her place. The place. She must have been here a lot -“We must try this, the place served  best of this.’

Tea arrived at our table in a metal kettle. Milk. Sugar.We prepare cups of tea.

‘They will bring a fresh hot kettle when this one runs cold. Great service! They have the best tea. Try it.’

This is embarrassing but true. As I take the first sip, the taste on my tongue makes me feel like I have never had tea before in my life. ‘What leaves do they use? This is almost a new taste.’

‘After four in the evening, this place used to be alive with people. They would crawl out of various government offices, in groups, alone and head for Ahdoos. The place would be filled with cigarette smoke. On one table a group would loudly be pro-government. At a nearby table a group would be loudly subversive.  Tea kettles would turn cold and be duly replaced with a hot bellied one. Discussions went on.’

My father remembers. This was Ahdoos.

It’s late evening. The table to the left is occupied by two men, in early thirties. Kashmiris. Almost done about to leave. Newspapers on the table. The two are still talking, but both in friendly conceding tone.  I don’t notice them leaving.

Waiter arrives with Chicken patties.

‘ Ah! Chicken patties! Try them’

Chicken is soft, unlike leather and strangely has a taste. It has been minced to butter.

‘The size has become smaller. They used to be bigger.’

Waiter smiles a little. Almost detached from his environment, the man was an old fashioned waiter, in his forties, a pencil moustache, he could have been a government employee. ‘Would you like to order anything else?’

‘Yes, a serving of Gushtaba.’

‘Anything to go with it. Rice. Roti.’

‘Nothing.’

Waiter comes to life. ‘Nothing. Okay. If you had told me earlier that you were going to have Gushtaba I would have kept tea and patties for after.’

‘It’s okay. And you are right. But who knew?’

‘Anything else?’

‘No. That’s it’

‘Soon.’

Father looks at me and say, ‘We will be having dinner with the rest at the hotel. They won’t be pleased to know that we came here without them. Hotel owner has been specially asked to prepare a non-veg dinner tonight. So we can’t have anything heavy. But Gushtaba will do’

Will more than do.

We  were soon digging into those soft meatballs called Gushtab. Dense and Delightful. Stupendous. Before leaving we ordered another serving, around twelve balls, for the folks back at the hotel. To return empty handed from Ahdoos would have been unforgivable.

Cinema Hall of Kashmir

The mini-van entered city limit, someone inside mentioned Khayyam. Soon they were off rattling mesmerizing names and old tales of visiting this of that theater of Kashmir. They mentioned:

Broadway near the Army cantonment area,
Neelam at the back of the Civil Secretariat,
Shiraaz at Khanyaar,
Palladium and Regal at Lal Chowk, 
Naaz near Iqbal Park,
Shah in Qamarwari,
Firdaus in Hamwal,
Khayyam near the chowk of same name.
Then there was:
Heaven/Hewaan in Anantnag,
Thimaya in Baramula,
and Samad/Summer Talkies in Sopore.

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Kapra in Sopore
Amrish/Regal Talkies at Residency Road:
Regina cinema of Baramulla
Marazi cinema in Kupwara
Heemal at Handwara
Nishat at Anantnag
Zorawar Theater on Srinagar-Baramulla Highway near Pattan,
run by army

These thanks to commenters (see below). Now the total is about 19.
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Image: Remains of Palladium Cinema Hall, Lal Chowk, Srinagar. June, 2008. Burnt down in 1992.

Jackie

As bombs burst outside,
faint-hearted Jakie ran inside.
Her ears couldn’t bear the sound.
Diwali is always loud.
It was, even in Kashmir.
She ran for her life.
Crossing vot,
she made an instinctive dash
for the safest place in the house.
Eyes and some legs followed her.
Jackie ran for thokur-kuth.
The God room, the holy kitchen.
Among the framed family portraits of smiling gods
from the Himalayas, Plains and the Heaven,
Jackie stood moaning right next to the unlit
(but still warm for autumn night) daan.
Howling.
A canine inside a Hindu Kitchen.
‘Jackie isn’t very fond of Diwali. Jakie went mad.’
They were all now laughing.
Jakie was led out of  the Kitchen.
But nothing could make her come out of the house.
(Weak-hearted Jackie)
So she stayed inside all that night.
‘Tomorrow, she may go back to roaming the streets.’
Old lady of the house again cleaned the Kitchen.
Poured water and swept the floor
Purified.
A diya still burning in front of gods. She bolted the door shut.

‘You weren’t born when this happened.’
I heard this story, every Diwali, every year,
while I was growing up not in that house.
‘Jackie must have died a year or two after you were born.
She used to play with you.
You wouldn’t remember that (do you)!
Killed.
Someone from the neighborhood fed her something.
A needle in her throat.’

And then the post scripts.

‘Then when your sister was born, around that time, we took in a dog.’

I remember the litters. The dog was really shy.

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